Are We Living through a Creativity Crisis?

Emily Pogue
August 14, 2024 | 5 min read

“All the great stories have already been told” is a sentiment many authors have had at 11 p.m. (often over a glass of wine) after nixing yet another draft.

It can feel impossible to produce an original take in the age of the Internet, social media, and AI. And there may be some truth behind the sentiment.

Researchers have confirmed that we’re approaching unknown territory: a creativity crisis.

The Warning Signs

Creativity can show up in many different forms, so it can be difficult to measure a person’s “creative competency.” However, one widely accepted way to gauge a person’s creativity is through the Torrance Tests of Creative Thinking.

Given to tens of thousands of students since its development in the 1960s, the tests have been able to predict creative success three times more accurately than IQ tests.

So what can we learn from nearly 60 years’ worth of data? Well, according to a study completed by William & Mary University, we’re not moving in the right direction. In 1990, there was a marked decrease in test scores, with sixth grade seeming to be the average age of the decrease.

Why this sudden drop in creativity? The timeline suggests that there may be another factor at play.

The Loss of Boredom

If you compare a child’s summer today versus thirty years ago, they may appear to exist on different planets. In the past, summer vacations were filled with creating cardboard homes for dolls, climbing trees in the backyard, and … well, being bored.

That’s right. Back in the day, you were (almost) excited to go back to school because there was nothing fun left for you to do at home.

Compare that to today’s children, who are inundated with pre-packaged entertainment — whether that be a high-tech toy, Dad’s iPad, or watching that Bluey episode for the eighth time.

Adults don’t get a pass from this constant need to be stimulated, either. If we happen to have a free moment (which in itself is rare for many), those minutes are filled with scrolling social media or watching that Friends episode for the eighth time.

Gone are the days of twiddling our thumbs — those digits are far too occupied on our phone’s keyboard nowadays.

This overstimulation and near extinction of boredom has more consequences than we may realize. Our brain never gets a chance to take a break.

Within this context, it’s no wonder that our creativity isn’t as strong as it used to be. To begin to shift back toward an inventive mindset, then, it can be helpful to allocate time to let your mind wander. Take a page from Albert Einstein’s book — he’d spend hours simply floating on his sailboat, allowing his mind to drift and marinate ideas.

While not all of us have sailboats at the ready, these “bored” periods can be quite simple. You can take a long walk with no headphones, letting your thoughts flow freely. Or you can spend an extra few minutes in the shower.

(Read more about the loss of boredom in modern humans in our interview with author and researcher Celeste Headlee.)

After these restful experiences, your mind will likely be ready for some stimulation — which is where our next recommendation to build your creativity muscle comes into play.

Creativity Is “Just Connecting Things”

One of the most creative minds in recent history was Steve Jobs. He took innovation to the disruption level, forever changing how people looked at computers, music, and cellular devices.

In a 1996 interview with Wired, Jobs touched on what creative thinking meant to him:

“Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while.”

This is an important aspect of creativity to acknowledge. There isn’t a button to turn it on and off at the drop of a hat. It happens naturally, often without really trying.

But there are active choices we can make to help that natural process happen more fluidly and frequently.

Seeking Out New Experiences

UX Designer Kelly Smith takes Jobs’ “connecting” idea a step further by having us imagine that our minds have a wall full of a thousand dots, each representing a piece of knowledge we’ve learned. Each connection between dots represents a creative thought.

After a while, we’ll have created as many unique combinations as possible. But, if we add even one more dot — one new nugget of information or experience — we’ve just unlocked dozens of previously unavailable patterns.

And here lies the second way to boost our creative juices: introducing ourselves to new experiences and different perspectives.

As Jobs says, the most successful creative people “were able to connect experiences they've had and synthesize new things … A lot of people in our [tech] industry haven't had very diverse experiences. So they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem.”

It’s no secret that some of the most successful creative people are incredibly well-rounded in their interests and hobbies. Academy Award-winning actress Susan Sarandon loves ping pong so much that she co-founded a thriving business of ping pong bars. Then there’s Mark Zuckerberg, co-founder of Facebook and apparent skillful mixed martial arts (MMA) fighter.

Even some of the products we use every day were invented from people who enjoyed a wide variety of experiences. For example, George de Mestral was a Swiss engineer who enjoyed hiking in the Alps. After a hike, he was curious how the burrs stuck to his dog’s fur. Looking at the plant’s hooks under a microscope inspired him to replicate the process: in the form of VELCRO.

If we want to improve our creativity, then, we can actively work to add new dots to our mind’s wall. Think of any hobbies you’ve been thinking of trying out, but haven’t. Could you schedule a time to give it a shot?

Even if you don’t pursue it forever, you’re creating new possibilities for combinations between your knowledge points. You’re setting your mind up for creative success.

Finding Inspiration in All Parts of Life

Creating fresh mental dots isn’t reserved for only hobbies and free time. Aspiring writers can rest easy knowing that the jobs that pay the bills can also benefit their creative process. This was the case for the legendary Stephen King, whose first book Carrie was inspired after cleaning the girl’s locker room during his stint as a school janitor.

John Grisham also pulled on his experience as a lawyer when he shifted careers to write crime thrillers full-time (and we’ve all seen how well that worked out for him).

(Read writer Michael Archambault's method of taking your brain on "dates" to improve your writing.)

Trying new hobbies, drawing from past job experiences, and carving out time to be bored are all effective ways to start growing your creative potential.

After all, if Einstein could find the time to do nothing, we surely can too.

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I’ve spent years writing while secretly fearing that a single misplaced word would expose me — not just as a bad writer, but as a fraud.

My background is originally in photography, and I see it there, too. A photographer I know recently posted a before-and-after comparison of their editing from 2018 versus now, asking if we also saw changes in our own work over the years.

Naturally, we should. If our work is the same, years apart, have we really grown as artists?

So why is that the growing, the process of it, the daily grind of it, is so painful?

So why is that the growing, the process of it, the daily grind of it, is so painful?

The Haunting

Hitting “publish” on an essay or a blog always stirs up insecurity — the overthinking, the over-editing. The fear that someone will call me out for not being a real writer.

I initially hesitated to make writing part of my freelance work. My background is in photography and design. Writing was something I gravitated toward, but I had no degree to validate it. No official stamp of approval.

Like many writers, I started with zero confidence in my voice — agonizing over edits, drowning in research, second-guessing every word.

I even created a shield for myself: ghostwriting.

I even created a shield for myself: ghostwriting.

If my words weren’t my own, they couldn’t be wrong. Ghostwriting meant safety — no risk, no vulnerability, just words without ownership.

I still remember the feeling of scrolling to the bottom of an article I had written and seeing someone else’s name, their face beside words that had once been mine.

The truth is, I always wanted to write. As a kid, I imagined it. Yet, I found myself handing over my work, letting someone else own it.

I told myself it didn’t matter. It was work. Getting paid to write should be enough.

But here’s the thing: I wasn’t just playing it safe — I was slowly erasing myself. Word by word. Edit by edit. And finally, in the by-line.

I wasn’t just playing it safe — I was slowly erasing myself. Word by word. Edit by edit. And finally, in the by-line.

The Disappearing Act

This was true when I was writing under my own name, too. The more I worried about getting it right, the less I sounded like me.

I worried. I worried about how long an essay was (“people will be bored”), finding endless examples as proof of my research (“no way my own opinion is valid on its own”), the title I gave a piece (“it has to be a hook”), or editing out personal touches (“better to be safe than be seen”).

I built a guardrail around my writing, adjusting, tweaking, over-correcting. Advice meant to help only locked me in. It created a sentence rewritten to sound smarter, an opinion softened to sound safer, a paragraph reshaped to sound acceptable.

I built a guardrail around my writing, adjusting, tweaking, over-correcting.

But playing it safe makes the work dull. Writing loses its edge.

It took deliberate effort to break this habit. I’m not perfect, but here’s what I know after a year of intentionally letting my writing sound like me:

My work is clearer. It moves with my own rhythm. It’s less shaped by external influence, by fear, by the constant need to smooth it into something more polished, more likable.

But playing it safe makes the work dull. Writing loses its edge.

The Resurrection

The drive for acceptance is a slippery slope — one we don’t always realize we’re sliding down. It’s present in the small choices that pull us away from artistic integrity: checking how others did it first, tweaking our work to fit a mold, hesitating before saying what we actually mean.

And let’s be honest — this isn’t just about writing. It bleeds into everything.

It’s there when we stay silent in the face of wrongdoing, when we hold back our true way of being, when we choose work that feels “respectable,” whatever that means. It’s in every “yes” we say when we really want to say “no.”

If your self-expression is rooted in a need for acceptance, are you creating for yourself — or for others? Does your work help you explore your thoughts, your life? Does it add depth, energy, and meaning?

My work is clearer. It moves with my own rhythm. It’s less shaped by external influence, by fear, by the constant need to smooth it into something more polished, more likable.

I get it. We’re social creatures. Isolation isn’t the answer. Ignoring societal norms won’t make us better writers. Often, the most meaningful work is born from responding to or resisting those norms.

But knowing yourself well enough to recognize when acceptance is shaping your work brings clarity.

Am I doing this to be part of a community, to build connections, to learn and grow?

Or am I doing this to meet someone else’s expectations, dulling my voice just to fit in?

The Revival

Here’s what I know as I look back at my writing: I’m grateful for the years spent learning, for the times I sought acceptance with curiosity. But I’m in a different phase now.

I know who I am, and those who connect with my work reflect that back at me — in the messages they send, in the conversations we share.

I know who I am, and those who connect with my work reflect that back at me — in the messages they send, in the conversations we share.

It’s our differences that drive growth. I want to nurture these connections, to be challenged by difference, to keep writing in a way that feels like me. The me who isn’t afraid to show what I think and care about.

So, I ask you, as I ask myself now:

If no one was watching, if no one could judge, what would you write?

If no one was watching, if no one could judge, what would you write?

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