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How to Induce Creativity

Concetta Cucchiarelli
July 05, 2024 | 4 min read

When we think about creativity, we often envision a burst of fantastic ideas or artistic endeavors.

However, creativity is more of an approach to problem-solving and innovation that is applicable in all areas of life.

What exactly is creativity?

As Dictionary.com defines it, creativity is “the ability to transcend traditional ideas, rules, patterns, relationships, or the like, and to create meaningful new ideas, forms, methods, interpretations, etc.”

Despite its incredible value, the psychological underpinnings of creativity remain mysterious. But one thing we know for sure is that it's spontaneous and difficult to produce on demand.

Creativity on Demand

This elusiveness poses a challenge, especially nowadays, when creativity is often expected on a schedule. Unfortunately, while there are activities to foster creativity, there isn't a definitive recipe.

However, we can make creativity more manageable by viewing it as a process rather than a skill.

We can make creativity more manageable by viewing it as a process rather than a skill.

In his book Building a Second Brain, Tiago Forte explains that while creative products change over time, the creative process remains constant and involves two phases: divergent and convergent.

In the divergent phase, we need to stay open-minded and generate as many ideas as possible.

In the convergent phase, we narrow down, select, and execute ideas. This phase is necessary to transform ideas into actual products or solutions.

Neurologically, the best state for creating ideas and solutions is the “daydreaming” or “mind-wandering” mode, the state of the brain at rest, which is defined as the “default mode network” by Marcus Raichle. In this state, the brain, disengaged from intentional focus, creates new neural connections and associations and expands concepts.

On the other hand, during the convergent phase, when we select ideas to act upon, our brain utilizes “stay-on-task" mode (or intentional focus, as discussed in our previous article) to help you execute a task without distractions.

(Learn how focus works psychologically.)

These modes are mutually exclusive; in other words, one suppresses the other.

Neurologically, the best state for creating ideas and solutions is the “daydreaming” or “mind-wandering” mode, the state of the brain at rest ... On the other hand, when we select ideas to act upon, our brain utilizes “stay-on-task mode."

As you may have experienced for yourself, mind-wandering mode is crucial for creativity, and it happens almost unpredictably, and only when we are free from our to-do lists. That's why, in today’s busy world, it's important to intentionally schedule this mind-wandering, or creative time.

That might seem counterintuitive, but in today’s world of distractions, you must purposely release yourself from your never-ending to-do list in order to let your mind wander.

What does this look like? Going out for a walk or engaging in boring or repetitive (and not mentally demanding) activities, like cleaning or gardening, can increase the chances of activating this mode. Or sitting in front of your Freewrite and letting thoughts flow through your fingers!

In today’s busy world, it's important to intentionally schedule this mind-wandering, or creative time.

Why You See the Yellow Cars

Both phases of the creative process involve a high level of focus — yes, even the divergent phase.

But how is it possible to focus (which we know consists of filtering out information to stay on task), and also stay open to possibilities simultaneously?

We’re able to do it because of selective attention, the process that makes us notice all the many yellow cars on the street once we decide we want to buy a yellow car. When we tell our brain that yellow cars are important or relevant, it pays more attention to them, working as a guide for our mind-wandering.

So, if we want to improve our creative process and get actual results, we should apply and practice focusing at two different levels.

Two Types of Focus

First, focus on just one project to guide your brain's wandering to get the answers and clues you are looking for, to let your brain make connections and come up with new ideas. Even when you’re just generating ideas, it's an excellent habit to focus on "The One Thing," as Gary Keller and Jay Papasan define it in their book.

Next, focus on a single task to accomplish it. When Albert Einstein disappeared from the public eye for three years, for example, he decided to focus on one single research project. This allowed him to create his groundbreaking theory of relativity.

While these types of focus differ cognitively, both are essential compasses for our thinking, and both involve narrowing your goals. It's why many highly creative individuals are often believed to be obsessed with one thing.

It's why many highly creative individuals are often believed to be obsessed with one thing.

You don't need to become obsessed. But if you provide clear directions to your brain through the proper focus, creativity will flow.

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Next, learn how to choose the more difficult task of creating (writing, painting, etc) over consuming (endlessly scrolling) every time

 

Return to “The Psychology of Focus”

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.