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Writers Share Their Top Three Tips to Overcome Writer’s Block

October 03, 2018 | 12 min read

 Having writer’s block is possibly one of the most frustrating things that can happen to you if you’re a writer. It comes either in the form of being burned out or even out of nowhere, which can be upsetting to your creativity and production. This happens to every writer no matter how great they are, and the most important thing to remember is to not let writer's block stop you.

Fortunately, there are many ways to overcome writer's block. There are many techniques out there, and it’s up to you to find something that works for you.

We’ve reached out and asked writers to share what they do when they have those days when they’re just looking at a blank page or screen. If you’re looking for ideas on how to get rid of writer's block yourself, here are writers’ top three tips on how to get over that slump called the writer’s block.

Lisa Lepki, ProWritingAid

I think writer’s block is just fear that what you write will be terrible. I say embrace it. Write something awful. And then fix it. Or throw it away and then write something else. At least you have a starting point. The key difference between a good writer and a bad writer is mostly just perseverance. So my three tips are:

1. Just sit down and write something ... anything!
2. Forgive yourself for writing badly.
3. Understand that rewriting and editing is just as important as writing.

Robin Murphy, Rookie Writers Solutions (RWS)

I have read countless blog posts on how authors work through writer’s block and many answers overlap. What works for me the best is if I’m struggling to get something on the page I will pull up a blank word document and begin to type what I did throughout my day. I’ll start with getting up in the morning, making breakfast, and go into the details of what I made, how it tasted and describe those details.

Inevitably, it’ll bring my natural writing rhythm back, and I can continue with whatever work in progress was creating brain fog. Another way I’ve helped myself is to pick up one of my favorite books and just ... read. We should be reading anyway, but that seems to bring my creative juices back into my current writing project. Finally, getting out in nature ALWAYS brings me in touch with the right side of my brain. I quiet my mind and remain present at the moment and eventually, those crazy ideas start to percolate again and I’m able to put it to paper.

Shayla Raquel, Shayla Raquel Blog

Ask yourself, “Why can’t I write?”—are you looking at the big picture and thinking that writing a 350-page book is too daunting? Sounds like procrastination. Instead, you need to give yourself smaller goals. What are some easier-to-handle goals you could give yourself?

If it’s procrastination, then sit down and set a timer for 10 minutes—allow yourself only 10 minutes to write and when the timer goes off, you can stop. Usually, you’ll want to keep writing and you’ll ignore the timer.

Practice self-care—are you going for a walk to clear your head before writing? If walking is too hard on the body, then choose a quiet place to meditate and think. Are you eliminating all distractions so you can write in peace? No phone! Do you have a designated space to write?

C. S. Lakin, Live Write Thrive

I mostly talk about novel writing, but for writing in general, the best way to overcome writer’s block is solid preparation. Whether you are writing a novel or a nonfiction book or article, learning your craft, learning structure, studying great writers and those who’ve written best sellers similar to what you are planning is the way to eliminate blocks.

I believe many writers procrastinate and don’t dig into their project because they are grossly unprepared. Some are afraid of rejection or bad reviews and so that causes them to procrastinate as well. I would point writers to my book: Crank It Out! The Surefire Way to Become a Super-Productive Writer, which goes into all the ways we fail to bust through writer's block and ways to successfully hack through them.

Tara Lazar, Writing for Kids (While Raising Them)

I write children’s picture books, which are short, plus I have a short period of time when a kid is the perfect age for my stories. Picture books are also notoriously difficult to get published. I want to write several a year so I have a chance of selling at least one or two and having something publish annually. Therefore, it is important for me to be prolific. I can’t afford to let writer’s block sideline me. These are my top tips to keep the creativity flowing ...

Daily Idea Generation

Ten years ago, I created an annual challenge for picture book writers called “Picture Book Idea Month.” The purpose is to generate one new story idea a day for an entire month. At the end of the month, a participant will be left with thirty or more ideas to flesh out into stories.

That event is now called “Storystorm” and I host it on my blog (taralazar.com) every January. Thousands of writers join in.

But my ultimate goal for participants is to make idea generation something they practice daily throughout the year. Not every idea is going to be a winner, right? Having a long list of story concepts that can build upon one another and spur additional ideas guarantees that you’ll never be without something to write.

Change Gears

If I am stuck with a story, I often jump to something new. I create a different character, a new setting, or an outrageous situation. I leave the other manuscript alone. Working on a new problem often works out the kinks of the former manuscript and I can return to it with renewed mojo.

Trust Your Process

Over the years, I’ve come to understand my personal creative process. Often it means I take breaks between projects and don’t write anything at all. I still create new ideas for stories, read picture books, and keep up with publishing. My big toe is still dipped in the kidlit waters. I have learned not to panic or worry, but to trust my process. My subconscious will be churning away at an idea and somehow I will know when it is time to put my butt in the chair and start writing. What may look like “writer’s block” to others is an essential component to my creativity.

Professional authors may give you advice on when and where to write, but the fact remains that your process will be as unique as your writing. I encourage you to learn—and trust—your process.”

Joanna Penn, The Creative Penn

If you’re blocked as a new writer writing a first book:

Ignore what you (or other people) think you should write, and look at your bookshelf.

What do you love to read?
What do you choose as a guilty pleasure?
Be honest with yourself, even if you come from a literary background.
What's fun for you?
Then go write that.

If you’re blocked during a book in the “saggy middle”:
Do some more research around your theme, setting or characters for fiction, or topic if it’s non-fiction.

If you’re blocked after finishing a book when you think you should immediately start another one:

Fill the creative well, then trust emergence. Something will come out of the milieu of this crazy, buzzing world and if you wait a little for the book to pass on, then ideas will start to emerge again and your mind will soon be filled with words waiting to be written.

Lauren Sapala, Lauren Sapala Blog

In my experience, when writers come up against writer’s block they’re usually trying to go too mental in their approach to creativity. That is, they’re trying to think their way out of the writer’s block problem. The key is to move out of the logical side of the brain and into the intuitive/creative side. Three quick ways to accomplish this are:

Listening to Music
Music bypasses our rational brain and defies verbal description so it tends to throw us into the realm of emotion, a great place to be when starting a story or working with intense scenes.

Focusing on Images
Instead of trying to figure out the entire storyline of your book before you even write one page, concentrate on any images that might be showing up in your head and work from there. It’s okay if you see your main character standing at the edge of a cliff and you don’t know why. Write down the image first, and the explanation can come later.

Use Your Character’s Eyes
Many writers who are blocked keep trying to access the story from the outside, as if they were an observer fly-on-the-wall-style. Sometimes this can be effective, but what’s even more powerful is to jump inside your character’s body and look around from their viewpoint. Then record everything you can see, no matter how trivial or mundane it might appear at the time.

Eva Deverell, Eva Deverell Blog

My top three tactics for getting UNSTUCK:

Ask, “What would I most enjoy writing right now?”
It may not be what you think you should be writing. It may not even be something that fits into your current WIP. But it’s more likely to help than starting at a blank page, and it puts you in a better mood.

Change your writing mode.
Handwrite, dictate, typewrite, cut and paste letters from a magazine, write with a finger dipped in paint, carve words into wood . . . Robert Burns used to carry a diamond pen and etch his lines into glass. There are many ways to make your mark, and it's inspiring and invigorating to experiment.

Journal about why you aren’t stuck after all.
List all of the things you LOVE about knowing where your story is headed, freewrite about the feeling of being in flow, describe what your finished story will look like in full sensory detail. Before long you won’t even be able to focus on being stuck.

Kathy Steinemann, Kathy Steinemann Blog

Here are a few tools to climb over, tunnel through, or dig under “writer’s wall” to find the reward on the other side.

Method #1: The Alphabet Shuffle
Rip a sheet of paper into twenty-six pieces. Starting with the letter A, jot down the first word that comes to mind. Continue with B through Z. Pick up pieces at random and lay them in a row. Reorganize to form a storyline or subplot.

Method #2: The Snooper
Eavesdrop on public conversations. Observe what people say, scrutinize their grooming, and watch their facial expressions. Try to guess their feelings and motivations. Write a few fictional biographies, and create scenarios that incorporate them.

Method #3: The What-if-er
Recall a funny, frightening, sad, or embarrassing situation. Imagine what might have happened if someone had [fill in the blank]. Now recall a few more situations. Combine and revise as necessary.

Keep track.
Always carry a notebook to record your thoughts, or a smartphone to text them to yourself. Save your ideas as soon as they materialize. Most will disappear within less than ten minutes if you don’t document them.

And relax.
Your inspiration will return.

Rochelle Melander, Write Now! Coach

1. Journal. The more you write, the less difficult it is. I find that doing morning pages, even just to plan the day, loosens up my writing muscles and helps me to attack the page. If you are feeling blocked or scared, write something. Write anything. Because the more you write, the more you write.

2. Take smaller steps. When we anticipate taking big steps—like writing a book or a whole chapter—our brains can actually panic and our bodies go into a flight or fight response. Small steps trick the amygdala and bypass the flight or fight response. They get us unstuck from a creative block.

3. Take breaks. Engaging with nature or doing a menial, repetitive task will help you restore your ability to pay attention. And, the time away from your work may lead to what psychologists call the Eureka effect (http://en.wikipedia.org/wiki/Eureka_effect). So next time you get stuck, take a break to watch the clouds or sort the laundry. No doubt you’ll return to your desk refreshed and ready to write—and potentially with a solution in hand!

Natalie Aguirre, Literary Rambles

I’m an aspiring MG and YA fantasy writer and also support myself as a contract writer. For my job, I can’t afford to have writer’s blog because I need to write 15 articles or more each week. Here are my tips:

Just write. I find sitting down and starting to write can help, even if I don’t like what I wrote. Just getting some words out on the page can help get my creative juices going.

Work on what you love. When I’m stuck on a manuscript that I’m writing, I like to work on my favorite part of writing, which for me is editing. If I go back and edit a prior chapter or two, it can get me going enough to work on my new chapter. Whatever it is that gets you excited about writing, spending some time on that might help you get inspired.

Do something relaxing. I like to take a walk or take a shower and think about the problems that are causing me to get stuck in my writing. I can’t tell you how many times I solve problems in the shower. Reading in my genre can also motivate me.

Angela Ackerman, Writers Helping Writers

“Writer’s block can frustrate us and steal our courage to create, so kick it to the curb with three easy tips:

1. Rewrite Netflix descriptions: Scroll through movie descriptions as if searching for something to watch. Then, either take two different premises and mash them to form a new, interesting storyline, or challenge yourself to switch a movie’s genre (say, a thriller) to the genre you usually write in (romance). Then free write the result (as much as you like!), for fun, to flex your creative muscles.

2. Skip ahead: If writer’s block hits when you’re mid-novel, make notes about what needs to happen next and then skip ahead to the next scene you can see clearly in your mind. Once your brain is past the block, ideas will flow better and you can come back and fill things in when inspiration strikes.

3. Dig for the WHY: Sometimes a block hits because we write ourselves into a corner. If you get stuck, change things up like choosing a new setting and rewrite the scene, or visit Novelist’s Triage Center to get unstuck and find help for many types of common story problems.

Smash those blocks and keep writing!

Lauren Tharp, LittleZotz Writing

My three tips for beating writer’s block?

1. Just write down anything and everything you can think of. Just let it flow out of you like vomit after eating a gas station burrito! Bleeaaaauuuugggghhhhhh!! Don’t worry if it’s any good or if it even makes sense. You can sift through it later—like panning for gold! You never know what might strike a chord with you later on. Even if you write down something like “I wish I was eating a baked potato right now,” you could turn that into “25 Recipes Using Potatoes” or “8 Budget-Friendly Meals for Starving Writers” or something.

2. Turn to your readers for help. It’s a win-win situation: you ask them for ideas, and then you produce the content they most want to read about! Let them help you help them.

3. Sleep on it. Seriously. If your brain is absolutely 100% fried and you cannot think up any ideas to save your life: get some sleep, and try again the next day. Eat a good meal too, while you’re at it!

Lucy V. Hay, Bang2Write

B2W works with writers all year round, so the spectre of ‘writer’s block’ always comes up. Here are my top three strategies for dealing with it:

1. Outline or plan. Most writers get blocked because they are attempting to write with only a portion of the story in their head. This means as soon as they come across an issue, they get stuck in what I call ‘The Story Swamp’. An outline is like a map, helping you get out again. It doesn’t have to be mega-detailed, it could index cards or post-its, or just be bullet points. It could even be a drawing. Just as long as you have that ‘story map’, you are far less likely to get stuck.

2. Stop and reflect. Writers often don’t have enough time to write, so when they finally get to sit down in front of their computer, they ‘can’t’ write. This is due to putting so much pressure on themselves. The worst thing you can do is sit there in front of their screen, freaking out. Turn off the computer, go for a walk, reflect on WHY you feel so anxious, down, or not confident about writing. Think about the interventions you can put in place to stop this happening. Instead of writing only at specific times, perhaps keeping a notebook handy and writing in five-minute bursts longhand would help (or vice versa!). Perhaps explaining to your partner and getting them on board with your dream would help. Whatever it is stopping you, deep down, work out what it is and what you can do about it. There’s always something.

3. Believe. If you don’t believe you can do this, no one will. When you feel blocked, tell yourself – YOU GOT THIS. It will come true!

There you have it, some of the best nuggets of advice for when you have writer’s block. Entering that zone is very scary especially when you’re in a mad rush to beat the deadline, but have no fear, dear wordsmith. Try any of the tips above, and you’ll scale that big wall of nothingness and frustration in no time flat.

August 26, 2026 5 min read

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

August 26, 2026 1 min read

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions