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Why Do We Love Scary Stories?

October 13, 2023 | 5 min read

 

Happy Friday the 13th! It's the perfect day to delve into the spookiest genres. 👻

Why Do We Love Scary Stories?

A fascination with the dark and macabre has deep roots in human psychology and culture. At a very simple level, being scared can trigger an adrenaline rush, which is a visceral, exciting experience — enjoyable for many people.

Reading and writing horror also often serves as a form of emotional release, in which people can confront and process their own fears in a controlled and safe environment. In other words: we can experience danger from a safe distance. Through this experience, we also learn a little about ourselves: How do we react to fear? What does it feel like? How much can we take? Humans are naturally curious, so confronting the unknown and scary “what-ifs” through fiction is enticing.

To find out a little more, we spoke with two spooky authors in the Freewrite Fam about what makes scary stories so tempting to us mortals. We also discussed their writing processes and what's next on their journey into the horrific.

Without further ado, meet Briana Morgan and Connor Metcalf!

Spookier Than She Looks: Briana Morgan

Briana Morgan has more than a decade of experience scaring herself and others. She's also an active member of the Horror Writers Association. And she's spookier than she looks...

Who are some of your favorite horror authors?

Some of my literary influences include Shirley Jackson, Stephen King, Gemma Amor, Laurel Hightower, and Daphne du Maurier.
 
Why do you think people are drawn to scary themes?

Spooky stories allow us to explore the darker parts of life without risking harm. They provide a safe space for self-exploration, empathy, and growth. Plus, it’s thrilling to be scared (pun intended).

What does your writing life look like?

Until two weeks ago, I was a technical writer for the day job. Now, I’m a full-time horror author. I try to publish at least one book per year, which is mostly within my control because I’m self-published. While my writing is for publication, I write for myself first. If you don’t enjoy writing, then what’s the point?
 
Process wise, I write at least 2,000 words per day on my Traveler when working on a first draft. If I’m editing, I edit for an hour or two per day.


Tell us a bit about your books.

I’ve published eight books. They’re available everywhere in paperback and audiobook form, and ebook only on Amazon. My book The Tricker-Treater and Other Stories won a Godless 666 Award for Best Audiobook, and my latest, The Reyes Incident, has sold more than 16,000 copies to date.

Anyone who has read my work knows I love character-driven horror. I like a slow burn with personal stakes and flawed people you still root for.

And what are you working on now?

Now, I’m working on a new project, an adult horror novel about a reality TV show on a deserted island that goes horribly awry.

That sounds delightful. Or, not so delightful, really. But spooky. And sometimes that's delightful!

Briana Morgan has a BA in English and Creative Writing from Georgia College & State University. When not writing, Briana loves reading disturbing fiction, playing video games, and spending time with her new husband.

Learn more about Briana on her website, or follow her on Twitter, Instagram, or TikTok. Sign up for her newsletter at substack.com/@brianamorgan.

 

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Embracing the Macabre: Connor Metcalf 

Connor Metcalf just finished his debut novel, a sprawling coming-of-age dark fantasy of 98,000 words, on his Freewrite. But what draws him to dark stories?

What genre do you write?

The book I just finished was a horror novel, but of the story’s own volition, became a dark fantasy. However, I'd like to think of the two genres as siblings. Tried and true horror novels didn't necessarily inspire me.

Who are some of your inspirations?

Without a college education, I am perhaps not the typical novelist. I never thrived in school. It wasn't the right environment for me to learn. Instead, my writing stems from reading — a lot of it. Bulgakov, Rushdie, Miller, King — they were my college professors, and they did better for me than any classroom ever could.

Mikhail Bulgakov's The Master and Margarita, Leigh Bardugo's Ninth House, and Gillian Flynn's Sharp Objects were all in mind while I was writing my last book — each having varying horror elements, from playful to grotesque.

Why do you think you are drawn to those themes?

God. I was terrified of everything as a child, but for some reason, I always begged my parents to take me to see horror movies. Of course, I would be completely distraught afterward — terrified to even sleep in my room.

I can't say the exact moment, but a switch went off at some point during adolescence. My fear had exited the building. I embraced the macabre and the horrendous and found it, quite frankly, so exciting. There really is nothing like it when horror is properly executed!

Tell us a bit about your writing life.

The ultimate goal is to be published, but there's also a deep-seated compulsion to write and a passionate love for the craft. Most recently, I’ve been writing all day. I start around 10 a.m., go until 4:30 p.m., take a break to work out, and then get in another session after dinner. I was utterly obsessed with my most recent project, which heavily influenced the long hours. We'll see if that changes for the next novel.

My most recent story landed in my lap from out of nowhere on the same day my Traveler arrived. Coincidence? I think not. I ran with it, and at 98,000 words, I'd say it was a successful venture!

Traveler is the only product I own of the Freewrite family, but after playing an instrumental role in pushing me to write my book, I'm considering upgrading with the Lemon Smart Typewriter. I deserve it, right?

What are you working on right now?

I'm in the process of editing a novel that I keep saying is finished but isn't technically complete. The story is finished; it’s just being buffed and polished. It's a dark fantasy novel that focuses on the coming-of-age journey of a closeted high school senior in Orange County, CA, set during the summer of 2003. The protagonist is the prime target of a malevolent woman who happens to be taking over his community.

Wow. We can't wait to read it!

Connor Metcalf lives and writes in L.A. He's found the process of writing his first book to be a profoundly rewarding experience, and he can't wait to continue his literary adventure. He's now in the trenches of the query-crafting process and looking toward his next project. Follow Connor on Instagram or LinkedIn.
October 12, 2025 4 min read

The winner of the inaugural Freewrite 500 flash fiction competition is Brie Ripley Sparks, with her short story "High Holy Days."

October 12, 2025 2 min read

The first place story in the 2025 Freewrite 500 is "High Holy Days" by Brie Ripley Sparks.

September 10, 2025 3 min read

The Freewrite 500 Writing Contest — Terms and Conditions

Last Updated: 10-09-2025

By submitting an entry to The Freewrite 500 Writing Contest (the “Contest”), you agree to abide by the following Terms and Conditions.

1. Organizer

The Contest is organized by Freewrite, a brand owned and operated by Astrohaus, Inc. (hereinafter referred to as “Freewrite”, “we”, “our”, or “us”).

2. Eligibility

  • The Contest is open to individuals who are 18 years of age or older at the time of entry.

  • Employees of Freewrite, the Flash Fiction Institute, and their immediate families are not eligible to enter.

  • Void where prohibited by law.

3. How to Enter

  • Entries must be submitted through the official entry form before Monday, September 22.

  • Entries must be original works of flash fiction no longer than 500 words.

  • All submissions must be the original work of the entrant.

  • Only one entry per person is allowed.

  • Entries must be written in English.

  • The deadline for submission is 11:59 p.m. EST on September 22, 2025. Late or incomplete entries will not be accepted.

4. Entry Requirements

  • Submissions must be the entrant’s own original work and must not have been previously published, including on personal blogs or social media.

  • Entries must not contain any material that is obscene, offensive, defamatory, or otherwise inappropriate.

  • By entering, you confirm that your submission does not infringe on any third-party rights, including copyright, trademark, or privacy rights.

5. Judging and Winner Selection

  • All eligible entries will be judged by a panel of reviewers affiliated with Freewrite and the Flash Fiction Institute.

  • Judging criteria include length, creativity, and adherence to theme, and overall quality of writing.

  • The winner will be notified via email.

6. Use of Generative AI Prohibited

  • The use of generative AI in the creation of a submission for this competition is prohibited.

  • The organizers reserve the right to disqualify any entry that is suspected to have been generated, in whole or in part, using generative AI tools (including but not limited to text-generating algorithms, large language models, or similar technologies).

7. Prize

  • The winning entry will be published on both the Freewrite Blog and the Flash Fiction Institute Blog.

  • The winner will receive recognition across Freewrite and Flash Fiction Institute's social media platforms.

  • No cash prizes will be offered. Prizes include a Freewrite Traveler, a Words Are Hard writing prompt deck, publication on the Freewrite blog and the Flash Fiction Institute blog, and a free flash gym session hosted by the Flash Fiction Institute.

8. Rights and Usage

  • By entering the contest, entrants grant Freewrite and the Flash Fiction Institute first publication rights. This means Freewrite and the Flash Fiction Institute have a non-exclusive, royalty-free, worldwide license to publish, reproduce, and distribute the submitted entry in connection with the promotion of the Contest, including on their websites, blogs, email newsletters, social media channels, and more.

  • After initial publication, all rights revert back to the author, who is then free to republish or distribute their work elsewhere. However, we request that any subsequent publication acknowledges Freewrite and the Flash Fiction Institute as the original place of publication.

  • The winning author will be credited by name or preferred pen name when their work is published.

9. Privacy

  • Personal information collected during the entry process will be used only for the administration of the Contest and in accordance with Freewrite’s Privacy Policy.

  • Entrants may be contacted by Freewrite regarding their submission or related opportunities.

10. Disqualification

Freewrite reserves the right to disqualify any entry that:

  • Violates these Terms and Conditions,

  • Is found to contain plagiarized material,

  • Is deemed offensive or inappropriate,

  • Is submitted by someone ineligible.

11. Limitation of Liability

Freewrite is not responsible for:

  • Lost, late, incomplete, or misdirected entries;

  • Technical failures of any kind;

  • Any injury or damage to persons or property related to participation in the Contest.

12. Governing Law

These Terms and Conditions shall be governed by and construed in accordance with the laws of the State of [Insert State], without regard to its conflict of laws principles.

13. Contact

For any questions regarding the Contest, please contact us at:
📧 hello@getfreewrite.com.