How Simple Planning Will Keep Your Novel On Track

August 17, 2017 | 6 min read

 


Today’s guest post is by Zara Altair (@ZaraAltair), writer of The Argolicus Mysteries set in ancient Italy. Zara also coaches budding writers to create winning stories as The Story Bodyguard from her home near Portland, Oregon.



Planning Your Novel Works

When most writers get an idea for a new story they want to dive in and get going. If you skip planning, your novel is likely to have bumps, detours, and dead ends. You are likely to spend hours of wasted time that you couldsave by planning first. Planning can help you avoid time consuming mistakes, rewrites, characters taking over and derailing the flow, and get you to the end quickly.  

Novelists can streamline story writing with creative planning. First brainstorm scenes, then organize them into a story structure.

The Story Brainstorm

Planning a story can be creative. You don’t have to construct a rigid outline like the one’s you turned in for school. Correct planning is just a creative as the actual writing but in a different way. You brainstorm as many ideas as possible - scenes, bits of dialogue, action sequences, theMcGuffin, what trips up your protagonist. Any and every idea about the story. The ideasdon’t need to be in logical or in sequential order. At this point you are collecting all the bits and pieces you want in your story.

Some writers use 3x 5 index cards.Some use a spreadsheet. Some use writing software like Scrivener. Or, just list them out in a text document. The key is to brainstorm the story and scene ideas.

Writers want a story unlike any other. Brainstorming your scenes is a creative way to capture the essence of your story. The ideas go straight from your head into story scenes. Keep adding scenes until you have all the scenes of your story.

You can move them around as you add scenes, but don't focus on this too much. The concept is to write as many scenes as you can that will be part of your story.

The key to this process is that it is a brainstorming exercise. No judgment. If a scene comes to mind, add it to the list. You'll organize them later.

Organize the Bits into a Story Structure

Once you’ve collected your story bits and pieces, you can rearrange them into a story sequence. This is where index cards or software with moveable components can be invaluable. You can move your ideas around until you feel you have created your story order.

It doesn't matter if you use The Hero's Journey, Save The Cat beats, or any story structure device. Different structures work best for different writers.

Get your basic plot points. Here is novelistKristen Kieffer's basic list.

  • Exposition. The necessary character, setting, and background details readers need to understand the context of your novel. (Note: exposition is *not* the beginning of a novel, though most often exposition is revealed during the first few chapters in order to set the scene).
  • Call-To-Action.The moment when the hero is called to leave the ordinary world to take part in an otherworldly adventure. Usually found in fantasy and science fiction novels.
  • Rising Action. The series of events leading up to the climax of the story.
  • Crises. Peaks in tension or conflict that occur throughout the rising action of the novel.
  • Climax. The most intense crisis found in the narrative though notnecessarilythe final crisis.
  • Falling Action. The series of events after the climax of the story where questions are answered and any remaining crises occur and are resolved.
  • Resolution.The final moments of a novel where any remaining threads of tension are resolved and a new reality is established.

Now you can place your scenes in story order, according to your chosen plot structure. Use a cork board, software, or a document to order your scenes. Some writers enjoy the tactile sensation ofphysicallymoving cards while others like the convenience of software or even text documents eliminating the need to transfer handwritten notes into typed text.

It doesn’t matter which tools you use. It’s the process that will help you with your novel.

Story Structure: The Container for Your Scenes

At this stage two things can happen:

  • You find you have scenes missing to complete the full story structure
  • Scenes on your list don't seem to fit in the story structure

​Now it's time to refine your structure. If important scenes are missing you can add them to complete the full cycle of your plot. This part of the process helps you make sure the entire storyline is complete.

Take a look at those scenes that don't fit in the story structure. If you don't find a place for the scenes to move the story forward, it's time to let them go. You can save them for another story if they are too precious to throw away.

Rewards of Brainstorming and Structure

With the scenes in line with the structure, it's time to write.

The immense benefit of brainstorming the scenes is that you already know what happens. You don't have to stall wondering what comes next. You've already envisioned the scene. And, you have already envisioned the story fromstart tofinish.

Once you have completed the brainstorm and structure, you’ll find may benefits to taking the time to plan your novel.

Write Faster

As you write, you won’t wonder what comes next. You’ll be using your creativity and writing skills to write the best scene to move the story forward. Your scenes will flow because you already know not only the basic elements of the scene but also where the scene fits in the story. You can incorporate foreshadowing without using a heavy hand.

Save Time

Because you are writing faster and know where you are going with the story, your novel will flow without wondering what comes next or how to follow-up on a scene later on.

Eliminate Rewrites

If you have done your work thinking through the story elements and the structure, you won’t toss scenes or entire chapters because the story shifted while you were writing. The time you spend at thebeginning creating and organizing your scenes, will keep you on track with your story.

No Writing Yourself Into a Corner

Without a plan, many beginning writers find that characters take over and lead the story off in an unforeseen direction. Then, off track theyare unable to take back control and find themselves in a “story corner.” The brainstorm and organize process shuts the door on story wandering.

You Stay in the Story Flow

Because you know the overall story, youare always headed toward the story end as you write. You have already tested each scene for how it fits in the overall story plan. Your only job when you are writing is to make the scene come alive.

Scenes as Building Blocks

Every scene is a building block for your novel. The brainstorm and structure process eliminates unnecessary scenes before youspend time writing them. You have already calculated which scenes fit inside the story structure and how they build the story within the sequence.

Planning is the Key to Story Ease

Simple planning eliminates many novel writing frustrations. Novel writers who use this simple technique find they are closer to their story the moment theybegin writing. They discovered plot holes and completed the story structure before writing. They save time by eliminating unnecessary scenes, conquer character derailment, and keep themselves from discouraging rewrites before they write.

This simple planning process builds your story creation creativity. Every story has been told. Planning helps you create the story that is truly yours.

Writers who use simple planning find their stories flow as they write scenes. They get to a satisfying conclusion and they finish the novel.

 

How do you plan your writing? Let us know in the comments!

 


Zara Altair

Zara Altair (@ZaraAltair) writes The Argolicus Mysteries set in ancient Italy featuring patrician Argolicus and his lifelong tutor, Nikolaos: The Used Virgin, The Peach Widow, and The Roman Heir. She writes for the web as a semantic copywriter and is working on a book for writers: SEO for Authors. Zara also coaches budding writers to create winning stories as The Story Bodyguard from her home near Portland, Oregon.

 

 

 

 

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April 22, 2024 5 min read

By Benjamin Westland

We've all been there — staring at a blank document, not knowing where or how to start.

Ideas bounce around in my head all day long, but as soon as I sit down in front of my draft, they just won't come out because I can't decide on one of the many things in my head.

Embrace randomness as a creative partner and you'll find that, with the right approach and attitude, that uncertainty is an opportunity for exciting twists and fresh ideas in your writing.

I want to show you a tool that has helped me find a way out of these blocked situations and also improve as a writer. All you need are three six-sided dice and some paper. (Of course, if you’re on the move and don’t have any dice with you, any dice-rolling app on your phone will work.)

Writing with dice can help you make unexpected choices in your writing process that can take your creativity in new directions.

Remember, you don't have to write the perfect story in your first draft. It's about capturing ideas before they're gone. So let go of perfectionism and enjoy the creative process.

Meet The Oracle

This approach is based on the idea that we can ask an “oracle” our questions to steer our writing in interesting and inspiring directions. Just as our friends or partners sometimes offer to do when bribed with coffee and cake. In this instance, however, the oracle is the dice.

The dice take on the role of the oracle, answering our questions and relieving us of the burden of thinking too long about a decision.

“But what questions should I ask, and what do I gain from a generic yes/no answer?” you may ask.

The short answer is: it depends…

It depends on the context in which you ask the questions.

It could be anything from the genre, basic considerations about how you want to tell the story, the characters involved, or the tropes and ideas you want to incorporate. Maybe even the different storylines and how they develop.

All of this is the context in which we make narrative decisions. In this exercise, it’s what will inspire our questions.

When you want to know where the story might go based on what you already know, ask the oracle. Don’t overthink it. Instead, introduce chance and see what the oracle says. You never know when the story will take you in new directions.

 

How do I know what the oracle says…?

The general idea is quite simple: you formulate a question that can be answered yes or no, and roll the three six-sided dice. The oracle will answer with the results you see in the table below.

Add up the numbers on the dice and look up the oracle’s answer in the table.

In addition to clear yes/no answers, the Oracle can also give us more nuanced answers: a weakened form (10,11) and an intensified version (3-4, 17-18). 

Furthermore, if you have extra context from the story to add to the question, apply the modifiers in the below table to the sum of your dice.

 

Confusing? Let’s see how it works in writing a scene:

My Question: Is it raining when Isabel leaves the café? (It’s unlikely, it’s a hot day in the story.)

Result: The three dice show: 4, 4, 3 to equal 11. I subtract 1 for “unlikely.” My final answer is 10. (No, but…) 

This simple question alone created a better atmosphere in the scene — and it also gave me some ideas for a later scene in which the approaching summer storm influences the rest of the story.

 

Let's have a look at a longer example: how I use the oracle at the very start of drafting a story.

All I have prepared for this is the dice, my Freewrite, a stack of blank index cards, and a small hourglass.

I use the index cards for lists of things that are relevant to my ideas, sometimes prepared, sometimes made up as I write to let the dice make a decision. One of the lists I created before the first session was a collection of interesting genres that I liked for my next story.

I randomly drew three themes from that list: Victorian, Supernatural, and Soldier.

I already liked this combination, and the first ideas didn’t take long to come. I asked some oracle questions ("Is this set in Victorian times?”, “Is it a haunted house?”, etc.) to help me figure out the basic setting. What I learn is that we are not in Victorian times, but the story takes place in a Victorian villa that is said to be haunted. The villa has been converted into a hotel and has attracted many tourists since the bloody history of the house became known on the internet.

With a few more questions, I learn that the protagonists are guests at the hotel. One of the protagonists has been trying unsuccessfully for years to become famous as an influencer of supernatural phenomena — with little success. He has his best friend with him, who has just finished his studies and has been persuaded to go on a trip. He doesn't believe in ghosts.

That's enough information for me to work with for the setting. I take notes on an index card and ask the oracle where to start. Turns out the two friends have just arrived by train and are making their way through the old town to the villa.

I turn the hourglass and start to write.

The sand runs out as the two protagonists navigate through the hustle and bustle of the town and get lost in the maze of winding streets. The hourglass tells me it's time to interrupt my writing with a random event. I use a combination of oracle questions and spontaneous lists of possibilities that come to mind. Again, I let the dice decide which option to choose.

I find that my protagonists are approached by a merchant and lured into his shop. There, they discover an old object that seems to magically attract them. Cool! The scene has gained a bit more flavor thanks to this visit. I also wonder what the object has to do with anything. I turn the hourglass again and keep writing to find out.

  

 

The dance between predictability and spontaneity is fascinating, and I hope this has given you a small, helpful insight into the oracle approach.

My recommendation is to choose an existing project first and use the oracle at specific points in the writing process. The advantage to this is that you will already know more about the context, and it may be easier to make your first lists of ideas or to know when or how to ask the oracle questions.

If you prefer to start from scratch, take a writing prompt of your choice and brainstorm with the oracle to find a starting point for the first scene.

Happy writing!

--

Ben Westland is a freelance ghostwriter, editor, and author of interactive fiction, bringing a diverse background in computer science, product development, and organizational change. Ben holds a doctoral degree and has authored two scholarly works on knowledge management, as well as various interactive narratives that employ storytelling to enhance organizational training.

Ben is one of the editors of inspiration.garden, an inspirational creativity magazine, and has recently launched storyhaven.online to publish his serial fiction as he explores new narrative forms.

Having lived and researched in Spain and Japan, Ben now draws on his experience to create immersive stories and help others find their creative voice.

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