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Writing Advice from the Greats of Irish Literature

Annie Cosby
March 13, 2025 | 3 min read

It's no secret that the tiny island of Ireland has contributed way more than its fair share of brilliant writers and poets to the canon of literature known and loved across the globe.

The island is home to four Nobel laureates and five Booker Prize winners, and has spawned household names like James Joyce, Colm Tóibín, Maeve Binchy, and Sally Rooney.

People the world over have tried to speculate why this is. Is it something in the water? Is it the luck of the Irish?

As Colm Tóibín says,

"In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation."

So we decided to go on a mission to learn from some of Ireland's greatest writers.

Here are just a few of the quotes that struck us:

"A writer is someone who has taught his mind to misbehave."

Oscar Wilde cuts right to the heart of creativity here. What is creativity but the mind striking out of the grooves of regularity?

 

"I love communicative problems. They always introduce just enough friction for me to feel drawn into a scene, when there’s some slippage between what somebody is trying to say, or feels capable of saying, and what the other person wants to hear or is capable of hearing."

If you've read any of Sally Rooney's award-winning books, you'll recognize this device in her plots. Try the same in your work when things are feeling a little dry or slow.

 

"I was working on the proof of one of my poems all the morning, and took out a comma. In the afternoon I put it back again."

Nobody presents writing truths as concise and witty as Oscar Wilde. Who among us hasn't agonized over a comma for hours?

Sounds like Oscar needed a Freewrite.

 

"I don’t ever plot. And I do very little research, as little as possible. I prefer to use my imagination. Language is older and richer than we are and when you go in there and let go and listen, it’s possible to discover something way beyond and richer than your conscious self."

Claire Keegan's a freewriter! In this interview, Claire explains that the main character in her award-winning book, Small Things Like These, completely changed over the course of rewrites and revisions.

 

"The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize."

Colm Tóibín perfectly sums up the disembodied experience of writing here. The writer disappears and the characters take center stage.

 

"The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously."

James Joyce was certainly an adventurer, and though his notion to a "modern writer" predates ours by about a century, we don't think all that much as changed. Writers still need to take risks!

 

"I don’t say I was ‘proceeding down a thoroughfare.’ I say I ‘walked down the road.’ I don’t say I ‘passed a hallowed institute of learning.’ I say I ‘passed a school.’ You don’t wear all your jewellery at once. You’re much more believable if you talk in your own voice."

Maeve Binchy's own voice is apparent in every book she wrote. Her characters speak like real people, and that makes them all the more endearing.

 

"Out of the quarrel with others we make rhetoric; out of the quarrel with ourselves we make poetry."

What a poetic way to encapsulate the experience of writing poetry. Yeats certainly knew a thing or two about using that internal quarrel to create beautiful, timeless work.

 

READ NEXT: 8 Irish Writers to Read Before You Die

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What's a romance author to do when a global pandemic hits?

For Carolina Flórez-Cerchiaro, the answer was to start writing horror.

Carolina was writing romance when she first signed with her literary agent six years ago. But, Carolina explains, when the pandemic hit, she pivoted to horror.

"There was something about being isolated at home, living through the literal nightmare that COVID-19 was, that made me want to dive into a haunted house book," she explains. And it's a good thing she did.

That horror novel, Bochica, sold to Simon & Schuster at auction. (Trust us, it's a big deal.)

In fact, switching genres changed her life in more ways than one. "Writing Bochica made me want to move to an old manor in the woods," Carolina says, "so I now live in a house that I’m pretty sure is haunted."

Read on to learn how this Freewriter uses her four-year-old Freewrite Traveler to draft.

ANNIE COSBY: What does your writing process look like?

CAROLINA FLÓREZ-CERCHIARO: My writing process varies depending on the project, but generally, I start with some brainstorming before drafting. I’m not a heavy outliner, but I do make a rough roadmap — usually marking where the character starts, the midpoint, and a general idea of the ending.

It’s often just a list of bullet points to give me some structure. I don’t always know how I’ll get from point A to point B, and the outline changes as I go. I usually re-outline after drafting to make better sense of the story. I don’t treat the outline as strict — I let myself get lost in the story once I’m in it.

It’s really important for me to get the words on the page, even if they’re messy. You can’t edit a blank page, and revising is actually my favorite part of the process. So I focus on finishing that first draft so I can dig into the part I enjoy most.

For projects like Bochica where the historical backdrop is essential, I research before drafting, and continue to do so while writing and revising.

"I don’t treat the outline as strict — I let myself get lost in the story once I’m in it."

AC: How long did it take you to write Bochica?

CFC: The first draft took me about three months to write, and I revised it for another six to eight months with my agent before we sold it to my editor.

AC: That's really fast! How did Freewrite factor into your writing process?

CFC: My Freewrite Traveler is an essential part of my writing process, for every project I work on. It helps me get the juices flowing when I’m stuck, but it also helps me get those words on the page faster. I call it my little magical device!

I not only use it when I draft, but also when I’m revising, and I need to rewrite or add new passages, chapters, or scenes. I use it ALL the time.

"I call [Traveler] my little magical device!"

AC: Why do you prefer to draft on a Freewrite?

CFC: There’s a literal freedom that I get from using it as I’m drafting, similar to when I write by hand, but way more convenient. It’s quick, it keeps me off the internet, and I can easily upload it to my computer!

AC: Let's dig into your publishing journey. How did Bochica get published?

CFC: Bochica isn’t the first book I ever wrote, and it’s also not the book that got me my agent. I was actually writing romance when I signed with my literary agent almost six years ago, and when the pandemic hit, I decided to pivot into writing horror which had always been my favorite genre to read.

When the book was ready for editors, my agent sent it out, and I got an initial offer within days, then we got more offers, and the book ended up selling at auction to Simon and Schuster.

"Writing Bochica made me want to move to an old manor in the woods, so I now live in a house that I’m pretty sure is haunted."

AC: How has the publishing process been so far?

CFC: It’s been quite an experience; you go from hitting the lowest point to feeling on cloud nine the next second.

To sum it up in one word: WILD.

I’m lucky to have an amazing team behind me, both with my literary agent, and with my publishing team at Atria/Primero Sueño Press, to help me navigate this road, to get through the good, and the bad.

"[Publishing] has been quite an experience; you go from hitting the lowest point to feeling on cloud nine the next second."

AC: And before we sign off, what is Bochica about?

CFC: After her father is accused of murder, a young woman returns to her haunted childhood home — turned luxury hotel — and is forced to face the sinister shadows of her past, and unearth the truth of her mother’s mysterious death.

Think Mexican Gothic meets The Shining.

AC: Wow. I'm in!

If Bochica sounds like a wild ride to you, too, check it out here

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