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The Psychology of Focus

Concetta Cucchiarelli
July 08, 2024 | 5 min read

This article explores the fascinating workings of the focus and attention systems in the brain. Knowing more about your brain's own processes can help make you more productive — and more creatively fulfilled.

Psychology started studying attention to find out how people can stay alert. But after many years, we now understand that attention and focus are the most hidden and powerful systems we have in the brain, the directors of all our thoughts and actions.

Once you more fully understand the complexity of the psychological processes that make you act the way we do, you can address and nurture all these processes to find harmony and balance in your activities. 

In this article, you'll learn:

Attention & Focus

When we speak about attention and focus, we often do so as if they were the same thing. But they're not.

We tend to think about attention as the place where we place our focus and, conversely, focus as what we pay attention to. But let's go deeper. To use an analogy, it's like shooting a video:

"Attention" is like framing a shot, while "focus" is more like pressing the record button. By pressing record, we choose to filter out all the alternative possibilities around that frame, and we commit to staying there for a bit, blurring the background.

Second, there are different kinds of attention, like selective, sustained, and divided. When we talk about attention, we commonly think only about the ability to stay focused on a task for an extended period of time. We tend to believe that this is the only function of attention, and all the rest are distractions to avoid.

But the attention system is way more intricate.

If we had just the ability to focus on something, we would be locked in a task every time we intentionally engaged in something, missing other, more relevant or important, information being passed along by our mind, our body, or our environment. All of that information is vital for our safety and survival!

The type of attention we think of most often is called "top-down." It drives voluntary attention, willpower, and intentional choices, and occurs in the neocortex, a more recently developed area of the brain. 

Here's how it works practically: We intentionally decide to pay attention to something — for example, to read an article — and we deliberately move our focus to the page.

But if your phone vibrates or the doorbell rings, our intentionality is immediately hijacked by a different kind of mechanism called "bottom-up." This mechanism allows us to stay open and connected to all the information coming into our brain that is different from the task at hand. This mode occurs in subcortical circuitry in the lower and more ancient part of the brain.

This switch is possible at all because of another actor in the attention system called the attentional filter. The attentional filter is a system of neurons constantly monitoring the environment and selecting what is worth bringing to the conscious level. We could think about it as the director in the same analogy of shooting a video — they decide what's worth framing in the first place.

The role of the attentional filter is vital to keeping us safe and from getting overwhelmed by the amount of information available to our brains at all times.

And perhaps the most important thing to remember: We may think that the majority of our mental operations happen intentionally, in top-down mode, but in fact, the majority of them occur in the back of our minds.

Learn how we can direct and control our attention and focus in Concetta's article "How Focus Works Psychologically."

 

Focus & Creativity

So what happens in our brain when we are not intentionally engaging in anything or when our focus is not grabbed by something unintentional, like a car approaching or a phone ringing?

There is a mode called "mind wandering," or, since it is the way the brain acts by default, the "default mode."

Mind wandering is the opposite of "stay-on-task" mode, also called "central executive," and the two are in a very delicate balance — when one is on, the other is off.

Generally speaking, stay-on-task mode is related to external and internal things or events, but when our mind wanders, we turn inward and move the focus internally. We lose contact with our perception; it's just us and our thoughts.

This can can be annoying, like when you unintentionally get swept away by unrelated thoughts while reading a book, but the mind-wandering state is also a powerful resource.

In fact, it's known as the home of creativity. If directed correctly, it can significantly help the creative process. (Yes, you can help direct it to be more productive.)

While mind wandering can be disruptive to whatever task you're immediately focusing on, it also helps with problem-solving." As Psychologist Daniel Goleman says in his book Focus: The Hidden Driver of Excellence,

"While our minds wander, we become better at anything that depends on a flash of insight, from coming up with imaginative wordplay to inventions and original thinking."

This is possible because, without the constraints or filters we have when we pay attention intentionally, our brain is free to reassemble and connect things.

The problem is that mind wandering seems to happen unpredictably, and we don't do it on command. But the good news is that this "default" mode is not totally random.

Instead, it seems to pick the unfinished businesses that populate our unconscious mind. So, if we feed our mind open questions or problems we are interested in or curious about, it will work on them, looking for that solution, assembling all the pieces, and collecting all the clues that, consciously, we'd never combine.

Learn more about how to induce this important state of creativity in "The Role of Focus in Creativity."

 

Consuming vs. Creating

Often, consumption of other peoples' media and creativity can help induce a state of mind-wandering. For example, watching a movie on Netflix can sometimes allow us to zone out and start thinking about other things. It's a valuable way to rest your mind and disengage from actively created thoughts.

However, and this is a big caveat, in today's world it is much too easy to get trapped in the infinite consumption loop of binge-watching, endless scrolling, or hours evaporating in digital rabbit holes.

In fact, we need to remember that content today, especially digital content, is created with the purpose of keeping us trapped, leveraging the dopamine reward system to keep us hooked and looking for a new shoot of dopamine. Our time on apps, websites, and social media is how those platforms make money.

This is why we often find ourselves scrolling or streaming shows even when we want to be creative — we want to write or draw or paint or create something from nothing.

Our brains know better. We don't want to just consume other people's thoughts, other people's art.

What we really want is the ability to choose and switch where our focus lies, at will. We want to stay focused but also let our minds rest. How can we do practically to be the most creative and productive people in a sustainable and healthy way?

We have plenty of processes that can backfire by default, but if managed correctly, they can become a superpower.

Learn how to exit the Consumption Loop and make Creating your superpower in: "The Battle of Consuming vs. Creating."

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Every time I write about attention, I'm in awe of how everything works together perfectly and how this brain of ours is able to create wonders out of nothing.

Responsible use of the whole brain's circuitry can lead us to a creative, happy, and fulfilled life.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.