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The Muse Is a Myth

Michael Archambault
July 25, 2024 | 3 min read

Every writer has had the same thought: I'll sit down and write … just as soon as I'm inspired.

When the muse of words is kind enough to grant me a visit, I'll grab a pencil or sit down at my Freewrite.

Any second now...

This approach has a problem — this moment of spontaneous inspiration is a myth. Literally.

"The Kiss of the Muse" by Paul Cézanne

The Myth of Sudden Inspiration

The idea of a muse is actually where the concept of sudden inspiration began. In Greek mythology, muses were described as goddesses who provided artists, writers, and musicians with divine sparks of inspiration.

Having an instantaneous jolt of inspiration was quite literally a gift from the gods.

The notion of sudden inspiration transformed over the years. In the Romantic era, spanning the late 18th and early 19th centuries, creativity was often depicted as a spontaneous force. Poets like William Wordsworth were renowned for their vivid descriptions of these moments of exhilarating inspiration.

Today, we recognize that while the idea of sudden inspiration may be alluring, it's hard work that truly brings words to life.

Just ask children's author E. B. White, who once said,

"A writer who waits for ideal conditions under which to work will die without putting a word on paper."

But how does a writer get started? How can you stop waiting for inspiration and create your own momentum?

Learning to Create Your Own Inspiration

In 1966, American writer and Nobel Prize winner William Faulkner said,

"I only write when inspiration strikes. Fortunately, it strikes at nine every morning."

This was Faulkner's way of saying that instead of waiting for inspiration to strike by chance, he forced himself to sit down at 9 a.m. every day and write anyway.

In other words: Inspiration is not an enchanted moment you must capture in a jar but, instead, a state of mind that you can create.

The best way to capture the elusive spark of inspiration is to plan. A dash of planning, a bit of discipline, and a developed routine are all a writer needs to create their very own inspiration, à la Faulkner.

In other words: Inspiration is not an enchanted moment you must capture in a jar but, instead, a state of mind that you can create.

Begin by selecting a recurring time to write. It could be in the morning, afternoon, evening, or even in the middle of the night. Making this a recurring habit will make it easier to sit down and write. Choose a duration that will help you stay focused on the task at hand; it can be as long as a few hours or as short as 15 minutes.

Alternatively, set a minimum word count for each writing session. The feeling of accomplishment when you meet your word count goal, can be a great source of inspiration.

Here are a few more tips to keep you focused on the writing process:
  • Set clear goals for your writing session
  • Minimize distractions by writing in a quiet place without interruption
  • Use a distraction-free writing tool such as the Freewrite Smart Typewriter
  • Keep your workspace neat, with everything you need to write within reach
  • Provide yourself with a small reward for finishing your writing sessions
  • Make your writing time non-negotiable and stick to your schedule

“Amateurs sit and wait for inspiration; the rest of us just get up and go to work.”

Stephen King

Enjoying the Writing Process

Remember: Inspiration is not a bit of magic — it’s a habit.

Building a schedule and forcing yourself to write even when you don’t feel like it will get the creative juices flowing and push you toward internal inspiration.

RETURN TO "HOW TO BE CONSISTENTLY CREATIVE"

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.