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Why You're Scrolling When You Want to Write

Concetta Cucchiarelli
July 05, 2024 | 4 min read

Every time we take out our smartphone, we engage with the same unconscious dilemma: to consume or to create.

Think about it — you could do a million things with a phone. You could compose the next Grammy award-winning piece of music while commuting. You could write a Pulitzer Prize-winning book while queuing for coffee.

But almost always, we end up choosing the same thing: consuming other people's videos, photos, posts, and thoughts.

The Ease of Consumption vs. the Difficulty of Creating

Whether it’s a Netflix series, a video game, a podcast, or just scrolling through the millions of Instagram or TikTok videos available, when we find ourselves bored and fall back on consuming some type of media, the excuses are always the same:

"I deserve it.” “I've been working so hard.” “Just this one and then I'll start working.” “It's only five minutes.”

That is your brain at work, trying to find good reasons for your irrational choices.

That’s because the brain loves consistency and ease. It's "a consistency machine," as Nobel Prize-winning Daniel Kahneman calls it.

To be fair, consuming is not bad in and of itself. On the contrary, it gives us a way to disengage and rest from the energy-consuming self-control process needed to focus and behave the way society tells us we’re supposed to. This disconnect is useful for a limited time — and as long as we know how not to get trapped.

The problem is that the media and platforms we use today are specifically designed to keep us in that loop as long as possible. Simply because while we’re on those platforms, those platforms are making money. Every day, we face a huge amount of content created, on purpose, to keep us hooked.

And there's a biological process keeping us hooked. This is all based on the dopamine reward system, which creates addiction similar to drugs and alcohol.

Dopamine inhibits self-control, so when we are caught in the loop, it's challenging to exit by using merely self-control.

There's a biological process keeping us hooked. This is all based on the dopamine reward system, which creates addiction similar to drugs and alcohol.

On the other end of the spectrum, we love to do creative things, like writing and art, so why is it so hard to get started?

Creating something from nothing — whether that’s writing, painting, or really any kind of problem-solving activity — requires self-control to begin (and keep going), as well as other skills and abilities that require much more mental energy. And the wise brain loves to save energy for when it thinks it is needed.

As the famous stand-up comedian Jerry Seinfeld once said about writing: it's the most difficult thing in the world. You have to summon a lot of willpower and energy to keep doing it every day. It doesn't happen easily, even if you love it.

To summarize the core of the issue: consuming and creating have two different "access barriers," as we'd call them in business, making one easier than the other.

We don't need too many resources to start consuming, and it gets more and more addictive as we keep going. On the contrary, creating is harder to initiate — and keep up.

To summarize the core of the issue: consuming and creating have two different "access barriers," making one easier than the other.

How to Exit the Consumption Loop

OK, so we understand why we find ourselves scrolling or watching TV so often. But how do we break through that addiction to find a healthy balance between creating our own work and consuming without getting trapped?

Here are a few tips:

1. Plan ahead.

Plan your day with as many details as possible, guaranteeing space for what's essential to you. Planning is the best way to avoid picking up your phone “just for a second.”

2. Keep a "read-later" list.

Save the content you want to read or watch on one list so that when you have time to "waste," you know what to consume without getting carried away.

3. Increase the friction.

Increase your “consumption friction” by removing social media from your phone and using only the desktop version. This will make it more challenging to enter the loop of random consumption and get stuck there.

4. Think long-term.

Every time you are about to start scrolling, try to visualize a clear image of your future self. For example, imagine a fulfilled version of yourself holding the book you wrote. Fulfillment is better than excitement.

5. Ask yourself: “What kind of person am I becoming by consuming this?”

And how will it make you feel? A lot of media these days is designed to infuriate, unsettle, or otherwise solicit a reaction. Before clicking on that video, evaluate whether that’s really what you need affecting your emotions today.

6. Start the morning with a “closed system.”

That’s what Thibaut Meurisse calls it in his book Dopamine Detox — a system without any access to useless stimuli. Don’t hop on Instagram before you get out bed. Get your day started without your phone in your hand, and you’ll feel much better throughout the day.

7. Constantly share your work.

Create excitement for your writing or artwork by sharing it with others. Once other people know you love to do these things, you’ll feel a new accountability and enjoyment for it.

Overall, if you start the day with a good plan, a clear idea of what's essential on your to-do list, and distraction-free technology, you are building the foundations for the most productive and fulfilling day.

Return to "The Psychology of Focus"

August 26, 2026 5 min read

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

August 26, 2026 1 min read

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions