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The Freewrite 500 First Place: High Holy Days

Brie Ripley Sparks
October 12, 2025 | 2 min read

The winning short story in the inaugural Freewrite 500 flash fiction competition is "High Holy Days" by Brie Ripley Sparks.

Read the story here and then check out our interview with Brie.

The halal butcher closes at nine, but the streetlights out back are always lit. A row of dumpsters lines a wall, fragrant with bones and gristle, and that’s where I leaned my bike.

He arrived late, as usual. Always in that long black coat buttoned tight even in summers. He waved with two fingers in a gesture that felt casual but practiced.

β€œEvening,” I said.

β€œGood evening to you, Bud,” he echoed. He had a way of saying it that made it sound like both greeting and judgment.

We traded neatly folded cash for a baggie full of greens. Swift and silent.

I sparked a joint, passed it over, and took my usual seat on a milk crate left next to the recycling bins. It was cracked but still pretty sturdy. He gently took the joint, sat on his usual milk crate, inhaled, coughed, then laughed.

β€œYou hear about the new pope?”

I shrugged. β€œI don’t really read the news.”

β€œChicago guy,” he said. β€œSouth Side. That’s where I’m from, actually.”

β€œSmall world. You know him?” He shook his head. β€œNot personally. Still feels strange, though. Like finding out somebody from the neighborhood made it big.”

He leaned back against the brick wall, eyes half closed. For a second I imagined him in some other setting: marble floor, candles instead of fluorescents. He spoke with that odd mix of certainty and hesitation, like every sentence had to be measured for both truth and consequence.

β€œChicago’s full of characters, huh?” I asked.

β€œSaints and sinners both.” He chuckled at himself, then took another drag.

The lot hummed with the buzz of the light, the faint metallic clatter from inside the butcher shop as someone hosed down a counter. Out here, it was just us. Two men with nothing in common, except the ritual of smoke and talk.

β€œThink he’ll be able to do anything about…all of this?” I asked, gesturing at the world around us. There were billboards for crypto scams and violence-baiting cable TV shows, but also woods and grassy fields nearby.

He tilted his head. β€œMaybe. But the world’s never short on that. Sometimes the job isn’t to fix it. It’s just to keep showing up.”

He said it like someone who’d spent a lifetime showing up in rooms no one else wanted to enter.

I took the joint back, pulled hard to put out the cherry, and made sure it was cold before I pressed it into his hand. β€œKeep that one. You’ll need it for your late night. It feels like you’ll have one of those again.”

He tucked it away without protest. That was our rhythm: I slipped him something extra, he slipped me some line that sounded half like a proverb, half like advice.

I swung my leg over the bike and pushed off.

β€œSee you next week,” I heard from behind me.

I stuck a hand up in the air and waved at my favorite regular.

β€œLater, Father,” I yelled back with a smirk.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animatorΒ Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast)Β figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients.Β The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists.Β Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like β€œmotion design” and β€œThe 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, β€œI wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML:Β It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him onΒ LinkedIn or visit his website atΒ www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.