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What Writers Can Learn From JRR Tolkien

Annie Cosby
December 30, 2024 | 3 min read

The final installment of JRR Tolkien’s Middle Earth saga was published 69 years ago. Hobbits — and readers — finally reached Mount Doom, and the fantasy genre was altered forever.

Before Tolkien, fantasy was often relegated to fairy tales and children's stories, lacking the intricate plots and detailed settings that define the genre today. He set a new standard for world-building, introducing a truly immersive world in Middle Earth, complete with its own languages, history, and mythology. And his characters established many fantasy archetypes and tropes familiar to us today. 

Of course, the themes Tolkien's work focused on were more mature, too. The exploration of heroism, friendship, mortality, and the corrupting influence of power, all elevated fantasy into a sophisticated literary form.

The fantasy genre, once viewed as escapist or juvenile, became a respected domain for exploring profound human experiences.

So what exactly can we, as writers, learn from the great Tollers* and his high fantasy masterpieces?

*That's what his friends called him. And we like to think we'd have been friends.

On Writing

Why do we love Tolkien so much? Well, The Lord of the Rings speaks for itself.

But we're also huge fans of Tolkien's writing process.

Tolkien often embraced freewriting. He would start with small, spontaneous ideas that would later evolve into complex narratives. For example, the iconic first sentence of The Hobbit came to him while grading student papers.

Tolkien built his characters and storylines organically, frequently discovering the plot as he wrote, similar to how a painter gradually adds layers to a canvas. He didn’t worry about the details at first, but let them emerge through the writing process.

Get more details in "How to Write Like J.R.R. Tolkien."

 

On Living The Writer's Life

It took Tolkien 14 years and a very intensive writing process to complete the writings of Middle Earth we know and love today.

Depending on how fast you write, that might sound like an incredibly long time ... or a very short period. Either way, the reality is this: You can't take 14 years out of your life to stop living and immerse yourself in your fantasy world. Both have to co-exist.

Tolkien is a wonderful example of this.

We're lucky to have a great peek into Tolkien's life via his written correspondence with loved ones. These letters provide a fantastic look at how Tolkien balanced writing with chores and family life, as well as his "day job" as a professor.

Another interesting thing about Tolkien is that his success was within his lifetime, something that didn't happen for many authors we consider classics today.

Tolkien's letters give incredible insight into how he dealt with the commercial success of Lord of the Rings — and how he struggled to write through it.

Read more in "4 Writing Lessons from J.R.R. Tolkien You Really Don’t Want to Hear."

Additional Reading on JRR Tolkien

  • HOW TO WRITE LIKE JRR TOLKIEN: It’s easy to picture J.R.R. Tolkien sitting down and cranking out one fantasy masterpiece after another. After all, that’s how we read and experience his stories today. But the reality was much different.
November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.