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A Hollywood Workflow: How to Write Screenplays on Freewrite

Mark LaVine
October 24, 2024 | 4 min read

Can you draft screenplays on Freewrite? Absolutely. All you need is this simple trio: Freewrite, Fountain, and Final Draft.

Read on to learn how one pro screenwriter uses Freewrite to pitch, draft, and deliver screenplays.

When I came to Los Angeles thirty years ago, my goal was to become a film and television writer. After a few years working on the production side of the business, I was able to move into television writing, and now I've sold a script to a major studio.

It was at the start of that screenwriting project that I bought my first Freewrite — the Smart Typewriter — which I used to write outlines, treatments, and the first draft of the screenplay. It’s been a revelation, and I now have Traveler as well.

The industry-standard writing software in the screenwriting world is Final Draft, which properly formats a script. Freewrite supports the use of Fountain, a simple markup syntax for writing screenplays in plain, human-readable text, so that when you transfer your work to Final Draft for editing, it’s formatted like a script.

Here is an overview of my screenwriting workflow with Freewrite, Fountain, and Final Draft.

My Screenwriting Process

  1. Brainstorm. I jot notes in my Field Notes notebooks, iPhone, and Freewrite Smart Typewriter or Traveler. With my newest script, I’ve been storing all of these notes as well as online research in Scrivener
  2. High concept. In the TV and film business, you rarely get to just dive right into the scripting. Even for my own stuff, I first write a paragraph that hones the idea into a pitchable form.
  3. Outline or beat sheet. I know outlines are a much-debated topic in the world of novelists, but for scripts, especially if sold to a studio or producer, it’s usually a must-have. Even famous screenwriters often have to write these documents if not selling an already completed spec script. The Freewrite has been great for my outlining process, which lays out the big beats of the story.
  4. Treatment. After I’ve laid out the beats, I dive deeper with a more detailed treatment, which can run from 15-25 pages and sometimes includes a little placeholder dialogue. This is a brand-new document that I create on the Freewrite, which I then review as a printout or as a PDF on my iPad before moving to script.
  5. First draft screenplay with Fountain. Now the real fun begins. This is when I switch to folder C on my Freewrite, start a new document, and begin to write the actual script using Fountain. (See below for in-depth directions for using Fountain.)
  6. Export to Final Draft. I set my Cloud Settings in Postbox to save my work to my third-party cloud platform of choice in the Final Draft file format (.FDX), and when I start to get a dozen or so pages into the script, I export the file into Final Draft. Voila! They open seamlessly in Final Draft, transformed into perfect script format. 
  7. Revise in Final Draft. I keep writing on my Freewrite and collecting scenes in my Final Draft master document until I have my first draft, which is usually longer than the average 90-120 pages of a typical screenplay. Once the draft is done, I edit in Final Draft and rewrite until I’m finished.

Note: It's great to have a version of your screenplay saved in Fountain simply because it’s plain text. That means it’s the perfect format for archiving screenplays without worrying about file-format obsolescence or incompatibility in the future.

Finding Your Way with Fountain

As you know by now, screenplays have a unique format. Screenplay format involves using all caps for scene headings, regular sentence structure flush left for action/description lines, character names positioned in the middle of the page, and dialogue below the character name.

For that reason, formatting scripts on a traditional word processor like Microsoft Word is maddening. That’s why special scriptwriting software like Final Draft has become the industry standard. Final Draft is expensive and quirky, but it’s an essential tool in the business.

Enter Fountain.

Out of a desire to be able to write scripts using almost any plain-text editing software, a number of screenwriters led by John August developed a version of Markdown language called Fountain that is tailored to screenwriting. And you can use both Markdown and Fountain on Freewrite devices!

Fountain is a markup language that enables screenwriters to easily write a formatted screenplay in any software, on any device.

Drafting with Fountain on Freewrite is simple and straightforward. You can learn how to use specific Fountain syntax at fountain.io/syntax, but don’t be intimidated — it’s easy to learn and easier to use.

Here's an example of how I write in Fountain my Freewrite:

INT. MARK’S KITCHEN - DAY

MARK, a weary but upbeat Gen-X’er, writes an essay on his Freewrite Smart Typewriter. His dog, COOKIE, a black and white tri-color mini-Aussie sits nearby.

MARK

Well, Cookie, I’m really getting into the essay now. Just need some more coffee.

COOKIE

Ruff...

MARK

I’m glad you agree with me, but remember, no coffee for dogs.

Mark gets back to the essay, typing quickly.

--

As you can see, I’m writing the text all flush left, and if you follow certain rules like putting names in all caps and dialogue immediately afterward, it will magically become screenplay format when you bring it into Final Draft.

The best part is that you can use as much — or as little — as you’d like. You can get as complex or keep it as simple as you prefer.

I must admit, when using Smart Typewriter, I feel like a screenwriter working in the classic era of Hollywood. (Of course, without the cigarettes, hard liquor, or view of Sunset Blvd.)

Time to go freewrite the next great blockbuster!

FADE OUT.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.