overlaylink

The Psychology of Focus

Concetta Cucchiarelli
July 08, 2024 | 5 min read

This article explores the fascinating workings of the focus and attention systems in the brain. Knowing more about your brain's own processes can help make you more productive — and more creatively fulfilled.

Psychology started studying attention to find out how people can stay alert. But after many years, we now understand that attention and focus are the most hidden and powerful systems we have in the brain, the directors of all our thoughts and actions.

Once you more fully understand the complexity of the psychological processes that make you act the way we do, you can address and nurture all these processes to find harmony and balance in your activities. 

In this article, you'll learn:

Attention & Focus

When we speak about attention and focus, we often do so as if they were the same thing. But they're not.

We tend to think about attention as the place where we place our focus and, conversely, focus as what we pay attention to. But let's go deeper. To use an analogy, it's like shooting a video:

"Attention" is like framing a shot, while "focus" is more like pressing the record button. By pressing record, we choose to filter out all the alternative possibilities around that frame, and we commit to staying there for a bit, blurring the background.

Second, there are different kinds of attention, like selective, sustained, and divided. When we talk about attention, we commonly think only about the ability to stay focused on a task for an extended period of time. We tend to believe that this is the only function of attention, and all the rest are distractions to avoid.

But the attention system is way more intricate.

If we had just the ability to focus on something, we would be locked in a task every time we intentionally engaged in something, missing other, more relevant or important, information being passed along by our mind, our body, or our environment. All of that information is vital for our safety and survival!

The type of attention we think of most often is called "top-down." It drives voluntary attention, willpower, and intentional choices, and occurs in the neocortex, a more recently developed area of the brain. 

Here's how it works practically: We intentionally decide to pay attention to something — for example, to read an article — and we deliberately move our focus to the page.

But if your phone vibrates or the doorbell rings, our intentionality is immediately hijacked by a different kind of mechanism called "bottom-up." This mechanism allows us to stay open and connected to all the information coming into our brain that is different from the task at hand. This mode occurs in subcortical circuitry in the lower and more ancient part of the brain.

This switch is possible at all because of another actor in the attention system called the attentional filter. The attentional filter is a system of neurons constantly monitoring the environment and selecting what is worth bringing to the conscious level. We could think about it as the director in the same analogy of shooting a video — they decide what's worth framing in the first place.

The role of the attentional filter is vital to keeping us safe and from getting overwhelmed by the amount of information available to our brains at all times.

And perhaps the most important thing to remember: We may think that the majority of our mental operations happen intentionally, in top-down mode, but in fact, the majority of them occur in the back of our minds.

Learn how we can direct and control our attention and focus in Concetta's article "How Focus Works Psychologically."

 

Focus & Creativity

So what happens in our brain when we are not intentionally engaging in anything or when our focus is not grabbed by something unintentional, like a car approaching or a phone ringing?

There is a mode called "mind wandering," or, since it is the way the brain acts by default, the "default mode."

Mind wandering is the opposite of "stay-on-task" mode, also called "central executive," and the two are in a very delicate balance — when one is on, the other is off.

Generally speaking, stay-on-task mode is related to external and internal things or events, but when our mind wanders, we turn inward and move the focus internally. We lose contact with our perception; it's just us and our thoughts.

This can can be annoying, like when you unintentionally get swept away by unrelated thoughts while reading a book, but the mind-wandering state is also a powerful resource.

In fact, it's known as the home of creativity. If directed correctly, it can significantly help the creative process. (Yes, you can help direct it to be more productive.)

While mind wandering can be disruptive to whatever task you're immediately focusing on, it also helps with problem-solving." As Psychologist Daniel Goleman says in his book Focus: The Hidden Driver of Excellence,

"While our minds wander, we become better at anything that depends on a flash of insight, from coming up with imaginative wordplay to inventions and original thinking."

This is possible because, without the constraints or filters we have when we pay attention intentionally, our brain is free to reassemble and connect things.

The problem is that mind wandering seems to happen unpredictably, and we don't do it on command. But the good news is that this "default" mode is not totally random.

Instead, it seems to pick the unfinished businesses that populate our unconscious mind. So, if we feed our mind open questions or problems we are interested in or curious about, it will work on them, looking for that solution, assembling all the pieces, and collecting all the clues that, consciously, we'd never combine.

Learn more about how to induce this important state of creativity in "The Role of Focus in Creativity."

 

Consuming vs. Creating

Often, consumption of other peoples' media and creativity can help induce a state of mind-wandering. For example, watching a movie on Netflix can sometimes allow us to zone out and start thinking about other things. It's a valuable way to rest your mind and disengage from actively created thoughts.

However, and this is a big caveat, in today's world it is much too easy to get trapped in the infinite consumption loop of binge-watching, endless scrolling, or hours evaporating in digital rabbit holes.

In fact, we need to remember that content today, especially digital content, is created with the purpose of keeping us trapped, leveraging the dopamine reward system to keep us hooked and looking for a new shoot of dopamine. Our time on apps, websites, and social media is how those platforms make money.

This is why we often find ourselves scrolling or streaming shows even when we want to be creative — we want to write or draw or paint or create something from nothing.

Our brains know better. We don't want to just consume other people's thoughts, other people's art.

What we really want is the ability to choose and switch where our focus lies, at will. We want to stay focused but also let our minds rest. How can we do practically to be the most creative and productive people in a sustainable and healthy way?

We have plenty of processes that can backfire by default, but if managed correctly, they can become a superpower.

Learn how to exit the Consumption Loop and make Creating your superpower in: "The Battle of Consuming vs. Creating."

--

Every time I write about attention, I'm in awe of how everything works together perfectly and how this brain of ours is able to create wonders out of nothing.

Responsible use of the whole brain's circuitry can lead us to a creative, happy, and fulfilled life.

November 29, 2025 4 min read

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

November 25, 2025 1 min read

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.