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Don't Be a Lonely Cloud

Michael Archambault
July 25, 2024 | 4 min read

The romantic mythology of the hermit is deep within every creative individual. As a writer, the notion is particularly enticing — disappear from view, only to emerge months later with the next once-in-a-generation novel.

But, contrary to popular belief, the legend of the brilliant hermit is likely just that — a legend, an ideal, an archetype, a dream.

Many prolific writers thought to embody the romantic recluse, like William Wordsworth, Henry David Thoreau, and Emily Dickinson, actually defy the stereotype.

A closer study reveals that we, as writers, must live fully present in the world.

These Are Not The Hermits You're Looking For

Take popular poet William Wordsworth. His poetry is full of beautiful odes to the natural world and the thoughts that come to us in solitude. From his poem, "I Wandered Lonely as a Cloud":

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
...
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

Despite the public’s perception of Wordsworth as a “hermit,” he actually had an active social life and maintained healthy relationships with other writers.

Additionally, he remained active in political and social issues at the time and frequently traveled — aspects of life that greatly impacted his work.

Another famous poet allegedly known for her hermit lifestyle was Emily Dickinson. But Dickinson, too, was active throughout her younger years, maintaining social engagements and continually upholding connections through letter writing.

In fact, it wasn't until Dickinson's later years that she became more reclusive due to mental health issues.

Even Henry David Thoreau only lived in his remote cabin on Walden Pond for two years! In Walden, he wrote:

“I am naturally no hermit, but might possibly sit out the sturdiest frequenter of the bar-room, if my business called me thither.”

To Write, You Must First Live

Not being a writer tucked away from the world isn't enough, though. Classic writers throughout history have attested to the need to get up and live, to experience the world, before sitting down to write about it.

Lost Generation novelist Ernest Hemingway once stated,

"In order to write about life, first you must live it."

Even Thoreau, one of the most famous examples of the writer-hermit archetype, proclaimed,

"How vain it is to sit down to write when you have not stood up to live."

And Mark Twain told us to:

"Write what you know."

Twain's travels and experiences profoundly impacted him and his writing; if he were a hermit, he likely never would have gained the knowledge needed to shape stories around the complex society surrounding him — life during the American Civil War and a rapid time of industrialization and urbanization in America.

Many of the greatest writers of the past few centuries, even those commonly thought of as glorious hermits, rejected the notion that solitude would suddenly lead to great work. At least not without first living.

The Romanticism of Solitude

If the greatest hermit-writers of classic literature were no such thing, why does the romanticism of the idea persist to this day?

The idea likely began during the Romantic era, the late 18th to mid-19th centuries, when certain writers revered individualism. While Wordsworth and Thoreau were indeed among this group, their emphasis on solitude is misunderstood.

Contrary to popular belief, the great poets did not advocate for writers to forsake their friends and family, their other hobbies, their jobs, their entire lives, in pursuit of solitude. Instead, Wordsworth and Thoreau sought to underscore the value of personal time and, indeed, the natural world, as a way to foster a deeper understanding of the world at large and invite inspiration.

Modern-day media has yet to help dispel the myth. Popular films such as Capote show the titular author's isolated lifestyle. Similarly, the novel Big Sur depicts novelist and poet Jack Kerouac relocating to a secluded cabin to work through his process. But, in truth, neither author completely removed themselves from society.

The notion of the lone genius is a legend, and trying to recreate that sort of lifestyle can actually hinder creativity — not to mention mental health.

 

Building Modern Solitude 

While nobody recommends fully withdrawing from society for the sake of writing your book, it’s definitely true that modern writers contend with distraction on a level unknown to Wordsworth and his contemporaries.

Modern technology is better than ever at stealing our attention and keeping it. This means that, in healthy doses, seclusion can benefit the modern writer. Simply removing distractions can help writers concentrate better on their work and allow more significant space to explore ideas.

The good news? You don’t need to move to a cabin in the forest. You just need a Freewrite.

As writers, it's common to feel guilty when we are not writing. It's a little like always having homework. But it's important to remember that even the greats made sure to live.

So don't cancel on your friends. Don't spend every waking moment with your eyes glued to the blank page. Don't sell everything and move to Paris to channel the souls of the Lost Generation.

Live your life.

Live your life, and write about it.

 

RETURN TO "HOW TO BE CONSISTENTLY CREATIVE"

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.