The Science Behind Freewriting

June 07, 2024 | 3 min read

In the world of writing and creativity, the concepts of freewriting and the messy first draft have gained significant traction. Embraced by seasoned authors, aspiring writers, and creative thinkers alike, these methods embody the idea that the initial stages of creation should be totally free, messy, unstructured, and devoid of perfection.

But what does science and psychology have to say about it?

Many experts have written about the underlying mechanisms that make these methods not only effective but essential for the creative process. Let’s delve into what they have to say.

 

Ditching Perfectionism

Perfectionism can be a significant barrier to creativity and productivity. When attempting to create perfect content in the first draft, writers tend to feel constricted and limited by their self-imposed expectations. But with freewriting, you can express your thoughts without worrying about grammar or quality and without worrying about the future of the manuscript or your career.

This is an ego-free zone.

Letting go of perfectionism isn’t as easy as it sounds, because what it really means is being vulnerable — simply being with yourself as you are and accepting your thoughts as they come. Scary, right?

Psychologist Dr. Carol Dweck has done extensive research on mindset and the effect of a person’s mindset on their work and results. Dweck reveals in her book Mindset: The New Psychology of Success that embracing a growth mindset, instead of a fixed mindset, is critical. What does that mean?

  • A fixed mindset is when you view yourself, your qualities, your personality — and thus your work — as unchangeable.
  • On the other hand, a growth mindset is open to change, new experiences, and, ultimately, the possibility of failure. It means accepting that the writer you are in this moment may not be the same writer you are at the end of this book.

The messy first draft method is the embodiment of the growth mindset for a writer.


 

Productivity

We all know writers who have spent an hour or more honing a single sentence when they were meant to be finishing a scene. (Maybe you are that writer.) The draft-first method saves time because the goal is shifted from perfection to plain old words on the page, enabling you to find your writing flow and hit your word count goals faster.

And flow, or being “in the zone,” isn’t a myth. In 1990, renowned psychologist Mihaly Csikszentmihalyi first introduced the concept of flow, a state of intense focus and immersion in an activity. It’s a state of deep concentration that feels nearly impossible to find in our modern world of dings, rings, and notifications.

But freewriting on a distraction-free device helps overcome those obstacles by allowing writers to enter a state of creation where ideas flow freely without judgment or inhibition, no matter how random or silly they may seem in the moment.

Let’s say you’ve reached your word count goals more quickly and typed “the end” way before you expected to. Will editing take longer when you’re working with a messy first draft? It might. But we think it’s worth it. In fact, we bet you’ll be surprised by what your unhindered mind came up with. After all, according to Csikszentmihalyi’s work, the state of flow is conducive to creativity and innovation.

And, most importantly, you can’t edit a blank page.

 

Creativity

Ironically, not paying attention to perfection and final-draft quality as you write does inspire better quality in the end. Maybe your grammar isn’t perfect in this first draft, but it’s likely your level of creativity will be higher.

This is because when no thoughts are deemed “wrong” or “stupid,” your brain begins to engage in lateral thinking — kind of like an internal brainstorm. You’re free to play in the writing world without worrying about getting it right the first time.

Lateral thinking is when your brain approaches problem-solving in ways that aren’t straightforward or obvious. Instead of following step-by-step logical thinking, also known as deductive reasoning, your brain side-steps convention and discovers new ways of doing things. This is exactly what you want when writing.

Often, the true essence of a story doesn’t reveal itself until the act of freewriting. It serves as a discovery process, helping a writer uncover hidden layers of their narrative. It’s a journey of exploration and revelation.

Allow your brain the freedom to explore and experiment without the fear of failure, and you’ll discover new ideas and fresh perspectives. 

Joy

The benefits of a messy first draft are clear and grounded in science and psychology. By overcoming perfectionism, increasing your productivity, and fostering a freedom to explore and create, this method provides a powerful framework for unleashing your creative potential.

And if you’re anything like us, you likely haven’t written like this — unrestrained and anxiety-free — since you were a kid. It’s more fun this way, we pinky promise. 

The Ultimate Guide to Freewriting

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It's no secret that the tiny island of Ireland has contributed way more than its fair share of brilliant writers and poets to the canon of literature known and loved across the globe.

The island is home to four Nobel laureates and five Booker Prize winners, and has spawned household names like James Joyce, Colm Tóibín, Maeve Binchy, and Sally Rooney.

People the world over have tried to speculate why this is. Is it something in the water? Is it the luck of the Irish?

As Colm Tóibín says,

"In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation."

So we decided to go on a mission to learn from some of Ireland's greatest writers.

Here are just a few of the quotes that struck us:

"A writer is someone who has taught his mind to misbehave."

Oscar Wilde cuts right to the heart of creativity here. What is creativity but the mind striking out of the grooves of regularity?

 

"I love communicative problems. They always introduce just enough friction for me to feel drawn into a scene, when there’s some slippage between what somebody is trying to say, or feels capable of saying, and what the other person wants to hear or is capable of hearing."

If you've read any of Sally Rooney's award-winning books, you'll recognize this device in her plots. Try the same in your work when things are feeling a little dry or slow.

 

"I was working on the proof of one of my poems all the morning, and took out a comma. In the afternoon I put it back again."

Nobody presents writing truths as concise and witty as Oscar Wilde. Who among us hasn't agonized over a comma for hours?

Sounds like Oscar needed a Freewrite.

 

"I don’t ever plot. And I do very little research, as little as possible. I prefer to use my imagination. Language is older and richer than we are and when you go in there and let go and listen, it’s possible to discover something way beyond and richer than your conscious self."

Claire Keegan's a freewriter! In this interview, Claire explains that the main character in her award-winning book, Small Things Like These, completely changed over the course of rewrites and revisions.

 

"The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize."

Colm Tóibín perfectly sums up the disembodied experience of writing here. The writer disappears and the characters take center stage.

 

"The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously."

James Joyce was certainly an adventurer, and though his notion to a "modern writer" predates ours by about a century, we don't think all that much as changed. Writers still need to take risks!

 

"I don’t say I was ‘proceeding down a thoroughfare.’ I say I ‘walked down the road.’ I don’t say I ‘passed a hallowed institute of learning.’ I say I ‘passed a school.’ You don’t wear all your jewellery at once. You’re much more believable if you talk in your own voice."

Maeve Binchy's own voice is apparent in every book she wrote. Her characters speak like real people, and that makes them all the more endearing.

 

"Out of the quarrel with others we make rhetoric; out of the quarrel with ourselves we make poetry."

What a poetic way to encapsulate the experience of writing poetry. Yeats certainly knew a thing or two about using that internal quarrel to create beautiful, timeless work.

 

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