overlaylink

Why Do We Love Scary Stories?

October 13, 2023 | 5 min read

 

Happy Friday the 13th! It's the perfect day to delve into the spookiest genres. 👻

Why Do We Love Scary Stories?

A fascination with the dark and macabre has deep roots in human psychology and culture. At a very simple level, being scared can trigger an adrenaline rush, which is a visceral, exciting experience — enjoyable for many people.

Reading and writing horror also often serves as a form of emotional release, in which people can confront and process their own fears in a controlled and safe environment. In other words: we can experience danger from a safe distance. Through this experience, we also learn a little about ourselves: How do we react to fear? What does it feel like? How much can we take? Humans are naturally curious, so confronting the unknown and scary “what-ifs” through fiction is enticing.

To find out a little more, we spoke with two spooky authors in the Freewrite Fam about what makes scary stories so tempting to us mortals. We also discussed their writing processes and what's next on their journey into the horrific.

Without further ado, meet Briana Morgan and Connor Metcalf!

Spookier Than She Looks: Briana Morgan

Briana Morgan has more than a decade of experience scaring herself and others. She's also an active member of the Horror Writers Association. And she's spookier than she looks...

Who are some of your favorite horror authors?

Some of my literary influences include Shirley Jackson, Stephen King, Gemma Amor, Laurel Hightower, and Daphne du Maurier.
 
Why do you think people are drawn to scary themes?

Spooky stories allow us to explore the darker parts of life without risking harm. They provide a safe space for self-exploration, empathy, and growth. Plus, it’s thrilling to be scared (pun intended).

What does your writing life look like?

Until two weeks ago, I was a technical writer for the day job. Now, I’m a full-time horror author. I try to publish at least one book per year, which is mostly within my control because I’m self-published. While my writing is for publication, I write for myself first. If you don’t enjoy writing, then what’s the point?
 
Process wise, I write at least 2,000 words per day on my Traveler when working on a first draft. If I’m editing, I edit for an hour or two per day.


Tell us a bit about your books.

I’ve published eight books. They’re available everywhere in paperback and audiobook form, and ebook only on Amazon. My book The Tricker-Treater and Other Stories won a Godless 666 Award for Best Audiobook, and my latest, The Reyes Incident, has sold more than 16,000 copies to date.

Anyone who has read my work knows I love character-driven horror. I like a slow burn with personal stakes and flawed people you still root for.

And what are you working on now?

Now, I’m working on a new project, an adult horror novel about a reality TV show on a deserted island that goes horribly awry.

That sounds delightful. Or, not so delightful, really. But spooky. And sometimes that's delightful!

Briana Morgan has a BA in English and Creative Writing from Georgia College & State University. When not writing, Briana loves reading disturbing fiction, playing video games, and spending time with her new husband.

Learn more about Briana on her website, or follow her on Twitter, Instagram, or TikTok. Sign up for her newsletter at substack.com/@brianamorgan.

 

--

 

Embracing the Macabre: Connor Metcalf 

Connor Metcalf just finished his debut novel, a sprawling coming-of-age dark fantasy of 98,000 words, on his Freewrite. But what draws him to dark stories?

What genre do you write?

The book I just finished was a horror novel, but of the story’s own volition, became a dark fantasy. However, I'd like to think of the two genres as siblings. Tried and true horror novels didn't necessarily inspire me.

Who are some of your inspirations?

Without a college education, I am perhaps not the typical novelist. I never thrived in school. It wasn't the right environment for me to learn. Instead, my writing stems from reading — a lot of it. Bulgakov, Rushdie, Miller, King — they were my college professors, and they did better for me than any classroom ever could.

Mikhail Bulgakov's The Master and Margarita, Leigh Bardugo's Ninth House, and Gillian Flynn's Sharp Objects were all in mind while I was writing my last book — each having varying horror elements, from playful to grotesque.

Why do you think you are drawn to those themes?

God. I was terrified of everything as a child, but for some reason, I always begged my parents to take me to see horror movies. Of course, I would be completely distraught afterward — terrified to even sleep in my room.

I can't say the exact moment, but a switch went off at some point during adolescence. My fear had exited the building. I embraced the macabre and the horrendous and found it, quite frankly, so exciting. There really is nothing like it when horror is properly executed!

Tell us a bit about your writing life.

The ultimate goal is to be published, but there's also a deep-seated compulsion to write and a passionate love for the craft. Most recently, I’ve been writing all day. I start around 10 a.m., go until 4:30 p.m., take a break to work out, and then get in another session after dinner. I was utterly obsessed with my most recent project, which heavily influenced the long hours. We'll see if that changes for the next novel.

My most recent story landed in my lap from out of nowhere on the same day my Traveler arrived. Coincidence? I think not. I ran with it, and at 98,000 words, I'd say it was a successful venture!

Traveler is the only product I own of the Freewrite family, but after playing an instrumental role in pushing me to write my book, I'm considering upgrading with the Lemon Smart Typewriter. I deserve it, right?

What are you working on right now?

I'm in the process of editing a novel that I keep saying is finished but isn't technically complete. The story is finished; it’s just being buffed and polished. It's a dark fantasy novel that focuses on the coming-of-age journey of a closeted high school senior in Orange County, CA, set during the summer of 2003. The protagonist is the prime target of a malevolent woman who happens to be taking over his community.

Wow. We can't wait to read it!

Connor Metcalf lives and writes in L.A. He's found the process of writing his first book to be a profoundly rewarding experience, and he can't wait to continue his literary adventure. He's now in the trenches of the query-crafting process and looking toward his next project. Follow Connor on Instagram or LinkedIn.
April 15, 2026 4 min read

Break up with Final Draft for good. Get the best screenplay workflow in Hollywood: Freewrite + Highland Pro.

April 01, 2026 0 min read
March 22, 2026 3 min read

If you're new here, freewriting is “an unfiltered and non-stop writing practice.” It’s sometimes known as stream-of-consciousness writing.

To do it, you simply need to write continuously, without pausing to rephrase, self-edit, or spellcheck. Freewriting is letting your words flow in their raw, natural state.

When writing the first draft of a novel, freewriting is the approach we, and many authors, recommend because it frees you from many of the stumbling blocks writers face.

This method helps you get to a state of feeling focused and uninhibited, so you can power through to the finish line.

How Freewriting Gives You Mental Clarity

Freewriting is like thinking with your hands. Some writers have described it as "telling yourself the story for the first time."

Writing for Inside Higher Ed, Steven Mintz says, “Writing is not simply a matter of expressing pre-existing thoughts clearly. It’s the process through which ideas are produced and refined.” And that’s the magic of putting pen to paper, or fingertips to keyboard. The way you learned to ride a bike by wobbling until suddenly you were pedaling? The way you learned certain skills by doing as well as revising? It works for writing, too.

The act of writing turns on your creative brain and kicks it into high gear. You’re finally able to articulate that complex idea the way you want to express it when you write, not when you stare at a blank page and inwardly think until the mythical perfect sentence comes to mind.

Writing isn’t just the way we express ideas, but it’s how we extract them in the first place. Writing is thinking.

Or, as Flannery O'Connor put it:

“I write because I don't know what I think until I read what I say.”

Writing isn’t just the way we express ideas, but it’s how we extract them in the first place. Writing is thinking.

 

Freewriting to Freethinking

But how and why does it work? Freewriting makes fresh ideas tumble onto the page because this type of writing helps you get into a meditative flow state, where the distractions of the world around you slip away.

Julie Cameron, acclaimed author of The Artist’s Way, proposed the idea that flow-state creativity comes from a divine source. And sure, it certainly feels like wizardry when the words come pouring out and scenes seem to arrange themselves on the page fully formed. But that magic, in-the-zone writing feeling doesn’t have to happen only once in a blue moon. It’s time to bust that myth.

By practicing regular freewriting and getting your mind (and hands) used to writing unfiltered, uncensored, and uninterrupted, you start freethinking and letting the words flow. And the science backs it up.

According to Psychology Today, the dorsolateral prefrontal cortex goes quiet during flow state. This part of the brain is in charge of “self-monitoring and impulse control” – in other words, the DLPFC is the tiny home of your loud inner critic. And while that mean little voice in your head takes a long-overdue nap, you’re free to write without doubt or negative self-talk.

“With this area [of the brain] deactivated, we’re far less critical and far more courageous, both augmenting our ability to imagine new possibilities and share those possibilities with the world.”

Freewriting helps us connect with ourselves and our own thoughts, stories, beliefs, fears, and desires. But working your creative brain is like working a muscle. It needs regular flexing to stay strong.

So, if freewriting helps us think and organize our thoughts and ideas, what happens if we stop writing? If we only consume and hardly ever create, do we lose the ability to think for ourselves? Up next, read "Are We Living through a Creativity Crisis?"

 

Learn More About Freewriting

Get the ultimate guide to boosting creativity and productivity with freewriting absolutely free right here.You'll learn how to overcome perfectionism, enhance flow, and reignite the joy of writing.

SYSF-book-mockup.webp