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5 Ways to Establish Your Writing Practice

September 18, 2017 | 5 min read

 


Today’s guest post is by editor and author Susan DeFreitas (@manzanitafire), whose debut novel, Hot Season, won the 2017 Gold IPPY Award for Best Fiction of the Mountain-West.


 

 

 

If you struggle to establish a writing practice, don’t despair. While writing will never be a completely painless process, there are ways to make it easier on yourself (not to mention more fun).

First, though, some real talk: Most people who want to write never do. Or, at least, they never make writing enough of a habit to finish any of the big projects they have in mind, be it a novel, a memoir, or a chapbook of poems.

Say you have a great idea but you don’t know where to start. Or you get started with your project but then lose the thread, or get distracted, and never wind up finishing it. In either case, the following tips can help you get started, get back on track if you’ve stalled out—and, ultimately, get to the finish line with your project.

1) Brainstorming

Terrified of the blank white page? You’re not alone. There’s something about beginnings that’s deeply intimidating—especially when it’s the beginning of something big.

The thing is, the beginnings are all about brainstorming and daydreaming—and as it turns out, staring at a blinking cursor on a blank white page is really not the best way to do either of these things.

Neuroscience suggests that this sort of big-picture creative thinking—about what you envision for your project, its concerns, its scope, even the voice you hear for it—is best accomplished while walking, or in the back of your mind as you’re going about other tasks, or as you’re falling asleep at night. In this way, you’ll be partnering with your subconscious mind, opening the door to associative connections that simply won’t arise if you try to push.

What are the questions driving your project? What do you know about it, and what don’t you know? In the earliest stages of your writing process, as far as I’m concerned, you shouldn’t be writing at all—you should be thinking about your project in a way that clues you into what it is you really want to do, and how you really want to do it.

2) Visioning

Once you’ve answered these sorts of questions, it’s time to set aside a few hours to envision where you’re going. Take yourself out for coffee on a Sunday morning, or set aside those precious hours after the kids go to bed. This is your time to flesh out and solidify your ideas.

What will the plot of your novel be? What topics will your essays cover? What are the concerns of your poetry, the forms that inspire you, the specific themes you’d like to write toward?

This is the time to take all those big-picture ideas you’ve had floating around in your head and solidify them into a real plan. Be as specific as you can—this plan will be the roadmap for your project.

3) Set aside a regular time

Only have a half hour a day to write? Or even fifteen minutes? No problem. When you have a detailed plan for your project, it’s not hard to make use of small chunks of time to execute it.

You may do nothing more than write a few sentences, or a paragraph, or a few lines of poetry. But if you write each day—preferably at the same time, but not necessarily—you will progress in your project.

If you can find more time to devote to your writing practice on a daily basis, great—but remember, it can be hard to continue a practice that’s based on finding big chunks of time. If you can learn to write in smaller increments, you’ll wind up writing more often (which tends to be the key to finishing).

And if you lose the thread, remember, you have a blueprint you can return to (and amend, if necessary). It’s not necessary to keep the big picture of your project in your head at all times—all that’s necessary is that you keep inching forward, whether it’s a little or a lot at a time.

4) Find your people

One of the best ways to ensure that you stick to your writing practice over the long term is to find a group of people who will keep you accountable for creating new work.

This group might be a traditional writers’ critique group, or it might be a generative group like Sit Down, Shut Up, and Write. If you live in a place where writers are scarce, even a Patreon campaign that makes you accountable to your sponsors for new work every month will do the trick.

Of course, it’s possible to establish a writing practice in isolation—but over the long haul, it’s hugely helpful to know that there is someone on the other end, waiting to read what you’ve written.

5) Make it fun

Finally, if you find your writing process losing steam, stop and ask yourself why. Is it because you’ve become too critical of your own work? Because you haven’t gotten the validation and direction that comes through feedback? Or because you’re pursuing the wrong project, one that your heart isn’t really in?

In the end, you may find it something more like the fact that your writing desk is uncomfortable, or that you don’t like working where it’s too noisy (or too quiet). Maybe you need to draft in longhand, or outdoors, or next to a window. Maybe you need to write with a cup of coffee in hand, or after you’ve had a glass of wine, or after you’ve read a poem by your all-time favorite poet.

Whatever it is, you owe it to yourself to find out, and experiment until you find the tools, setting, and context that sends a clear signal to your mind: writing is fun, and this is a great time to make it happen.

Now it’s your turn. What do you struggle with in your writing practice? And what has proven most helpful to you in staying on track?

 


Author Susan DeFreitas

An author, editor, and educator, Susan DeFreitas’s creative work has appeared in (or is forthcoming from) The Writer’s Chronicle, The Utne Reader, Story, Southwestern American Literature, and Weber—The Contemporary West, along with more than twenty other journals and anthologies. She is the author of the novel Hot Season (Harvard Square Editions), which won the 2017 Gold IPPY Award for Best Fiction of the Mountain West. She holds an MFA from Pacific University and lives in Portland, Oregon, where she serves as an editor with Indigo Editing & Publications.

 

 

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

November 19, 2025 3 min read

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

October 26, 2025 2 min read

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.