Freewrite’s 14 Rules for Drafting Forward

December 29, 2023 | 4 min read

Drafting forward without editing as you go is the core ethos of Freewrite. Remember that the goal of drafting forward is to get a first draft recorded and translate your thoughts into writing on the page. Revising is a separate step in the writing process and should be reserved for later stages.

But that’s easier said than done, isn’t it? If you haven’t tried drafting forward before — or maybe you have but you’re getting rusty — it’s important to follow several rules to avoid the editing-as-you-go that comes so naturally to writers, as well as other distractions.

To guide your practice, we’ve compiled Freewrite’s 14 Rules for Drafting Forward. Try these during your next writing session and see how they streamline your drafting process and increase your productivity during the drafting stage.

1. Do research after drafting. (Or before!)

Certainly, research is important across various writing industries and genres. However, it has the potential to become one of the worst forms of procrastination. It's extra tricky because it convinces you that you're actually being productive. So how do you prevent this?

Complete the majority of your research prior to drafting. Alternatively, for subjects within your realm of expertise, consider deferring research until the revising phase. When drafting, if you reach a point requiring a fact-checking or additional information, leave a prompt for yourself right there within the text and proceed with the drafting process.

2. Set a specific goal.

Begin with a clear understanding of what you want to accomplish in this first draft. You should also have a goal each time you sit down to write. This goal can be as tangible as an outline or notes written on Post-Its, or it can be simply to “write for 25 minutes.” (If you enjoy timed sprints, check out the Pomodoro method!)

3. Deal with external distractions.

We’ve done the hard work for you by creating Freewrite. Now, turn off the TV and put your phone in a different room. Block out your writing time on a calendar so that loved ones know when you aren't to be disturbed.

4. Silence your inner critic.

Avoid the urge to critique or edit your work as you go. Instead, concentrate on getting your thoughts down without judgment.

5. Decide you’re going to write a messy first draft.

It’s not enough to say you’re not going to critique your work, we recommend stating it outright: “My goal is to write a messy first draft.” Write it down, stick it on your wall, and embrace the imperfection. This is critical to being able to write freely.

6. Turn off your inner spellcheck.

Freewrite has no spellcheck or grammar check. And that's on purpose. Every squiggly line is a distraction, a moment that your writing flow is broken and you have to resist going back to fix typos. Even if your eyes recognize typos, train your brain to fix it later!

Note: This is difficult, especially for writers, and it could take you time to master this method. We highly recommend doing the work to train your brain not to stumble across typos. This will help you stay in flow longer. And besides, with all the editing software out there these days, cleaning up a messy first draft is easier than ever!

7. Avoid overthinking.

Trust your instincts and write without overanalyzing each sentence. Did that last sentence sound stupid?Who cares?! Anything goes in a messy first draft. You’ll refine and revise later!

8. Write fast.

This serves as an additional technique to coax your mind into tapping into that profound, creative reservoir inaccessible during periods of overthinking. Aim for a state of flow where your typing pace matches the natural rhythm of your thoughts.

9. Foster forward momentum.

Should you experience writer's block or find yourself grappling with a challenging section, avoid the urge to stop and ruminate on it. Instead, move on to a different part and revisit the troublesome section later.

We personally find it beneficial to insert a note directly into the draft, serving as a reminder to revisit that particular spot during the editing phase.

10. Use placeholders.

 

If you're struggling to find the perfect word or need to verify a source, simply insert a placeholder and continue writing. A preferred placeholder for us is "xx," as it can be easily searched using editing software. Alternatively, some prefer placeholders like "[INSERT QUOTE]" or "[CHECK SOURCE]." These gaps can be filled in during the editing phase.

11. No back-tracking.

While Freewrite devices do have backspace keys, we’d like to challenge you to use it as little as possible. Or not at all. Remember: Anything can be fixed later. But your writing flow is fragile.

12. Accept redundancy.

Frequently during the drafting process, a brilliant sentence may come to us, even if it describes something already mentioned. If this happens to you, refrain from backtracking, deleting the initial sentence, and substituting it with the new one. Instead, continue writing the new sentence! Addressing these redundancies is a straightforward task that can be tackled during the editing phase.

13. Experiment.

Try different styles and approaches without judgement. You can evaluate and pick the best one later, during the editing stage.

14. Relish the creative flow and focus on the joy of creating.

If you try the above rules of forward drafting, we suspect you’ll unlock a way of writing that you may not have experienced since you were a kid. You’ll be surprised by how much you write, the creative ideas your imagination comes up with, and how much fun you have while writing.

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While both films and books share the common goal of captivating an audience, their paths seem to diverge in intriguing ways, from the initial drafting all the way through to the public release.

So we set out to answer the question: Is there a difference in writing for the screen vs. writing for the page?

Welcome to the intersection of ink and celluloid. (Or pixels, in today's world.)

April 30, 2024 3 min read
In the vast galaxy of storytelling, few stories have captured hearts and minds like the epic saga of Star Wars.

Beyond its dazzling lightsabers and iconic characters lies a treasure trove for writers: countless invaluable lessons in the art of storytelling expertly served up by creator George Lucas.

We gathered just a few of those lessons for you to get a quick master class in narrative structure and crafting a compelling tale that will resonate across generations.

Here are five invaluable writing tips from one of the most iconic franchises in cinematic history:

 

George Lucas famously drew inspiration from Joseph Campbell's concept of the "Hero's Journey" when crafting the story of Luke Skywalker.

The concept of the Hero's Journey was first outlined in Campbell's 1949 book, The Hero with a Thousand Faces, as a universal motif of adventure and transformation that runs through virtually all of the world’s mythological traditions. The concept is characterized by a hero who leaves the ordinary world, faces trials, and returns home transformed. Sound familiar?

Today, the Hero's Journey is found all across media — from fairy tales and books to films and video games. In fact, George Lucas has publicly said that he wrote "many drafts" of what would become Star Wars, but it wasn't until he read The Hero with a Thousand Faces that he was able to hone in on what would become the essential story and characters of the saga.

(The two writers even met eventually, and watched the original trilogy together.)

As a writer, consider whether the hero's journey fits your story. The roadmap may not resonate with every writer, but it just might give essential structure to that story you've been trying to tell for years.

 

At the heart of Star Wars lies a profound exploration of universal themes like redemption, the power of hope, and good versus evil. For example, take the iconic clash between the Jedi and the Sith.

Through characters like Luke Skywalker and Darth Vader, we witness the complexities of morality and the potential for redemption.

By tapping into timeless concepts like these, writers can create narratives that resonate across cultures and generations. Whether your story is set in a galaxy far, far away or in the confines of everyday life, infuse it with themes that speak to the common human experience.

 

Lucas had a background in visual arts, which heavily influenced his approach to storytelling. But you don't need to be an artist to create a vivid world.

As a writer, strive to visualize your story in your own way, considering how each scene will unfold on the page. Whether through sketches, diagrams, or simply vivid imagination, cultivating a strong visual sense can enhance the impact of your writing — whether you're writing for the screen or for the page.

 

From the wise mentorship of Obi-Wan Kenobi to the villainous allure of Darth Vader, George Lucas excels at creating characters that resonate with audiences long after the credits roll.

When developing your own characters, focus on crafting individuals with depth, complexity, and memorable traits. Whether they're heroes, villains, or somewhere in between, give your characters distinct personalities, motivations, and arcs that captivate readers' imaginations.

This is especially important when you're working with fantasy creatures or even robots and droids. Think of all the personality traits and the deft personification that make R2-D2 so lovable!

 

While the final version of Star Wars may seem like a seamless masterpiece, the reality is that it underwent numerous revisions and iterations throughout the creative process.

Lucas wasn't afraid to rework scenes, dialogue, or even entire storylines in pursuit of the best possible outcome.

As a writer, embrace the revision process as an opportunity to refine and improve your work. Be willing to solicit feedback, make tough decisions, and constantly strive for excellence in your craft.

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The contributions of Star Wars to the sci-fi genre, and society at large, are immeasurable. By embracing some of the techniques that led to the creation of such a classic, you can level up your storytelling skills and just maybe create what will become the next Star Wars.

So, grab your Freewrite (or lightsaber) and let the Force guide you on your own epic writing journey.

April 29, 2024 5 min read
In the exciting landscape of modern fantasy fiction, the role of fantasy creatures stands as a cornerstone of imagination and storytelling.

From the majestic dragons of George R.R. Martin's A Song of Ice and Fire to the decades of adoration for J.R.R. Tolkien's hobbits, these creatures serve as more than mere embellishments to the worlds they inhabit. They function as essential conduits for exploring complex themes, reflecting societal values, and igniting the imagination of readers.

The Freewrite team is full of fantasy readers (and writers!) so we wanted to unravel the trick to creating dynamic fantasy creatures that leave an impact on both the narratives they inhabit — and the audiences they enchant.

To delve into it, we spoke with E.K. Wiggins, a fantasy author, webtoon creator, and Freewriter writing about dragons in sunny Southern California...

 

Why do you think people are drawn to fantasy and, in particular, fantastical creatures?

I think it's simple: People want to escape reality and delve into worlds and stories that allow their imagination to run wild. The fact that fantasy (whether written, filmed, or drawn) is such a large part of today's culture means that anyone can find something that attracts them. Everyone can find something that transports them to wonderful worlds and takes their eyes — and minds — off life for a moment.

The same goes for fantasy creatures — the rules are boundless, new monsters are created all the time, and the old familiar ones remain classic.

People love believing in fantasy creatures because they’re not ordinary — they’re unique and unforgettable. And new fantasy keeps the genre fresh and thriving.

That's how I feel. For years, I could only write nonfiction for school. Why write nonfiction when we live in reality?

 

What's the most influential fantasy creature, in your opinion?

Dragons, hands down.

They’re so prominent in fantasy culture of decades past, yet they’re never boring because they’re constantly being recreated in original ways. With popular productions like House of the Dragon and Lord of the Rings: The Rings of Power, for example, these reptiles aren’t going away anytime soon (if ever!).

I think I’m mainly drawn to them because of how much you, as an artist or writer, can reinvent them while they still remain familiar.

And I love how many real-world legends describe and depict encounters with these beasts! There are even passages of Biblical scripture that describe dragons or dragon-like creatures. All of that adds a history and realism to dragons that other creatures can’t quite claim.

 


How has the dragon been depicted throughout history?

Dragons were common in written tales and verbal legends during the Renaissance period. In Europe (and the West) dragons were considered ruthless murderers and savage guardians of their possessions, taking exuberant control over their innocent prey and dealing harshly with the rebellious!

Many of these tales were of mighty warriors facing off against these brute monsters (e.g. the Beowulf manuscripts).

Conversely, in some Asian cultures, including China, dragons were seen as signs of luck and blessing. They often wielded powers used to benefit the human race and sometimes communicated with people. They were far more benevolent and kind than their Western counterparts!

The Beowulf manuscripts and the Bible depict and speak of dragons directly. Beowulf’s scaly opponent and Satan (depicted in the book of Revelation as a fiery red dragon with seven heads and ten horns!) are both historical examples of dragons written in text. Many more exist, as well as writings about wyrms and other dragon-like creatures.


Some fantasy creatures have cultural roots. How do you navigate those roots while creating something completely new?

Generally, if I create an original character that has a historical or cultural background, I immediately ask myself if anything about my character contradicts the creature’s roots. If it does, I ask myself if I supplied or created a solid backstory for the character that can "override" that history or is strong enough to be a worthy, sensical alternative.

It also depends on the culture and if I wanted to showcase it. In my opinion, this is sort of a "gray area" that could be endlessly debated…

I don’t think its the author’s duty to always pay homage to a character’s roots, unless it’s essential to understanding the story, is required for the plot, or if the author wants to honor the culture it came from.

There have been many times that creatures have been used in literature without any sort of acknowledgement to their origins, simply because there wasn’t enough time to incorporate it, or it wasn't relevant to the current story. It really depends on what the writer is writing and how the character is being used.

How do you create creatures that are believable when they are, by definition, completely unreal?

I begin by deciding what the creature is, in the most barebones way possible. Is it going to be a wyrm? Is it maybe an elf? Is it a dragon? Figure out what your foundation is and then build off of it.

Next, visualize what the creature looks like, how its body is shaped, what unique features it has, and what its face would look like if you stared right into its eyes. Once I’ve visualized it, I’ll usually draw a sketch to solidify the creature’s design.

But don't just write or draw your fantasy creatures (or any sort of characters!) — envision them.

Anyone can take a mental picture of a fantasy creature and write a description of it (like an overweight bridge troll or a talking tabby cat). As writers, our job is not to simply write out a character study for the reader. A writer’s job is to make the creature real.

In order to do that, you have to know how the creature feels, thinks, and interacts. It has to have a personality. I start by imagining this creature’s demeanor, attitude, and character traits.

Ask yourself how they would react to you, your emotions, and your personality — and how their personality would complement or crash with yours. Imagine spending a day to get to know them! Or pretend to interview them.

In other words: it’s not always about what the creature is and how it looks, but who they are!

I guess the true trick to creating awesome, seemingly real creatures is pretty easy: pretend they’re real.

 


What are you working on right now?

I’m currently working on several different projects, including my first young adult dystopian sci-fi The Exodus Chronicles. This is the first novel I wrote entirely on my Traveler!

Traveler is my go-to. From the car to the folding tray on an airplane, Traveler has literally traveled with me everywhere! I’ve written one and a half manuscripts (almost 140,000 words) on it!

My second project is writing and overseeing the production of my webtoon, “Neko-Neko is a Cat Doll!” Writing a webtoon is very interesting because you have to visualize all the characters, emotions, scenes, and dialogue in every panel concisely (almost like the director of a movie).

My final project is writing the second book in my YA fantasy series Dragod Origins, which I published in December 2023. My world-building for the book took over five years alone, and writing the book took three.

Writing is my diehard hobby, and I aspire to be a hybrid novelist (both traditionally and self-publishing my books) and a serialized webtoon/manga writer.

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E.K. Wiggins is a fantasy and webtoon author living and working in sunny San Juan Capistrano, California. His love of fantasy creatures — especially dragons — inspired him to create the original storyline and drawings for a series called Dragon Quest, which eventually lead to the inception of the first Dragod Origins book, released in 2023.

When not writing, he loves biking, listening to music, and playing the piano, acoustic guitar, electric guitar, banjo, ukulele, melodica, and concertina accordion.

Learn more about E.K.'s fantasy universe at his website or follow his indie imprint, Shadow Beast Publishing, on Instagram or Facebook. You can also sign up for his monthly email newsletter here.