The Kickstarter that Almost Broke the Internet

Sophie Campbell
November 07, 2024 | 4 min read

What do you think is the most successful Kickstarter campaign of all time? A project for a newfangled smartwatch? Laser engraver? VR headset?

Guess again.

It was high fantasy and science fiction author Brandon Sanderson who almost broke the internet in 2022 when he launched a Kickstarter campaign to publish four new books.

The original goal for this campaign was $1 million. But readers pledged over $20 million in the first 72 hours – making this the literary world’s equivalent of a surprise Beyoncé album drop. By the end of the campaign, 185,341 fans had pledged $41,754,153.

So, what otherworldly magic made this campaign so successful? And what can writers learn from it? Let’s dive in.

The original goal for this campaign was $1 million. But readers pledged over $20 million in the first 72 hours. 

The World of Brandon Sanderson: A Whistle-Stop Tour

To understand why this Kickstarter skyrocketed, we first need to get to know the man, the myth, the legend: Brandon Sanderson.

To say Sanderson has an impressive writing resume would be a huge understatement. Many readers discovered him when he was selected to complete The Wheel of Time series in 2007 following the death of the original author, Robert Jordan. Sanderson’s first published novel Elantris had been released only two years previously. But Sanderson was already a prolific writer at this point, having penned 13 novels before his debut hit bookshelves.

Since then, Sanderson has become one of the biggest names in fantasy. He is the creator of the Cosmere fictional universe, and he has published over 70 books. Dizzying, right?

And he does much more than just write. Sanderson has built an empire surrounding his work. In 2019, he founded Dragonsteel Entertainment, which now owns the copyright on many of his books.

Why Did Sanderson Choose Crowdfunding?

In an interview with CBS Saturday Morning, Sanderson explains that Amazon controls "85% of the book market, and about a decade ago, they had contract disputes with my publisher.” As a result of these disputes, Amazon turned off the ability to buy his books for a month.

“For a month, my income vanished,” he said. “And I’ve never forgotten that.”

In a bid to take back control from publishing and distribution giants like Amazon, Sanderson knew he wanted to start taking ownership of his work. (Many authors choose to self-publish for similar reasons.)

With an established market for his books, it was time to cut out the middleman. And so the seed was planted for publishing his own work. But self-publishing is expensive — you have to pay editors, copy editors, proofreaders, cover designers, and marketing folks. How would Sanderson fund it?

Enter: crowdfunding.

“For a month, my income vanished,” he said. “And I’ve never forgotten that.”

The Secret Sauce to a Record-Breaking Kickstarter

So, what factors contributed to Sanderson’s Kickstarter success?

A primed audience, ready to read more

The NYT best-selling author’s preexisting books undeniably contributed to the success of his Kickstarter campaign. Fans of the Mistborn series and The Stormlight Archive, although not expecting these new releases, were already waiting and ready to devour new material.

With an impressive back catalog of books with huge sales, success was expected. But not at this magnitude.

A fun, story-led promotional campaign

Sanderson’s campaign page on Kickstarter set out a clear vision of how he would release these books, including the various tiers and swag boxes up for grabs. He also included a personal and engaging video, telling the story of how he wrote the four novels in secret during lockdown.

Letting fans in on this tightly kept secret added exclusivity and excitement to the project, compelling people to pledge and secure their order before the campaign's end date.

Using the crowdfunding model also makes fans feel like they are a part of their favorite authors’ writing journey. Without their support, the books wouldn’t be printed.

Letting fans in on this tightly kept secret added exclusivity and excitement to the project...

Marketing = community building

Through his podcasts, YouTube channel, regular blog posts, and social media marketing, as well as press interviews and conventional appearances, Sanderson has invited readers into his world. Brick-by-brick, year after year, he has built a strong author brand.

By sharing his journey with readers, he has forged a lasting connection with them. Now, readers root for Sanderson as much as they root for his characters.

Having a loyal readership also compounded Sanderson’s promotional efforts as fans shared their excitement online, helping even more people discover the project.

By sharing his journey with readers, he has forged a lasting connection with them. Now, readers root for Sanderson as much as they root for his characters.

What Writers Can Learn From Brandon Sanderson

Sanderson is an entrepreneur as well as an author. He understands that writing is a business, and he has lots of valuable lessons to teach aspiring and emerging authors. Here are just a few:

1. Get as creative with sharing your work as you do with writing it. Learn the fundamentals of book marketing and think about fun and exciting ways to release your work. Especially if you’re self-publishing, you’re only limited by your imagination.

2. Write on, and on and on. Remember Sanderson wrote 13 books before his debut was published? His journey is a great reminder that there’s no such thing as overnight success. This gig takes perseverance. Write on.

3. Get support from others. Sanderson hasn’t done it all alone. From traditional publishers to a team of 50+ Dragonsteel employees today, he’s had a lot of help along the way. Remember: reach out to others for support when you need it.

Building an author brand big enough to rival Sanderson’s may seem like a fantasy. But plenty of indie authors do succeed in building communities, attracting engaged readers, and crowdfunding their writing projects.

Follow Sanderson’s marketing, and other authors like him, and who knows? You could be the next Kickstarter success story.

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I’ve spent years writing while secretly fearing that a single misplaced word would expose me — not just as a bad writer, but as a fraud.

My background is originally in photography, and I see it there, too. A photographer I know recently posted a before-and-after comparison of their editing from 2018 versus now, asking if we also saw changes in our own work over the years.

Naturally, we should. If our work is the same, years apart, have we really grown as artists?

So why is that the growing, the process of it, the daily grind of it, is so painful?

So why is that the growing, the process of it, the daily grind of it, is so painful?

The Haunting

Hitting “publish” on an essay or a blog always stirs up insecurity — the overthinking, the over-editing. The fear that someone will call me out for not being a real writer.

I initially hesitated to make writing part of my freelance work. My background is in photography and design. Writing was something I gravitated toward, but I had no degree to validate it. No official stamp of approval.

Like many writers, I started with zero confidence in my voice — agonizing over edits, drowning in research, second-guessing every word.

I even created a shield for myself: ghostwriting.

I even created a shield for myself: ghostwriting.

If my words weren’t my own, they couldn’t be wrong. Ghostwriting meant safety — no risk, no vulnerability, just words without ownership.

I still remember the feeling of scrolling to the bottom of an article I had written and seeing someone else’s name, their face beside words that had once been mine.

The truth is, I always wanted to write. As a kid, I imagined it. Yet, I found myself handing over my work, letting someone else own it.

I told myself it didn’t matter. It was work. Getting paid to write should be enough.

But here’s the thing: I wasn’t just playing it safe — I was slowly erasing myself. Word by word. Edit by edit. And finally, in the by-line.

I wasn’t just playing it safe — I was slowly erasing myself. Word by word. Edit by edit. And finally, in the by-line.

The Disappearing Act

This was true when I was writing under my own name, too. The more I worried about getting it right, the less I sounded like me.

I worried. I worried about how long an essay was (“people will be bored”), finding endless examples as proof of my research (“no way my own opinion is valid on its own”), the title I gave a piece (“it has to be a hook”), or editing out personal touches (“better to be safe than be seen”).

I built a guardrail around my writing, adjusting, tweaking, over-correcting. Advice meant to help only locked me in. It created a sentence rewritten to sound smarter, an opinion softened to sound safer, a paragraph reshaped to sound acceptable.

I built a guardrail around my writing, adjusting, tweaking, over-correcting.

But playing it safe makes the work dull. Writing loses its edge.

It took deliberate effort to break this habit. I’m not perfect, but here’s what I know after a year of intentionally letting my writing sound like me:

My work is clearer. It moves with my own rhythm. It’s less shaped by external influence, by fear, by the constant need to smooth it into something more polished, more likable.

But playing it safe makes the work dull. Writing loses its edge.

The Resurrection

The drive for acceptance is a slippery slope — one we don’t always realize we’re sliding down. It’s present in the small choices that pull us away from artistic integrity: checking how others did it first, tweaking our work to fit a mold, hesitating before saying what we actually mean.

And let’s be honest — this isn’t just about writing. It bleeds into everything.

It’s there when we stay silent in the face of wrongdoing, when we hold back our true way of being, when we choose work that feels “respectable,” whatever that means. It’s in every “yes” we say when we really want to say “no.”

If your self-expression is rooted in a need for acceptance, are you creating for yourself — or for others? Does your work help you explore your thoughts, your life? Does it add depth, energy, and meaning?

My work is clearer. It moves with my own rhythm. It’s less shaped by external influence, by fear, by the constant need to smooth it into something more polished, more likable.

I get it. We’re social creatures. Isolation isn’t the answer. Ignoring societal norms won’t make us better writers. Often, the most meaningful work is born from responding to or resisting those norms.

But knowing yourself well enough to recognize when acceptance is shaping your work brings clarity.

Am I doing this to be part of a community, to build connections, to learn and grow?

Or am I doing this to meet someone else’s expectations, dulling my voice just to fit in?

The Revival

Here’s what I know as I look back at my writing: I’m grateful for the years spent learning, for the times I sought acceptance with curiosity. But I’m in a different phase now.

I know who I am, and those who connect with my work reflect that back at me — in the messages they send, in the conversations we share.

I know who I am, and those who connect with my work reflect that back at me — in the messages they send, in the conversations we share.

It’s our differences that drive growth. I want to nurture these connections, to be challenged by difference, to keep writing in a way that feels like me. The me who isn’t afraid to show what I think and care about.

So, I ask you, as I ask myself now:

If no one was watching, if no one could judge, what would you write?

If no one was watching, if no one could judge, what would you write?

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