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Understanding Attention & Focus

Concetta Cucchiarelli
June 24, 2024 | 3 min read

"I can't focus." We've all said these words before.

But the reality is not that we can't focus — after all, the human brain is always paying attention and, consciously or not, focusing on something — but rather that we can't control our focus.

Let's look into the psychology of attention and focus to better understand how we can control our focus — and our productivity.

Imagine this:

You’re sitting at your desk writing a blog post. You know everything about the topic you're writing about. In fact, you love it so much that everything around you disappears.

This is attention at work.

But suddenly, your stomach makes noises, and you remember that you have to go get groceries because there's nothing in the fridge.

This is still attention at work.

You take note, and you get back to writing. But suddenly, the doorbell startles you, making you stand up and go open the door.

This is, again, attention at work.

How is that possible? Are you "paying attention" even while being distracted? Yes, you are. The reason this seems counterintuitive is because we tend to use the words “focus” and “attention” interchangeably.

So what’s the difference? In simple terms:

Attention means “attending to one thing among many others.”

Focus is “continuing to attend to something, without drifting away, for a prolonged period of time.”

They're both important, but they hold very different purposes.

Paying Attention

According to the Information Processing Model — a model used in psychology to describe how we make sense of the information we get from our environment and our minds, and how we take action — attention is the process that allows us to bring what we perceive into short-term memory.

By doing this, we become conscious of the perceived information and can decide what to do with it. Since short-term memory is limited in capacity, paying attention to fewer things prevents us from being overwhelmed by all the information available in the environment and in our minds.

In other words: Filtering things out is literally what keeps us sane.

In other words: Filtering things out is literally what keeps us sane.

But attention is also the ability not to be locked in a task, ignoring other, more vital possibilities.

Letting info in is what keeps us safe.

Imagine you’re reading an engrossing book when you smell smoke. Your attention on the book is interrupted by this new information filtering in. And that's a good thing!

Letting info in is what keeps us safe.

Having both the ability to be locked into a task and also get unlocked from a task is crucial from a productivity perspective, as well. High productivity is possible when we feel safe and are able to process what is happening around us.

There are different types of attention, but we'll focus on two here:

  • Top-downattention is intentionally directed to an object or task, like reading an email or writing a chapter of your book.
  • Bottom-upattention is driven by unexpected signals, such as a phone ringing or the smell of smoke.

Finding Focus

Focus is characterized by being locked into a task for a prolonged period of time. However, like attention, it is not always intentional — even if we tend to think the opposite.

Let's say you have a problem with your boss, and you can't help but think about it during your off-hours. You spend a lot of time stuck on those thoughts, and the more you try to move your mind away from them, the more it latches on. That's focus. Not a productive type of focus, but still focus. (Different mental health issues and personality types will affect how your brain handles focus, too.)

Often, we hear about concepts such as "Deep Focus," "Hyper Focus," and other types of focus with catchy names.

These aren't really specific types of focus, cognitively speaking, but simply definitions from very handy frameworks in renowned productivity books about organizing and structuring work. They can be useful in visualizing your own work.

Hyper Focus, for example, happens when we expand a task “to fill completely our attention space,” as Chris Bailey explains in his book Hyperfocus: How to Be More Productive in a World of Distraction. It is “intense focus, coupled with deliberate attention.”

Deep Focus, also known as "Deep Work," refers to focus without distractions, as Cal Newport teaches.

Whatever you call it, focus is integral to being our most productive selves.

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Remember: There is no such thing as a lack of focus, but, instead, a lack of control over it.

And understanding what focus and attention are and how they work will empower you to gain the control that makes you more productive.

Next, learn how focus affects creativity.

 

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.