overlaylink

4 Writing Lessons from J.R.R. Tolkien You Really Don’t Want to Hear

Annie Cosby
March 22, 2024 | 4 min read

The mastermind behind The Lord of the Rings and The Hobbit, JRR Tolkien is celebrated as one of the greatest fantasy authors of all time.

His work has inspired generations of readers and writers alike, including Ursula K. Le Guin and J. K. Rowling, shaping the landscape of modern fantasy literature. In addition to his iconic novels, people are fascinated by Tolkien's writing habits and how he managed to be so prolific within one human lifetime.

The Letters of J. R. R. Tolkien, published by Tolkien's son, Christopher, after his death provide a fantastic peek into the writer's personal life. Spanning more than six decades, the letters offer a chronological narrative of Tolkien's life and work. From his humble beginnings as a scholar to the towering figure of fantasy literature, Tolkien's correspondence reveals the evolution of his ideas and the challenges he faced in bringing his vision to life.

Hidden within these experiences is a treasure trove of writing advice writers probably don't want to hear. Let's explore four of these gems that challenge conventional wisdom: 

 

1. Sometimes you have to cut the grass.

One April letter from Tolkien reads:

"I managed to get an hour or two’s writing, and have brought Frodo nearly to the gates of Mordor. Afternoon lawn-mowing. Term begins next week, and proofs of Wales papers have come. Still I am going to continue 'Ring' in every salvable moment."

 

The man had just 1-2 hours of writing a day and some "moments" and still managed to generate half a million words for the Lord of the Rings trilogy alone? Yes, even literary greats had to deal with the real world on a daily basis.

In fact, Tolkien had many other responsibilities that pulled him away from his writing, such as work as a translator and professor. (He also helped during the creation of the Oxford English Dictionary.) But he didn't let that stop him.

P.S. Do you use generic working titles for your writing? It can't be more banal than using "Ring" to describe the sprawling fantasy epic that is Lord of the Rings!

 

2. Build the background.

Tolkien famously wrote extensive backgrounds to enrich his world-building. In one letter, he advises his son that "the tale should be more like a web than a chain." Perhaps the most impressive aspect of this web was Tolkien's fictional languages, including entire language families like Elvish and Dwarvish.

As a philologist, Tolkien was deeply familiar with the intricate nuances of words and their etymology. Tolkien's assertion is that delving into language creation not only enriched the world-building process but also lent authenticity and depth to his fictional cultures. Some of his languages even came before his books!

Now, we're not saying you need to create 15 different Elvish dialects. But we are saying that the richer the world-building, the more engaging the story. Tolkien is proof. 

 

3. It's not that deep.

If you're familiar with C.S. Lewis's relationship with Tolkien, you might know that Tolkien famously (and publicly) disliked allegory in literature. He and Lewis, though good friends, often butted heads about it.

Tolkien particularly hated when readers interpreted The Lord of the Rings as an allegory for World War II or other contemporary events. He vehemently denied any intentional allegorical elements in his work, saying:

"I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history – true or feigned – with its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but the one resides in the freedom of the reader, and the other in the purposed domination of the author."

 

Some scholars say this dislike of allegory relates to why Tolkien disliked Dune, writing in a private letter in 1966:

"It is impossible for an author still writing to be fair to another author working along the same lines. At least I find it so. In fact I dislike Dune with some intensity, and in that unfortunate case it is much the best and fairest to another author to keep silent and refuse to comment."

 

Thought it's just as likely Tolkien didn't like Dune for other reasons — like its treatment of religion (he was a devout Catholic) or political and societal commentary.

 

4. Success doesn’t make this easier.

One of the most poignant aspects of The Letters of J. R. R. Tolkien is Tolkien's reflections on the impact of fame and the pressure of literary success.

Many writers imagine a future level of success where this whole "creating intimate worlds and releasing them to the public for consumption and ridicule" thing gets easier. But Tolkien is evidence that it doesn't work like that.

After the commercial success of The Lord of the Rings, Tolkien struggled to complete anything, revising the same stories over and over. (Sounds like he needed a Freewrite.) Tolkien is said to have worried that fans would be unsatisfied by stories not set in Middle Earth. He even wrote a few pages of a LOTR sequel before shelving it. When he died, Tolkien left behind a treasure trove of unpublished work.

At the end of the day, Tolkien's legacy serves as a reminder that true creativity must stem from a sincere passion for one's craft, rather than the pursuit of fame or fortune, in order to be sustainable.

--

Whether you're a longtime fan of Tolkien's work or a newcomer to the universe of Middle Earth, Tolkien's writing life has left behind a legacy rich enough to inspire and enchant any writer.

What's your favorite aspect of Tolkien's legacy?

 

[RETURN TO “WHAT WRITERS CAN LEARN FROM JRR TOLKIEN.”]

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

 

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Join us for a free mini flash fiction lesson by Grant Faulkner at 1 p.m. ET on Thursday, August 13.

⏱️ At the lesson, we'll announce the prompt for the competition and jump into a community writing sprint to get the creative juices flowing.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17.

🔁 Those who can't make it live can watch the replayand submit before the deadline.

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. EST on Monday, August 17.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions

July 29, 2026 1 min read

Scroll down for the answer key.

 

 

 

 

 

 

 

 

 

 

 

 

 

Short answer: Anything!

July 21, 2026 2 min read

We're thrilled to introduce you to the winner of our Journey to a BillIon Words Giveaway: author P.L. McMillan.