overlaylink

Hemingway's Writing Routine

June 01, 2021 | 3 min read

Ernest Hemingway was a literary talent, but even he found writing a difficult endeavor. Thus, Hemingway adhered to a writing routine.

Writing routines are not one-size-fits-all. Following his writing schedule to a T will not transform you into Hemingway because what worked for his mind will not work for yours. However, learning about his routine may inspire you to experiment with how to fit writing into your life.

 

1. Prioritize consistency.

Your mindset is everything. To Hemingway, writing was something you had to practice just like you would a sport. Especially while you’re still forming a writing habit, set aside a small chunk of time to write and focus on whether you spent the whole time writing rather than the quantity of words you put out.

Showing up is half the battle, and it willget easier.

 

2. Know thyself.

Hemingway woke early to write in the mornings because “there is no one to disturb you.” Of course, if inspiration struck, he would stay longer at his desk.

Do you tend to be more productive at night? During the day? After a nap? If you’re not sure, spend a week experimenting with different writing times and record how you felt about your writing process.

Keep an eye out for patterns.

 

3. Separate your writing life.

Hemingway’s advice to writers is to “always stop when you know what is going to happen next.” When you’ve concluded a writing session, try not to let thoughts about your work consume you.

Your subconscious mind is the source of creativity and works in the background even as you tackle other tasks. When Hemingway felt truly stumped, he would answer letters as a welcome break. Relax and let your subconscious ideate for you.

 

4. Curate your writing environment.

According to Daily Ritualsby Mason Currey, Hemingway “wrote standing up, facing a chest-high bookshelf with a typewriter on the top.” He wrote his first drafts in pencil and tracked his daily word output on a chart.

Make sure your writing environment is separate from, for example, your game room. Keeping a dedicated writing space helps you get into the writing headspace more quickly. Make yourself comfortable, but not too comfortable to write.

 

5. Have faith in yourself.

Recognizing that writer’s block is merely a mental block diminishes its power over you. It’s not some inexplicable, unbeatable force—ultimately, you have the ability to push through.

When Hemingway felt the onset of writer’s block, he “would stand and look out over the roof of Paris and think, ‘Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.’”

 

6. Know when to stop writing.

Writers rarely talk about this step, as most of us struggle enough with just getting started. But Hemingway, who has certainly thought through every step of his writing process, has some words of wisdom:

“The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel you will never be stuck.”

 

The next time you poise your fingers above the keys, think about your writing process from Hemingway’s perspective. Let us know what you think!

-

 

ORDER HEMINGWRITE

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.