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Writers Share Their Top Three Tips to Overcome Writer’s Block

October 03, 2018 | 12 min read

 Having writer’s block is possibly one of the most frustrating things that can happen to you if you’re a writer. It comes either in the form of being burned out or even out of nowhere, which can be upsetting to your creativity and production. This happens to every writer no matter how great they are, and the most important thing to remember is to not let writer's block stop you.

Fortunately, there are many ways to overcome writer's block. There are many techniques out there, and it’s up to you to find something that works for you.

We’ve reached out and asked writers to share what they do when they have those days when they’re just looking at a blank page or screen. If you’re looking for ideas on how to get rid of writer's block yourself, here are writers’ top three tips on how to get over that slump called the writer’s block.

Lisa Lepki, ProWritingAid

I think writer’s block is just fear that what you write will be terrible. I say embrace it. Write something awful. And then fix it. Or throw it away and then write something else. At least you have a starting point. The key difference between a good writer and a bad writer is mostly just perseverance. So my three tips are:

1. Just sit down and write something ... anything!
2. Forgive yourself for writing badly.
3. Understand that rewriting and editing is just as important as writing.

Robin Murphy, Rookie Writers Solutions (RWS)

I have read countless blog posts on how authors work through writer’s block and many answers overlap. What works for me the best is if I’m struggling to get something on the page I will pull up a blank word document and begin to type what I did throughout my day. I’ll start with getting up in the morning, making breakfast, and go into the details of what I made, how it tasted and describe those details.

Inevitably, it’ll bring my natural writing rhythm back, and I can continue with whatever work in progress was creating brain fog. Another way I’ve helped myself is to pick up one of my favorite books and just ... read. We should be reading anyway, but that seems to bring my creative juices back into my current writing project. Finally, getting out in nature ALWAYS brings me in touch with the right side of my brain. I quiet my mind and remain present at the moment and eventually, those crazy ideas start to percolate again and I’m able to put it to paper.

Shayla Raquel, Shayla Raquel Blog

Ask yourself, “Why can’t I write?”—are you looking at the big picture and thinking that writing a 350-page book is too daunting? Sounds like procrastination. Instead, you need to give yourself smaller goals. What are some easier-to-handle goals you could give yourself?

If it’s procrastination, then sit down and set a timer for 10 minutes—allow yourself only 10 minutes to write and when the timer goes off, you can stop. Usually, you’ll want to keep writing and you’ll ignore the timer.

Practice self-care—are you going for a walk to clear your head before writing? If walking is too hard on the body, then choose a quiet place to meditate and think. Are you eliminating all distractions so you can write in peace? No phone! Do you have a designated space to write?

C. S. Lakin, Live Write Thrive

I mostly talk about novel writing, but for writing in general, the best way to overcome writer’s block is solid preparation. Whether you are writing a novel or a nonfiction book or article, learning your craft, learning structure, studying great writers and those who’ve written best sellers similar to what you are planning is the way to eliminate blocks.

I believe many writers procrastinate and don’t dig into their project because they are grossly unprepared. Some are afraid of rejection or bad reviews and so that causes them to procrastinate as well. I would point writers to my book: Crank It Out! The Surefire Way to Become a Super-Productive Writer, which goes into all the ways we fail to bust through writer's block and ways to successfully hack through them.

Tara Lazar, Writing for Kids (While Raising Them)

I write children’s picture books, which are short, plus I have a short period of time when a kid is the perfect age for my stories. Picture books are also notoriously difficult to get published. I want to write several a year so I have a chance of selling at least one or two and having something publish annually. Therefore, it is important for me to be prolific. I can’t afford to let writer’s block sideline me. These are my top tips to keep the creativity flowing ...

Daily Idea Generation

Ten years ago, I created an annual challenge for picture book writers called “Picture Book Idea Month.” The purpose is to generate one new story idea a day for an entire month. At the end of the month, a participant will be left with thirty or more ideas to flesh out into stories.

That event is now called “Storystorm” and I host it on my blog (taralazar.com) every January. Thousands of writers join in.

But my ultimate goal for participants is to make idea generation something they practice daily throughout the year. Not every idea is going to be a winner, right? Having a long list of story concepts that can build upon one another and spur additional ideas guarantees that you’ll never be without something to write.

Change Gears

If I am stuck with a story, I often jump to something new. I create a different character, a new setting, or an outrageous situation. I leave the other manuscript alone. Working on a new problem often works out the kinks of the former manuscript and I can return to it with renewed mojo.

Trust Your Process

Over the years, I’ve come to understand my personal creative process. Often it means I take breaks between projects and don’t write anything at all. I still create new ideas for stories, read picture books, and keep up with publishing. My big toe is still dipped in the kidlit waters. I have learned not to panic or worry, but to trust my process. My subconscious will be churning away at an idea and somehow I will know when it is time to put my butt in the chair and start writing. What may look like “writer’s block” to others is an essential component to my creativity.

Professional authors may give you advice on when and where to write, but the fact remains that your process will be as unique as your writing. I encourage you to learn—and trust—your process.”

Joanna Penn, The Creative Penn

If you’re blocked as a new writer writing a first book:

Ignore what you (or other people) think you should write, and look at your bookshelf.

What do you love to read?
What do you choose as a guilty pleasure?
Be honest with yourself, even if you come from a literary background.
What's fun for you?
Then go write that.

If you’re blocked during a book in the “saggy middle”:
Do some more research around your theme, setting or characters for fiction, or topic if it’s non-fiction.

If you’re blocked after finishing a book when you think you should immediately start another one:

Fill the creative well, then trust emergence. Something will come out of the milieu of this crazy, buzzing world and if you wait a little for the book to pass on, then ideas will start to emerge again and your mind will soon be filled with words waiting to be written.

Lauren Sapala, Lauren Sapala Blog

In my experience, when writers come up against writer’s block they’re usually trying to go too mental in their approach to creativity. That is, they’re trying to think their way out of the writer’s block problem. The key is to move out of the logical side of the brain and into the intuitive/creative side. Three quick ways to accomplish this are:

Listening to Music
Music bypasses our rational brain and defies verbal description so it tends to throw us into the realm of emotion, a great place to be when starting a story or working with intense scenes.

Focusing on Images
Instead of trying to figure out the entire storyline of your book before you even write one page, concentrate on any images that might be showing up in your head and work from there. It’s okay if you see your main character standing at the edge of a cliff and you don’t know why. Write down the image first, and the explanation can come later.

Use Your Character’s Eyes
Many writers who are blocked keep trying to access the story from the outside, as if they were an observer fly-on-the-wall-style. Sometimes this can be effective, but what’s even more powerful is to jump inside your character’s body and look around from their viewpoint. Then record everything you can see, no matter how trivial or mundane it might appear at the time.

Eva Deverell, Eva Deverell Blog

My top three tactics for getting UNSTUCK:

Ask, “What would I most enjoy writing right now?”
It may not be what you think you should be writing. It may not even be something that fits into your current WIP. But it’s more likely to help than starting at a blank page, and it puts you in a better mood.

Change your writing mode.
Handwrite, dictate, typewrite, cut and paste letters from a magazine, write with a finger dipped in paint, carve words into wood . . . Robert Burns used to carry a diamond pen and etch his lines into glass. There are many ways to make your mark, and it's inspiring and invigorating to experiment.

Journal about why you aren’t stuck after all.
List all of the things you LOVE about knowing where your story is headed, freewrite about the feeling of being in flow, describe what your finished story will look like in full sensory detail. Before long you won’t even be able to focus on being stuck.

Kathy Steinemann, Kathy Steinemann Blog

Here are a few tools to climb over, tunnel through, or dig under “writer’s wall” to find the reward on the other side.

Method #1: The Alphabet Shuffle
Rip a sheet of paper into twenty-six pieces. Starting with the letter A, jot down the first word that comes to mind. Continue with B through Z. Pick up pieces at random and lay them in a row. Reorganize to form a storyline or subplot.

Method #2: The Snooper
Eavesdrop on public conversations. Observe what people say, scrutinize their grooming, and watch their facial expressions. Try to guess their feelings and motivations. Write a few fictional biographies, and create scenarios that incorporate them.

Method #3: The What-if-er
Recall a funny, frightening, sad, or embarrassing situation. Imagine what might have happened if someone had [fill in the blank]. Now recall a few more situations. Combine and revise as necessary.

Keep track.
Always carry a notebook to record your thoughts, or a smartphone to text them to yourself. Save your ideas as soon as they materialize. Most will disappear within less than ten minutes if you don’t document them.

And relax.
Your inspiration will return.

Rochelle Melander, Write Now! Coach

1. Journal. The more you write, the less difficult it is. I find that doing morning pages, even just to plan the day, loosens up my writing muscles and helps me to attack the page. If you are feeling blocked or scared, write something. Write anything. Because the more you write, the more you write.

2. Take smaller steps. When we anticipate taking big steps—like writing a book or a whole chapter—our brains can actually panic and our bodies go into a flight or fight response. Small steps trick the amygdala and bypass the flight or fight response. They get us unstuck from a creative block.

3. Take breaks. Engaging with nature or doing a menial, repetitive task will help you restore your ability to pay attention. And, the time away from your work may lead to what psychologists call the Eureka effect (http://en.wikipedia.org/wiki/Eureka_effect). So next time you get stuck, take a break to watch the clouds or sort the laundry. No doubt you’ll return to your desk refreshed and ready to write—and potentially with a solution in hand!

Natalie Aguirre, Literary Rambles

I’m an aspiring MG and YA fantasy writer and also support myself as a contract writer. For my job, I can’t afford to have writer’s blog because I need to write 15 articles or more each week. Here are my tips:

Just write. I find sitting down and starting to write can help, even if I don’t like what I wrote. Just getting some words out on the page can help get my creative juices going.

Work on what you love. When I’m stuck on a manuscript that I’m writing, I like to work on my favorite part of writing, which for me is editing. If I go back and edit a prior chapter or two, it can get me going enough to work on my new chapter. Whatever it is that gets you excited about writing, spending some time on that might help you get inspired.

Do something relaxing. I like to take a walk or take a shower and think about the problems that are causing me to get stuck in my writing. I can’t tell you how many times I solve problems in the shower. Reading in my genre can also motivate me.

Angela Ackerman, Writers Helping Writers

“Writer’s block can frustrate us and steal our courage to create, so kick it to the curb with three easy tips:

1. Rewrite Netflix descriptions: Scroll through movie descriptions as if searching for something to watch. Then, either take two different premises and mash them to form a new, interesting storyline, or challenge yourself to switch a movie’s genre (say, a thriller) to the genre you usually write in (romance). Then free write the result (as much as you like!), for fun, to flex your creative muscles.

2. Skip ahead: If writer’s block hits when you’re mid-novel, make notes about what needs to happen next and then skip ahead to the next scene you can see clearly in your mind. Once your brain is past the block, ideas will flow better and you can come back and fill things in when inspiration strikes.

3. Dig for the WHY: Sometimes a block hits because we write ourselves into a corner. If you get stuck, change things up like choosing a new setting and rewrite the scene, or visit Novelist’s Triage Center to get unstuck and find help for many types of common story problems.

Smash those blocks and keep writing!

Lauren Tharp, LittleZotz Writing

My three tips for beating writer’s block?

1. Just write down anything and everything you can think of. Just let it flow out of you like vomit after eating a gas station burrito! Bleeaaaauuuugggghhhhhh!! Don’t worry if it’s any good or if it even makes sense. You can sift through it later—like panning for gold! You never know what might strike a chord with you later on. Even if you write down something like “I wish I was eating a baked potato right now,” you could turn that into “25 Recipes Using Potatoes” or “8 Budget-Friendly Meals for Starving Writers” or something.

2. Turn to your readers for help. It’s a win-win situation: you ask them for ideas, and then you produce the content they most want to read about! Let them help you help them.

3. Sleep on it. Seriously. If your brain is absolutely 100% fried and you cannot think up any ideas to save your life: get some sleep, and try again the next day. Eat a good meal too, while you’re at it!

Lucy V. Hay, Bang2Write

B2W works with writers all year round, so the spectre of ‘writer’s block’ always comes up. Here are my top three strategies for dealing with it:

1. Outline or plan. Most writers get blocked because they are attempting to write with only a portion of the story in their head. This means as soon as they come across an issue, they get stuck in what I call ‘The Story Swamp’. An outline is like a map, helping you get out again. It doesn’t have to be mega-detailed, it could index cards or post-its, or just be bullet points. It could even be a drawing. Just as long as you have that ‘story map’, you are far less likely to get stuck.

2. Stop and reflect. Writers often don’t have enough time to write, so when they finally get to sit down in front of their computer, they ‘can’t’ write. This is due to putting so much pressure on themselves. The worst thing you can do is sit there in front of their screen, freaking out. Turn off the computer, go for a walk, reflect on WHY you feel so anxious, down, or not confident about writing. Think about the interventions you can put in place to stop this happening. Instead of writing only at specific times, perhaps keeping a notebook handy and writing in five-minute bursts longhand would help (or vice versa!). Perhaps explaining to your partner and getting them on board with your dream would help. Whatever it is stopping you, deep down, work out what it is and what you can do about it. There’s always something.

3. Believe. If you don’t believe you can do this, no one will. When you feel blocked, tell yourself – YOU GOT THIS. It will come true!

There you have it, some of the best nuggets of advice for when you have writer’s block. Entering that zone is very scary especially when you’re in a mad rush to beat the deadline, but have no fear, dear wordsmith. Try any of the tips above, and you’ll scale that big wall of nothingness and frustration in no time flat.

November 29, 2025 4 min read

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

November 25, 2025 1 min read

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.