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Why This Doctor Writes 1,000 Words Every Single Day

Annie Cosby
August 08, 2024 | 9 min read

Many people know Dr. Terry Simpson as a TikTok-famous surgeon with over 1 million followers eager for his health-related hot takes.

Turns out that is the least interesting thing about him.

An Alaska Native of Athabascan descent, Dr. Simpson was born and raised in postcard-worthy Ketchikan, Alaska. He started his career in molecular research and virology before going to med school, and when he became a fellow of the American College of Surgeons, he did so as the very first Alaska Native.

Dr. Simpson started sharing his medical expertise with the public long before TikTok existed — or any social media, for that matter. Writing was simply a means of sharing information with his patients, and he wrote several books and even became the resident physician for Daytime TV(He eventually married the producer!)

More recently, Dr. Simpson fought through the COVID-19 pandemic at a hospital in California, where he, by his own admission, worked harder than he ever had in his life “doing things [he] never thought he would do.”

Many medical staff were burned out by the experience, Dr. Simpson says, because nobody believed the horror they were going through. "That's disinformation for you. You fight it not for the true believers of the nonsense; you fight it for the people who might be influenced or misguided."

Now semi-retired, Dr. Simpson spends his days fighting the medical "fake news" on the internet, doing podcasts, and writing 1,000 words each and every day.

We sat down to chat about the effects of writing on health, and spoiler alert: this interviewer cried twice.

ANNIE COSBY: Is there any research on how writing affects our cognitive health?

DR. TERRY SIMPSON: Scientifically, we know that the more active and engaged you are mentally, the better you will do long-term. Now, we don't know if that's a correlation or causation.

But we do know that the brain has what we call a plasticity to it.

Pretend you have a non-devastating stroke and lose some ability in your fingers. We know that, over time, your brain can assign the use of those fingers to other parts of the brain that aren't damaged, and you may relearn to use them.

There are some diseases in the brain that we don't yet have a way to fix. But we know, for example, that if you eat a Mediterranean-style diet, you have a 53% lower chance of developing Alzheimer's disease. And we also know that if you keep your brain active, even if you do have an inevitable disease of the brain that we can't yet cure, you are better for much longer.

People who keep mentally active — people who write, people who are involved in music, people who speak different languages … They keep the brain active.

Think of the brain like a muscle. The worst thing you can do is become passive.

Becoming passive is, you know, watching television, scrolling through social media. Stuff like that.

By writing, you are incorporating different parts of your brain, like your memory, and you're doing physical things, even if it's just typing with your fingers. You’re also listening. You're doing a lot of things that are helping your brain stay active.

People who keep mentally active — people who write, people who are involved in music, people who speak different languages … They keep the brain active.

AC: That's fantastic. Before we dig into that, let's back up a bit. You first started writing to share medical expertise decades ago. How has writing changed over that time?

TS: Well, when I first started writing, it was pretty easy. There wasn't anything to distract you other than a telephone sitting on your desk. Very few people would email you — there wasn't constant spam coming through.

And I love typing, so I could sit at my computer and type away.

After that, there was a long period where I didn't write anything. There were too many distractions, like the internet. On top of that, I discovered that I love editing. So I would edit the same thing for maybe a month and not write anything new.

I can edit all day long and not put a damn thing down.

I can edit all day long and not put a damn thing down.

AC: I can relate.

TS: It was frustrating! I have all this stuff in me that I need to get out.

Before, I never felt like I had the time for writing, because I would sit down at my computer, start writing, and then I would look something up and I would just fall down rabbit holes. Or an email would pop up, and then I would get stuck on social media.

Next thing you know, I hadn't written a thing. And it was always in the back of my mind: I'm not writing, I'm not writing, I'm not writing.

Then, you guys announced a challenge this past June. And I said, why don't I try doing a thousand words a day? Maybe I'll even win something. And that started gamifying it for me — I was trying to get that prize.

And I didn't win the prize, but you know what? I've been writing every day, which is an amazing prize. I can't thank you guys enough.

And it was always in the back of my mind — I'm not writing, I'm not writing, I'm not writing.

AC: And you’re still going?

TS: Today is day 47 of writing 1,000 words a day.

Usually at about 4:30 p.m. Pacific, I do a live on TikTok, and either just before or after that, I pull out my Traveler and say, What am I going to write about today?

AC: You reference a lot of scientific studies in your work. How do you handle that while freewriting?

TS: If I know there was a study about something somewhere, I might look for the study and put what we call the PMI — the public med identifier number — in there so I can use it later to research and grab a reference. It helps me stay on task.

And what I've discovered is that it changed the way that I write. It's coming out more in my own voice.

Sometimes when you write, you write not in your voice but in the way you think you should sound, right? But I'm not a Hemingway, I'm … whoever I am.

Sometimes when you write, you write not in your voice but in the way you think you should sound, right? But I'm not a Hemingway, I'm … whoever I am.

AC: *laughing* And what does your voice sound like?

TS: It’s a little humorous. Not so serious. I can’t help the humor. I'm a dad — as soon as my son was born, I started with the puns.

AC: I bet you were punny before that.

TS: Well, surgeons have a dark humor, so there's sometimes a little of that, too. And writing in that voice is good for me. But you can’t find that voice if you don't write, you know?

AC: And you have to be open to just seeing what comes out. If you can let go like that, it’s so much fun.

TS: Oh, writing every day has been absolutely joyful. It’s like suddenly rediscovering something you love.

It's like, “Oh my gosh, there's ice cream. I forgot about ice cream! I really like ice cream. Let me have ice cream every day.”

Except it's probably healthier than having ice cream every day.

[Writing again] is like suddenly rediscovering something you love. It's like, “Oh my gosh, there's ice cream. I forgot about ice cream!"... Except it's probably healthier than having ice cream every day.

AC: Yeah, the impact of reading and writing on the health of the brain is pretty cool. Have you seen that firsthand at all in your work?

TS: Absolutely. I now do a lot of work in nursing homes, and I've had the privilege of taking care of a Pulitzer Prize-winning photojournalist and other, just, very interesting people. I had a patient who had been a college professor of literature but had mentally declined from a bad case of vascular dementia.

This guy had a Ph.D. in literature from Harvard. And when I started taking care of him, I'd say, "Who's your favorite author?" *snaps* “Henry James.” He’d answer immediately.

Now, I had never read Henry James, who, by the way, writes differently than most authors, quite unique and distinct — and sometimes difficult to get through. But I started reading Henry James.

And whenever we would talk about Henry James, this patient's eyes would light up. I’d say, "What should I read next?" *snaps* “Daisy Miller.”

This guy, if you were to look at an MRI of his brain, has lost a lot of volume from this disease, and he still gets excited about reading and books and stories.

This guy, if you were to look at an MRI of his brain, has lost a lot of volume from this disease, and he still gets excited about reading and books and stories.

AC: *tearing up* It’s still all there inside him!

TS: He may not have everything that he had before, but some of it's still there. To have filled up his mind with some of the great literature of the world that still causes him to smile?

I think the stuff I see on TikTok is not going to be there, if I ever mentally decline. I would rather have it filled with the good stuff.

I think the stuff I see on TikTok is not going to be there, if I ever mentally decline. I would rather have it filled with the good stuff.

AC: You helped your dad write a book, too, right?

TS: Yes. My father was half Athabascan and half Welsh. When his parents divorced, because his mother was Native American, she did not get the boy. There was not even a question about that. Native Americans at that time were not citizens of the United States.

But my grandfather was some kind of hunter or trapper and couldn't raise my father, so he took my father, at four years old, to the Jesse Lee Home, an orphanage. There were a lot of orphanages in Alaska because there was a lot of tuberculosis and measles, which decimated the native population and created many orphans.

My dad wanted to write about his experience there, so he gathered all these pictures and things, and I helped him write it. We self-published it on Amazon.

One of his greatest joys toward the end of his life was this book. When my mom got sick with vascular dementia, she and my dad both went into assisted living. People would talk to my dad and find out about his book, and they would read it and learn about his story, and he loved that.

AC: *tearing up again* It’s the power of sharing your story with other humans.

TS: Absolutely. After my mom died, my dad decided to move back into his house, and he lived there until just a couple days before he died.

He was getting ready to write another book, and he just sort of ran out of time. Still sharp as a tack up until the last breath.

AC: Because he was writing!

TS: *laughs* Maybe.

AC: *composing herself* Before we end, can you share with everyone what you’re working on now?

TS: Sure. I'm writing about dietary algorithms.

AC: Dietary what?

TS: Basically, weight loss is not going to be a problem in about five years. We're on the precipice of some ground-breaking medications that are going to be cheap and readily available, by pill ... but we still gotta eat.

These weird little fad “diets” are going to be gone, and we're going to have to go back to what we should have always been focused on, which is the algorithm for eating for one's health. We need to relearn how to eat.

AC: I never thought about how the availability of things like Ozempic might affect wider society’s relationship with food…

TS: It’s coming. Weight is tangible, but you can’t see your arteries, right? The mindset has to shift to “I don't want die of a heart attack. I want to decrease my risk of heart disease and cancer, etc.”

The whole point of what I'm writing now is, How can we help you make your future better?

AC: What’s your #1 piece of advice for people out there who want to write but aren’t writing?

TS: You have to realize your writing is not going to be perfect, but it doesn't have to be perfect… You just have to let the words out.

And the next thing you know, you're writing again, and it becomes a part of your routine. And then it becomes the joyful part of your routine.

There are a lot of great writers out there. They just don't know it yet.

There are a lot of great writers out there. They just don't know it yet.

Follow Dr. Simpson on: TikTok | Instagram | X | Facebook | YouTube

Learn more about the doc at terrysimpson.com.

Note: No material in this email is intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your doctor or qualified health care provider.
December 30, 2025 3 min read

It’s Freewrite’s favorite time of year. When dictionaries around the world examine language use of the previous year and select a “Word of the Year.”

Of course, there are many different dictionaries in use in the English language, and they all have different ideas about what word was the most influential or saw the most growth in the previous year. They individually review new slang and culturally relevant vocabulary, examine spikes or dips in usage, and pour over internet trend data.

Let’s see what some of the biggest dictionaries decided for 2025. And read to the end for a chance to submit your own Word of the Year — and win a Freewrite gift card.

[SUBMIT YOUR WORD OF THE YEAR]


Merriam-Webster: "slop"

Merriam-Webster chose "slop" as its Word of the Year for 2025 to describe "all that stuff dumped on our screens, captured in just four letters."

The dictionary lists "absurd videos, off-kilter advertising images, cheesy propaganda, fake news that looks pretty real, junky AI-written books, 'workslop' reports that waste coworkers’ time … and lots of talking cats" as examples of slop.

The original sense of the word "slop" from the 1700s was “soft mud” and eventually evolved to mean "food waste" and "rubbish." 2025 linked the term to AI, and the rest is history.

Honorable mentions: conclave, gerrymander, touch grass, performative, tariff, 67.

Dictionary.com: "67"

The team at Dictionary.com likes to pick a word that serves as “a linguistic time capsule, reflecting social trends and global events that defined the year.”

For 2025, they decided that “word” was actually a number. Or two numbers, to be exact.

If you’re an old, like me, and don’t know many school-age children, you may not have heard “67” in use. (Note that this is not “sixty-seven,” but “six, seven.”)

Dictionary.com claims the origin of “67” is a song called “Doot Doot (6 7)” by Skrilla, quickly made infamous by viral TikTok videos, most notably featuring a child who will for the rest of his life be known as the “6-7 Kid.” But according to my nine-year-old cousin, the origins of something so mystical can’t ever truly be known.

(My third grade expert also demonstrated the accompanying signature hand gesture, where you place both hands palms up and alternately move up and down.)

And if you happen to find yourself in a fourth-grade classroom, watch your mouth, because there’s a good chance this term has been banned for the teacher’s sanity.

Annoyed yet? Don’t be. As Dictionary.com points out, 6-7 is a rather delightful example at how fast language can develop as a new generation joins the conversation.

Dictionary.com honorable mentions: agentic, aura farming, broligarchy, clanker, Gen Z stare, kiss cam, overtourism, tariff, tradwife.

Oxford Dictionary: "rage bait"

With input from more than 30,000 users and expert analysis, Oxford Dictionary chose "rage bait" for their word of the year.

Specifically, the dictionary pointed to 2025’s news cycle, online manipulation tactics, and growing awareness of where we spend our time and attention online.

While closely paralleling its etymological cousin "clickbait," rage bait more specifically denotes content that evokes anger, discord, or polarization.

Oxford's experts report that use of the term has tripled in the last 12 months.

Oxford Dictionary's honorable mentions:aura farming, biohack.

Cambridge Dictionary: "parasocial"

The Cambridge Dictionary examined a sustained trend of increased searches to choose "parasocial" as its Word of the Year.

Believe it or not, this term was coined by sociologists in 1956, combining “social” with the Greek-derived prefix para-, which in this case means “similar to or parallel to, but separate from.”

But interest in and use of the term exploded this year, finally moving from a mainly academic context to the mainstream.

Cambridge Dictionary's honorable mentions: slop, delulu, skibidi, tradwife

Freewrite: TBD

This year, the Freewrite Fam is picking our own Word of the Year.

Click below to submit what you think the Word of 2025 should be, and we'll pick one submission to receive a Freewrite gift card.

[SUBMIT HERE] 

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Sources

December 18, 2025 7 min read

What can Jane Austen's personal letters teach writers of today?

December 10, 2025 6 min read

Singer-songwriter Abner James finds his creativity in the quiet freedom of analog tools. Learn how his creative process transcends different media.

Abner James went to school for film directing. But the success of the band he and his brother formed together, Eighty Ninety, knocked him onto a different trajectory.

The band has accrued more than 40 million streams since the release of their debut EP “Elizabeth," and their work was even co-signed by Taylor Swift when the singer added Eighty Ninety to her playlist "Songs Taylor Loves.”

Now, Abner is returning to long-form writing in addition to songwriting, and with a change in media comes an examination of the creative process. We sat down to chat about what's the same — and what's different. 

ANNIE COSBY: Tell us about your songwriting process.

ABNER JAMES: The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off.

And one of the things that occurred to me when I was traveling, actually, was that I would love to be able to do that but from a writing perspective. What would happen if I sat down and approached writing in the same way that I approached music? In a more intuitive and free-form kind of way? What would that dig up?

AC: That's basically the ethos of Freewrite.

AJ: Yes. We had just put out a record, and I was thinking about how to get into writing for the next one. It occurred to me that regardless of how I started, I always finished on a screen. And I wondered: what's the acoustic guitar version of writing?

Where there's not blue light hitting me in the face. Even if I'm using my Notes app, it's the same thing. It really gets me into a different mindset.

 "I wondered: what's the acoustic guitar version of writing?"

I grew up playing piano. That was my first instrument. And I found an old typewriter at a thrift store, and I love it. It actually reminded me a lot of playing piano, the kind of physical, the feeling of it. And it was really fun, but pretty impractical, especially because I travel a fair amount.

And so I wondered, is there such a thing as a digital typewriter? And I googled it, and I found Freewrite.

AC: What about Freewrite helps you write?

AJ:I think, pragmatically, just the E Ink screen is a huge deal, because it doesn't exhaust me in the same way. And the idea of having a tool specifically set aside for the process is appealing in an aesthetic way but also a mental-emotional way. When it comes out, it's kind of like ... It's like having an office you work out of. It's just for that.

"The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off."

And all of the pragmatic limitations — like you're not getting texts on it, and you're not doing all that stuff on the internet — that's really helpful, too. But just having the mindset....

When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing. I find that to be really cool and inspiring.

"When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing."

AC: So mentally it gets you ready for writing.

AJ: Yeah, and also, when you write a Microsoft Word, it looks so finished that it's hard to keep going. If every time I strummed a chord, I was hearing it back, mixed and mastered and produced...?

It's hard to stay in that space when I'm seeing it fully written out and formatted in, like, Times New Roman, looking all seriously back at me.

AC: I get that. I have terrible instincts to edit stuff over and over again and never finish a story.

AJ:  Also, the way you just open it and it's ready to go. So you don't have the stages of the computer turning on, that kind of puts this pressure, this tension on.

It's working at the edges in all these different ways that on their own could feel a little bit like it's not really necessary. All these amorphous things where you could look at it and be like, well, I don't really need any of those. But they add up to a critical mass that actually is significant.

And sometimes, if I want to bring it on a plane, I've found it's replaced reading for me. Rather than pick up a book or bring a book on the plane, I bring Traveler and just kind of hang out in that space and see if anything comes up.

I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise. I've found that writing from words towards music, I get different kinds of songs than I have in the past, which has been interesting.

In that way, like sitting at a piano, you just write differently than you do on a guitar, or even a bass, because of the things those instruments tend to encourage or that they can do.

It feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me.

"I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise... [Traveler] feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me."

AC: As someone who doesn't know the first thing about writing music, that's fascinating. It's all magic to me.

AJ: Yeah.

AC: What else are you interested in writing?

AJ: I went to school for film directing. That was kind of what I thought I was going to do. And then my brother and I started the band and that kind of happened first and knocked me onto a different track for a little while after college.

Growing up, though, writing was my way into everything. In directing, I wanted to be in control of the thing that I wrote. And in music, it was the same — the songwriting really feels like it came from that same place. And then the idea of writing longer form, like fiction, almost feels just like the next step from song to EP to album to novel.

For whatever reason, that started feeling like a challenge that would be deeply related to the kinds of work that we do in the studio.

AC: Do you have any advice for aspiring songwriters?

AJ: This sounds like a cliche, but it's totally true: whatever success that I've had as a songwriter — judge that for yourself — but whatever success I have had, has been directly proportional to just writing the song that I wanted to hear.

What I mean by that is, even if you're being coldly, cynically, late-stage capitalist about it, it's by far the most success I've had. The good news is that you don't have to choose. And in fact, when you start making those little compromises, or even begin to inch in that direction, it just doesn't work. So you can forget about it.

Just make music you want to hear. And that will be the music that resonates with most people.

I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake. They're not real. None of those people are actually real people. You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one.

And I just don't think that we're that different, in the end. So that would be my advice.

AC: That seems like generally great creative advice. Because fiction writers talk about that too, right? Do you write to market or do you write the book you want to read. Same thing. And that imaginary focus group has been debilitating for me. I have to silence that focus group before I can write.

AJ: Absolutely.

"I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake... You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one."

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Learn more about Abner James, his brother, and their band, Eighty Ninety, on Instagram.