overlaylink

Research 101: Going to the Library in the Internet Age

August 15, 2017 | 6 min read

 


Today’s guest post is by Anne E. Johnson. Anne, based in Brooklyn, has written several novels and nearly 100 short stories. She is also an arts journalist.


“Let me Google that.”

For someone who loves research, those are four of the saddest words in English. Somehow the belief has spread that any information you need—about anything—is available by simply typing into a search engine. Yet libraries still exist. Don’t be one of those people who ignores them.

You’re wondering why you should bother. What could some underfunded collection of books sticky with other people’s fingerprints possibly offer that the internet can’t? Glad you asked.

Why Go to the Library?

One of the best things about going to the library is what it can do for your work. As someone who has experience pitching both historical fiction manuscripts and journalistic article ideas, trust me: you want to stand out from the crowd. Anybody can Google. Not everybody can coax gems from library stacks. Potential agents and publishers can see those gems gleaming, and they’ll like what they see.

 

 

Another great reason to go to a library is psychological. It’s good for your brain and it’s good for your spirit. Let me count the ways:

  1. After a few hours of staring at your computer or tablet screen, do you feel kind of hollow and stale, as if you’ve wasted your day? I call that “Web Laziness” syndrome. You could just power down and go to the gym. But if you’re in the middle of a research project, try going to the library instead.
  1. The more time you spend in a library and get comfortable with it, the more you’ll get out of it. Your enthusiasm for your topic can’t help but grow. And a bonus: you’ll feel like a pro, and won’t hesitate to hit the stacks next time you need to do research.
  1. Unlike sitting with your laptop in a coffee shop or on your own couch, a library is a place where everyone is there to read and learn. Being in that environment can alter your powers of concentration. And learning is energizing.

Treasures galore!

There’s a lot to be gained from being near lots of physical books. When you wander along a library bookcase, looking for a call number, you scan the spines of hundreds of nearby volumes. Guaranteed, you’re going to find some amazing stuff that you didn’t know existed.

And there’s also the possibility to see physical documents that almost no one else has ever been in contact with. Primary sources – letters, diaries, drafts of plays or musical compositions, captain’s logs, or anything else that is an original representation of a time or place -- are absolute gold if you write history or historical fiction, or just want to jazz up something with cool details.

 

 

A research library in a big city or at a university is the best place to find such things, but even your neighborhood public library might offer high-quality scans of rare documents. Libraries subscribe to scholarly databases that an individual can’t afford to buy access to.

To use these databases, you will probably need a library card. Some might be accessible at home once you log in as a card-holder, but some will require you to show up at the library and use their computers.

Planning your library visit

If you really want to get a lot out of a day at the library, put in some time before you go. This is where the internet and physical libraries become one: You can use the library’s catalog from the comfort of your couch!

Your prep experience can be practically paperless. Online catalogs allow the option of digitally bookmarking entries you’re interested in, or emailing them to yourself. Personally, I always make a working bibliography of every resource I want to explore, and I print it out and bring it with me so I can scribble notes on it (things like “out until Aug. 31” or “saw it, but not that helpful”).

 

 

And remember not to limit yourself to looking up books. Libraries also have periodicals, which nowadays are usually entirely electronic. The online catalog will probably include a way to search those magazines and journals for your topic. And then there are documentary films or historical radio broadcasts that might help you.

Your list of resources doesn’t have to be perfect. You just need a starting point. Once you spend some time in the stacks, you’ll add some items and cross others out.

Oh, and don’t forget to check the hours before you go, so you don’t waste a trip.

What happens once you’re there?

You walk in with your list. Now what? Libraries post maps to show where each call number can be found. Often you can snag a nice little bookmark with that info printed on it, and carry it with you. Pick a call number from your bibliography to start with, then go looking for that book.

If the book isn’t where it’s supposed to be, or if you can’t figure out where the call number is kept, or if you’re just feeling overwhelmed by the whole process…don’t despair. There’s a living, breathing app for that.

 

 

That human over there is called a “librarian.” Approach him or her with a smile, and they’ll give you all the help you need. These folks went to school for this, so their skills go well beyond answering “Where is this book?” and “Where are the restrooms?” You could tell them what you’re working on, and see if they have any ideas! And, if you’re in a research library, there might even be a librarian who specializes in your topic.

If you’re looking at rare or primary documents, the key is patience. Whether you’re lucky enough to get to handle the actual documents (a rare thrill, indeed) or you are instructed to look at an online database, take your time. Obviously, rare documents can be damaged, so don’t flip pages like it’s a cheap mystery novel you picked up at the airport.

But more than that, remember that this is a special privilege. Savor it. Explore not just the words on the page, but what the pages are made of, what kind of ink and font is used. Take careful notes about everything you see and feel. Using all your senses will inform whatever you’re writing later.

Need a photocopy of something you can’t check out of the library? Depending on what it is, that might not be allowed. But you have that nifty phone in your pocket; photograph the pages you need!

If the material is not rare, you might be able to take it home for two or three weeks. You’ll need a library card (a good idea anyway, as we’ve discussed, so you have full access to all materials). More and more e-books are also available to check out. You order them via the library’s catalog, and they’ll show up on your e-reader, and disappear after the due date.

 

Try it. You won’t be sorry.

Hey, I’m not knocking Google. There’s no disputing that internet search engines are ingenious tools that have changed the world. Still, sitting at your laptop is sometimes not enough if you want to understand a topic deeply. You can’t find what isn’t there, and you’ll never know what you’re missing unless you change how and where you look. So, next time you need to do research, give the ol’ library a chance – it might end up being your new favorite place to hang out.


What do you love most about libraries? How have libraries helped your writing craft? Let us know in the comments!

 


Anne E. JohnsonAnne E. Johnson is a freelance writer based in Brooklyn, NY. Her published science fiction and fantasy novels include Space Surfers (YA science fiction) and the Webrid Chronicles humorous space opera series: Green Light Delivery, Blue Diamond Delivery,and Red Spawn Delivery. She also has two published historical novels for kids aged 8-12. Nearly 100 of her short stories have been published in magazines, webzines, and anthologies. She is a longtime story judge for the RateYourStory website.
Anne has an undergraduate degree in classical languages and a master’s in musicology, specializing in the Middle Ages; for over 15 years she taught music history and theory in New York. As an arts journalist writing about music and theater, she contributes a biweekly column and monthly CD reviews to Copper Magazine: The Journal of Music and Audio, and she’s been published in The New York Times, Stagebill Magazine, Chicago on the Aisle, WomenArts, Teaching Theatre Magazine, and Classical Voice North America. 

 

 

 

December 30, 2025 3 min read

It’s Freewrite’s favorite time of year. When dictionaries around the world examine language use of the previous year and select a “Word of the Year.”

Of course, there are many different dictionaries in use in the English language, and they all have different ideas about what word was the most influential or saw the most growth in the previous year. They individually review new slang and culturally relevant vocabulary, examine spikes or dips in usage, and pour over internet trend data.

Let’s see what some of the biggest dictionaries decided for 2025. And read to the end for a chance to submit your own Word of the Year — and win a Freewrite gift card.

[SUBMIT YOUR WORD OF THE YEAR]


Merriam-Webster: "slop"

Merriam-Webster chose "slop" as its Word of the Year for 2025 to describe "all that stuff dumped on our screens, captured in just four letters."

The dictionary lists "absurd videos, off-kilter advertising images, cheesy propaganda, fake news that looks pretty real, junky AI-written books, 'workslop' reports that waste coworkers’ time … and lots of talking cats" as examples of slop.

The original sense of the word "slop" from the 1700s was “soft mud” and eventually evolved to mean "food waste" and "rubbish." 2025 linked the term to AI, and the rest is history.

Honorable mentions: conclave, gerrymander, touch grass, performative, tariff, 67.

Dictionary.com: "67"

The team at Dictionary.com likes to pick a word that serves as “a linguistic time capsule, reflecting social trends and global events that defined the year.”

For 2025, they decided that “word” was actually a number. Or two numbers, to be exact.

If you’re an old, like me, and don’t know many school-age children, you may not have heard “67” in use. (Note that this is not “sixty-seven,” but “six, seven.”)

Dictionary.com claims the origin of “67” is a song called “Doot Doot (6 7)” by Skrilla, quickly made infamous by viral TikTok videos, most notably featuring a child who will for the rest of his life be known as the “6-7 Kid.” But according to my nine-year-old cousin, the origins of something so mystical can’t ever truly be known.

(My third grade expert also demonstrated the accompanying signature hand gesture, where you place both hands palms up and alternately move up and down.)

And if you happen to find yourself in a fourth-grade classroom, watch your mouth, because there’s a good chance this term has been banned for the teacher’s sanity.

Annoyed yet? Don’t be. As Dictionary.com points out, 6-7 is a rather delightful example at how fast language can develop as a new generation joins the conversation.

Dictionary.com honorable mentions: agentic, aura farming, broligarchy, clanker, Gen Z stare, kiss cam, overtourism, tariff, tradwife.

Oxford Dictionary: "rage bait"

With input from more than 30,000 users and expert analysis, Oxford Dictionary chose "rage bait" for their word of the year.

Specifically, the dictionary pointed to 2025’s news cycle, online manipulation tactics, and growing awareness of where we spend our time and attention online.

While closely paralleling its etymological cousin "clickbait," rage bait more specifically denotes content that evokes anger, discord, or polarization.

Oxford's experts report that use of the term has tripled in the last 12 months.

Oxford Dictionary's honorable mentions:aura farming, biohack.

Cambridge Dictionary: "parasocial"

The Cambridge Dictionary examined a sustained trend of increased searches to choose "parasocial" as its Word of the Year.

Believe it or not, this term was coined by sociologists in 1956, combining “social” with the Greek-derived prefix para-, which in this case means “similar to or parallel to, but separate from.”

But interest in and use of the term exploded this year, finally moving from a mainly academic context to the mainstream.

Cambridge Dictionary's honorable mentions: slop, delulu, skibidi, tradwife

Freewrite: TBD

This year, the Freewrite Fam is picking our own Word of the Year.

Click below to submit what you think the Word of 2025 should be, and we'll pick one submission to receive a Freewrite gift card.

[SUBMIT HERE] 

--

Sources

December 18, 2025 7 min read

What can Jane Austen's personal letters teach writers of today?

December 10, 2025 6 min read

Singer-songwriter Abner James finds his creativity in the quiet freedom of analog tools. Learn how his creative process transcends different media.

Abner James went to school for film directing. But the success of the band he and his brother formed together, Eighty Ninety, knocked him onto a different trajectory.

The band has accrued more than 40 million streams since the release of their debut EP “Elizabeth," and their work was even co-signed by Taylor Swift when the singer added Eighty Ninety to her playlist "Songs Taylor Loves.”

Now, Abner is returning to long-form writing in addition to songwriting, and with a change in media comes an examination of the creative process. We sat down to chat about what's the same — and what's different. 

ANNIE COSBY: Tell us about your songwriting process.

ABNER JAMES: The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off.

And one of the things that occurred to me when I was traveling, actually, was that I would love to be able to do that but from a writing perspective. What would happen if I sat down and approached writing in the same way that I approached music? In a more intuitive and free-form kind of way? What would that dig up?

AC: That's basically the ethos of Freewrite.

AJ: Yes. We had just put out a record, and I was thinking about how to get into writing for the next one. It occurred to me that regardless of how I started, I always finished on a screen. And I wondered: what's the acoustic guitar version of writing?

Where there's not blue light hitting me in the face. Even if I'm using my Notes app, it's the same thing. It really gets me into a different mindset.

 "I wondered: what's the acoustic guitar version of writing?"

I grew up playing piano. That was my first instrument. And I found an old typewriter at a thrift store, and I love it. It actually reminded me a lot of playing piano, the kind of physical, the feeling of it. And it was really fun, but pretty impractical, especially because I travel a fair amount.

And so I wondered, is there such a thing as a digital typewriter? And I googled it, and I found Freewrite.

AC: What about Freewrite helps you write?

AJ:I think, pragmatically, just the E Ink screen is a huge deal, because it doesn't exhaust me in the same way. And the idea of having a tool specifically set aside for the process is appealing in an aesthetic way but also a mental-emotional way. When it comes out, it's kind of like ... It's like having an office you work out of. It's just for that.

"The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off."

And all of the pragmatic limitations — like you're not getting texts on it, and you're not doing all that stuff on the internet — that's really helpful, too. But just having the mindset....

When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing. I find that to be really cool and inspiring.

"When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing."

AC: So mentally it gets you ready for writing.

AJ: Yeah, and also, when you write a Microsoft Word, it looks so finished that it's hard to keep going. If every time I strummed a chord, I was hearing it back, mixed and mastered and produced...?

It's hard to stay in that space when I'm seeing it fully written out and formatted in, like, Times New Roman, looking all seriously back at me.

AC: I get that. I have terrible instincts to edit stuff over and over again and never finish a story.

AJ:  Also, the way you just open it and it's ready to go. So you don't have the stages of the computer turning on, that kind of puts this pressure, this tension on.

It's working at the edges in all these different ways that on their own could feel a little bit like it's not really necessary. All these amorphous things where you could look at it and be like, well, I don't really need any of those. But they add up to a critical mass that actually is significant.

And sometimes, if I want to bring it on a plane, I've found it's replaced reading for me. Rather than pick up a book or bring a book on the plane, I bring Traveler and just kind of hang out in that space and see if anything comes up.

I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise. I've found that writing from words towards music, I get different kinds of songs than I have in the past, which has been interesting.

In that way, like sitting at a piano, you just write differently than you do on a guitar, or even a bass, because of the things those instruments tend to encourage or that they can do.

It feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me.

"I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise... [Traveler] feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me."

AC: As someone who doesn't know the first thing about writing music, that's fascinating. It's all magic to me.

AJ: Yeah.

AC: What else are you interested in writing?

AJ: I went to school for film directing. That was kind of what I thought I was going to do. And then my brother and I started the band and that kind of happened first and knocked me onto a different track for a little while after college.

Growing up, though, writing was my way into everything. In directing, I wanted to be in control of the thing that I wrote. And in music, it was the same — the songwriting really feels like it came from that same place. And then the idea of writing longer form, like fiction, almost feels just like the next step from song to EP to album to novel.

For whatever reason, that started feeling like a challenge that would be deeply related to the kinds of work that we do in the studio.

AC: Do you have any advice for aspiring songwriters?

AJ: This sounds like a cliche, but it's totally true: whatever success that I've had as a songwriter — judge that for yourself — but whatever success I have had, has been directly proportional to just writing the song that I wanted to hear.

What I mean by that is, even if you're being coldly, cynically, late-stage capitalist about it, it's by far the most success I've had. The good news is that you don't have to choose. And in fact, when you start making those little compromises, or even begin to inch in that direction, it just doesn't work. So you can forget about it.

Just make music you want to hear. And that will be the music that resonates with most people.

I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake. They're not real. None of those people are actually real people. You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one.

And I just don't think that we're that different, in the end. So that would be my advice.

AC: That seems like generally great creative advice. Because fiction writers talk about that too, right? Do you write to market or do you write the book you want to read. Same thing. And that imaginary focus group has been debilitating for me. I have to silence that focus group before I can write.

AJ: Absolutely.

"I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake... You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one."

--

Learn more about Abner James, his brother, and their band, Eighty Ninety, on Instagram.