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Challenges Writers Face in the Digital Age

Concetta Cucchiarelli
November 07, 2024 | 3 min read

Have you ever seen photos of the place where Virginia Woolf wrote many of her masterpieces?

It's a study in Yorkshire, a small room with a desk, a chair, an oil lamp, a bottle of water, newspapers, and notes.

It's not much different from the places we write nowadays. Many people don't have such a dedicated spot. Still, we have something to write on, something to drink, somewhere to sit, and something to light up the place (though no oil anymore).

There is one big difference, though: these days, we write on a laptop with a smartphone nearby.

This means that while we write in the physical world, sitting before a keyboard, we are also half in a different world, where people are talking, sharing, and commenting — even if they are not physically with us, they create tangible effects on our consciousness.

The difference, to put it simply, is that we live a digital life.

Chronic Information Overload

In addition to the things we encounter in our physical world, we are also constantly bombarded by an incredible amount of information from the digital world, such as emails, memes, texts, status updates, photos, videos, news, you name it.

Twenty years ago, information scientists estimated that an American was being exposed to information equal to 178 newspapers daily. That’s massive, right?

Today, that exposure has doubled.

And even if, at first glance, more seems better, especially when it comes to the availability of information, more actually means a significant erosion of our cognitive abilities.

To make sense of all this information, our brains need to filter it down, separating what's useful from what's not. This means making many minute decisions, which in turn means enormous cognitive costs.

In order to write, we must accomplish several different things, like staying still for a certain amount of time, not getting distracted, and generating new ideas. This is already a considerable effort on top of the monumental amount of information our brains are dealing with.

To make sense of all this information, our brains need to filter it down, separating what's useful from what's not. This means making many minute decisions, which in turn means enormous cognitive costs.

But it's not just about quantity.

Imagine living in a giant library full of books (one of my biggest dreams). That doesn’t sound bad. But now imagine those books coming alive and starting to attack you. You have to protect yourself while knowing that among the books you are trying to avoid, there are also books you need to live and thrive.

That’s the struggle your brain is going through in the modern world.

In other words: most information we receive nowadays is unrequired but we have to sort through it to find the information we need to live. Not only that, the unrequired information is also specifically designed to get through to our brains through the emergency path dedicated to vital information. (“10 Reasons You Need To Change Your Fabric Softener Now!”)

At the end of the day, the problem is this: being exposed to a massive amount of information puts us in constant information overload.

That’s something Virginia Woolf definitely didn’t have to deal with in the early twentieth century.

The Mental Price of Social Media

Of course, one of the most significant sources of information these days is social media.

Distractions from social media are the sneakiest. First, they hook our attention, carrying us away from the task at hand.

After that, many become internally rooted thoughts that we replay in our minds, affecting deeper levels of our being, like self-esteem, and strongly affecting mood and emotions.

Adding another layer, social media is constant, which generates a fear of missing out on something potentially relevant or important.

More Is Not More

As the Nobel-winning economist Herbert Simon predicted in 1977, "a wealth of information creates a poverty of attention."

Cognitive fatigue from filtering out, decision-making, and self-control management translate into body tiredness, fatigue, and anxiety.

That's why we should not overlook the role of information overload in our ability to focus, be productive, and especially to be creative.

Cognitive fatigue from filtering out, decision-making, and self-control management translate into body tiredness, fatigue, and anxiety.

The worst nightmare of every writer, Virginia Wolf included, used to be the empty mind of writer's block.

But in the digital era we find ourselves in, our minds are so full of information that an empty mind is almost desirable.

[BACK TO “WHY FOCUS IS DYING”]

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.