Understanding Attention & Focus

Concetta Cucchiarelli
June 24, 2024 | 3 min read

"I can't focus." We've all said these words before.

But the reality is not that we can't focus — after all, the human brain is always paying attention and, consciously or not, focusing on something — but rather that we can't control our focus.

Let's look into the psychology of attention and focus to better understand how we can control our focus — and our productivity.

Imagine this:

You’re sitting at your desk writing a blog post. You know everything about the topic you're writing about. In fact, you love it so much that everything around you disappears.

This is attention at work.

But suddenly, your stomach makes noises, and you remember that you have to go get groceries because there's nothing in the fridge.

This is still attention at work.

You take note, and you get back to writing. But suddenly, the doorbell startles you, making you stand up and go open the door.

This is, again, attention at work.

How is that possible? Are you "paying attention" even while being distracted? Yes, you are. The reason this seems counterintuitive is because we tend to use the words “focus” and “attention” interchangeably.

So what’s the difference? In simple terms:

Attention means “attending to one thing among many others.”

Focus is “continuing to attend to something, without drifting away, for a prolonged period of time.”

They're both important, but they hold very different purposes.

Paying Attention

According to the Information Processing Model — a model used in psychology to describe how we make sense of the information we get from our environment and our minds, and how we take action — attention is the process that allows us to bring what we perceive into short-term memory.

By doing this, we become conscious of the perceived information and can decide what to do with it. Since short-term memory is limited in capacity, paying attention to fewer things prevents us from being overwhelmed by all the information available in the environment and in our minds.

In other words: Filtering things out is literally what keeps us sane.

In other words: Filtering things out is literally what keeps us sane.

But attention is also the ability not to be locked in a task, ignoring other, more vital possibilities.

Letting info in is what keeps us safe.

Imagine you’re reading an engrossing book when you smell smoke. Your attention on the book is interrupted by this new information filtering in. And that's a good thing!

Letting info in is what keeps us safe.

Having both the ability to be locked into a task and also get unlocked from a task is crucial from a productivity perspective, as well. High productivity is possible when we feel safe and are able to process what is happening around us.

There are different types of attention, but we'll focus on two here:

  • Top-downattention is intentionally directed to an object or task, like reading an email or writing a chapter of your book.
  • Bottom-upattention is driven by unexpected signals, such as a phone ringing or the smell of smoke.

Finding Focus

Focus is characterized by being locked into a task for a prolonged period of time. However, like attention, it is not always intentional — even if we tend to think the opposite.

Let's say you have a problem with your boss, and you can't help but think about it during your off-hours. You spend a lot of time stuck on those thoughts, and the more you try to move your mind away from them, the more it latches on. That's focus. Not a productive type of focus, but still focus. (Different mental health issues and personality types will affect how your brain handles focus, too.)

Often, we hear about concepts such as "Deep Focus," "Hyper Focus," and other types of focus with catchy names.

These aren't really specific types of focus, cognitively speaking, but simply definitions from very handy frameworks in renowned productivity books about organizing and structuring work. They can be useful in visualizing your own work.

Hyper Focus, for example, happens when we expand a task “to fill completely our attention space,” as Chris Bailey explains in his book Hyperfocus: How to Be More Productive in a World of Distraction. It is “intense focus, coupled with deliberate attention.”

Deep Focus, also known as "Deep Work," refers to focus without distractions, as Cal Newport teaches.

Whatever you call it, focus is integral to being our most productive selves.

--

Remember: There is no such thing as a lack of focus, but, instead, a lack of control over it.

And understanding what focus and attention are and how they work will empower you to gain the control that makes you more productive.

Next, learn how focus affects creativity.

 

Recommended articles

More recommended articles for you

March 22, 2025 4 min read

I’ve spent years writing while secretly fearing that a single misplaced word would expose me — not just as a bad writer, but as a fraud.

My background is originally in photography, and I see it there, too. A photographer I know recently posted a before-and-after comparison of their editing from 2018 versus now, asking if we also saw changes in our own work over the years.

Naturally, we should. If our work is the same, years apart, have we really grown as artists?

So why is that the growing, the process of it, the daily grind of it, is so painful?

So why is that the growing, the process of it, the daily grind of it, is so painful?

The Haunting

Hitting “publish” on an essay or a blog always stirs up insecurity — the overthinking, the over-editing. The fear that someone will call me out for not being a real writer.

I initially hesitated to make writing part of my freelance work. My background is in photography and design. Writing was something I gravitated toward, but I had no degree to validate it. No official stamp of approval.

Like many writers, I started with zero confidence in my voice — agonizing over edits, drowning in research, second-guessing every word.

I even created a shield for myself: ghostwriting.

I even created a shield for myself: ghostwriting.

If my words weren’t my own, they couldn’t be wrong. Ghostwriting meant safety — no risk, no vulnerability, just words without ownership.

I still remember the feeling of scrolling to the bottom of an article I had written and seeing someone else’s name, their face beside words that had once been mine.

The truth is, I always wanted to write. As a kid, I imagined it. Yet, I found myself handing over my work, letting someone else own it.

I told myself it didn’t matter. It was work. Getting paid to write should be enough.

But here’s the thing: I wasn’t just playing it safe — I was slowly erasing myself. Word by word. Edit by edit. And finally, in the by-line.

I wasn’t just playing it safe — I was slowly erasing myself. Word by word. Edit by edit. And finally, in the by-line.

The Disappearing Act

This was true when I was writing under my own name, too. The more I worried about getting it right, the less I sounded like me.

I worried. I worried about how long an essay was (“people will be bored”), finding endless examples as proof of my research (“no way my own opinion is valid on its own”), the title I gave a piece (“it has to be a hook”), or editing out personal touches (“better to be safe than be seen”).

I built a guardrail around my writing, adjusting, tweaking, over-correcting. Advice meant to help only locked me in. It created a sentence rewritten to sound smarter, an opinion softened to sound safer, a paragraph reshaped to sound acceptable.

I built a guardrail around my writing, adjusting, tweaking, over-correcting.

But playing it safe makes the work dull. Writing loses its edge.

It took deliberate effort to break this habit. I’m not perfect, but here’s what I know after a year of intentionally letting my writing sound like me:

My work is clearer. It moves with my own rhythm. It’s less shaped by external influence, by fear, by the constant need to smooth it into something more polished, more likable.

But playing it safe makes the work dull. Writing loses its edge.

The Resurrection

The drive for acceptance is a slippery slope — one we don’t always realize we’re sliding down. It’s present in the small choices that pull us away from artistic integrity: checking how others did it first, tweaking our work to fit a mold, hesitating before saying what we actually mean.

And let’s be honest — this isn’t just about writing. It bleeds into everything.

It’s there when we stay silent in the face of wrongdoing, when we hold back our true way of being, when we choose work that feels “respectable,” whatever that means. It’s in every “yes” we say when we really want to say “no.”

If your self-expression is rooted in a need for acceptance, are you creating for yourself — or for others? Does your work help you explore your thoughts, your life? Does it add depth, energy, and meaning?

My work is clearer. It moves with my own rhythm. It’s less shaped by external influence, by fear, by the constant need to smooth it into something more polished, more likable.

I get it. We’re social creatures. Isolation isn’t the answer. Ignoring societal norms won’t make us better writers. Often, the most meaningful work is born from responding to or resisting those norms.

But knowing yourself well enough to recognize when acceptance is shaping your work brings clarity.

Am I doing this to be part of a community, to build connections, to learn and grow?

Or am I doing this to meet someone else’s expectations, dulling my voice just to fit in?

The Revival

Here’s what I know as I look back at my writing: I’m grateful for the years spent learning, for the times I sought acceptance with curiosity. But I’m in a different phase now.

I know who I am, and those who connect with my work reflect that back at me — in the messages they send, in the conversations we share.

I know who I am, and those who connect with my work reflect that back at me — in the messages they send, in the conversations we share.

It’s our differences that drive growth. I want to nurture these connections, to be challenged by difference, to keep writing in a way that feels like me. The me who isn’t afraid to show what I think and care about.

So, I ask you, as I ask myself now:

If no one was watching, if no one could judge, what would you write?

If no one was watching, if no one could judge, what would you write?

March 20, 2025 6 min read

A book deal without an agent? An agent offer after a book deal? Learn how Writer Bobby Miller took his publishing journey into his own hands. 

March 19, 2025 1 min read

We've chatted with the creatures of Middle Earth to discover their writing preferences and which Freewrite devices work best for each of them.

Find your Lord of the Rings identity and discover your next Freewrite.