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Are We Living through a Creativity Crisis?

Emily Pogue
August 14, 2024 | 5 min read

“All the great stories have already been told” is a sentiment many authors have had at 11 p.m. (often over a glass of wine) after nixing yet another draft.

It can feel impossible to produce an original take in the age of the Internet, social media, and AI. And there may be some truth behind the sentiment.

Researchers have confirmed that we’re approaching unknown territory: a creativity crisis.

The Warning Signs

Creativity can show up in many different forms, so it can be difficult to measure a person’s “creative competency.” However, one widely accepted way to gauge a person’s creativity is through the Torrance Tests of Creative Thinking.

Given to tens of thousands of students since its development in the 1960s, the tests have been able to predict creative success three times more accurately than IQ tests.

So what can we learn from nearly 60 years’ worth of data? Well, according to a study completed by William & Mary University, we’re not moving in the right direction. In 1990, there was a marked decrease in test scores, with sixth grade seeming to be the average age of the decrease.

Why this sudden drop in creativity? The timeline suggests that there may be another factor at play.

The Loss of Boredom

If you compare a child’s summer today versus thirty years ago, they may appear to exist on different planets. In the past, summer vacations were filled with creating cardboard homes for dolls, climbing trees in the backyard, and … well, being bored.

That’s right. Back in the day, you were (almost) excited to go back to school because there was nothing fun left for you to do at home.

Compare that to today’s children, who are inundated with pre-packaged entertainment — whether that be a high-tech toy, Dad’s iPad, or watching that Bluey episode for the eighth time.

Adults don’t get a pass from this constant need to be stimulated, either. If we happen to have a free moment (which in itself is rare for many), those minutes are filled with scrolling social media or watching that Friends episode for the eighth time.

Gone are the days of twiddling our thumbs — those digits are far too occupied on our phone’s keyboard nowadays.

This overstimulation and near extinction of boredom has more consequences than we may realize. Our brain never gets a chance to take a break.

Within this context, it’s no wonder that our creativity isn’t as strong as it used to be. To begin to shift back toward an inventive mindset, then, it can be helpful to allocate time to let your mind wander. Take a page from Albert Einstein’s book — he’d spend hours simply floating on his sailboat, allowing his mind to drift and marinate ideas.

While not all of us have sailboats at the ready, these “bored” periods can be quite simple. You can take a long walk with no headphones, letting your thoughts flow freely. Or you can spend an extra few minutes in the shower.

(Read more about the loss of boredom in modern humans in our interview with author and researcher Celeste Headlee.)

After these restful experiences, your mind will likely be ready for some stimulation — which is where our next recommendation to build your creativity muscle comes into play.

Creativity Is “Just Connecting Things”

One of the most creative minds in recent history was Steve Jobs. He took innovation to the disruption level, forever changing how people looked at computers, music, and cellular devices.

In a 1996 interview with Wired, Jobs touched on what creative thinking meant to him:

“Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while.”

This is an important aspect of creativity to acknowledge. There isn’t a button to turn it on and off at the drop of a hat. It happens naturally, often without really trying.

But there are active choices we can make to help that natural process happen more fluidly and frequently.

Seeking Out New Experiences

UX Designer Kelly Smith takes Jobs’ “connecting” idea a step further by having us imagine that our minds have a wall full of a thousand dots, each representing a piece of knowledge we’ve learned. Each connection between dots represents a creative thought.

After a while, we’ll have created as many unique combinations as possible. But, if we add even one more dot — one new nugget of information or experience — we’ve just unlocked dozens of previously unavailable patterns.

And here lies the second way to boost our creative juices: introducing ourselves to new experiences and different perspectives.

As Jobs says, the most successful creative people “were able to connect experiences they've had and synthesize new things … A lot of people in our [tech] industry haven't had very diverse experiences. So they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem.”

It’s no secret that some of the most successful creative people are incredibly well-rounded in their interests and hobbies. Academy Award-winning actress Susan Sarandon loves ping pong so much that she co-founded a thriving business of ping pong bars. Then there’s Mark Zuckerberg, co-founder of Facebook and apparent skillful mixed martial arts (MMA) fighter.

Even some of the products we use every day were invented from people who enjoyed a wide variety of experiences. For example, George de Mestral was a Swiss engineer who enjoyed hiking in the Alps. After a hike, he was curious how the burrs stuck to his dog’s fur. Looking at the plant’s hooks under a microscope inspired him to replicate the process: in the form of VELCRO.

If we want to improve our creativity, then, we can actively work to add new dots to our mind’s wall. Think of any hobbies you’ve been thinking of trying out, but haven’t. Could you schedule a time to give it a shot?

Even if you don’t pursue it forever, you’re creating new possibilities for combinations between your knowledge points. You’re setting your mind up for creative success.

Finding Inspiration in All Parts of Life

Creating fresh mental dots isn’t reserved for only hobbies and free time. Aspiring writers can rest easy knowing that the jobs that pay the bills can also benefit their creative process. This was the case for the legendary Stephen King, whose first book Carrie was inspired after cleaning the girl’s locker room during his stint as a school janitor.

John Grisham also pulled on his experience as a lawyer when he shifted careers to write crime thrillers full-time (and we’ve all seen how well that worked out for him).

(Read writer Michael Archambault's method of taking your brain on "dates" to improve your writing.)

Trying new hobbies, drawing from past job experiences, and carving out time to be bored are all effective ways to start growing your creative potential.

After all, if Einstein could find the time to do nothing, we surely can too.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.