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6 Neuroscience Hacks to Beat Writer's Block

March 06, 2019 | 8 min read

The page is blank and the cursor is blinking at you accusingly. You’ve been sitting at your computer for an hour and you’ve written a sum total of nothing. It’s not that you don’t want to write – it’s that you can’t. The words that yesterday flowed so easily have disappeared into the ether – and you’re wondering despairingly if they’re ever going to return.

Most (if not all) writers are familiar with this scenario. The dreaded writer’s block – that, for me at least, usually turns up when there’s an important deadline looming. Recently, however, I got into an argument with a friend – another writer – who insisted that writer’s block doesn’t exist. Writer’s block, he said, was all in my mind.

He’s not the first to suggest that idea. I headed straight to Google to find out what others have to say about it (hoping to be able to present my friend with proof that I was right and he was wrong). Instead, I stumbled across some fascinating research from the world of neuropsychology and neuroscience. It turns out that writer’s block is just in my head – but not in the way that my friend was suggesting.

The Neuropsychology of Writer’s Block

Neuropsychology is a complex field that combines psychological understandings of the mind with a more physiological investigation of the way that the brain works. For example, neuropsychology might look at what neurons are firing when we experience certain feelings, or what the parts of the brain that are active during specific experiences or actions. So, what does neuropsychology have to say about writer’s block?

Neurologists, psychologists, neuropsychologists and neuroscientists have been studying and debating for decades why things like writer’s block occur. While some psychologists will conclude that writer’s block is more of an excuse than a phenomenon, there have been studies that have set out to demonstrate that there’s neuropsychological evidence for the reality of writer’s block.

Executive Dysfunction

Neuropsychologists Elkhonon Goldberg and Russell Barkley have both investigated a set of complex mental functions that happen in (or are controlled by) the pre-frontal cortex known as ‘executive functions’. It is these executive functions that allow us to do things like plan, organize, prioritize, self-monitor, initiate and sustain certain behaviors as we pursue goals.

When there’s disruption to executive functions, we enter a state Russell Barkley has called ‘executive dysfunction’. A sign of executive dysfunction is an inability to stop ourselves from doing something that’s preventing us from achieving a goal-focused activity. A prime example of this is when you’ve set yourself a goal of writing a blog post but spend the time set aside for writing watching videos of dogs on YouTube.

When writers are experiencing writer’s block, then, it’s a form of executive dysfunction. Certainly, there are problems with executive functions when you feel that your creativity is blocked. These problems can include:

  • Difficulties with getting started (initiation)
  • Distraction
  • Trouble prioritizing
  • Struggling to pace ourselves

Emotional Roots

Another key neuropsychological view of writer’s block came from Gene Parret. His theory is that not only is writer’s block a genuine malady, but it is also rooted in underlying fears. Neuroscience backs up this idea. Everything that we do is the result of neurons firing in our brains – and strong emotions, such as fear, can have a profound effect on neuron functions.

Parret’s view is that the way that we perceive our writing abilities plays a huge role in our experience of writer’s block. For example, if you have a negative mindset (such as thinking that no one will want to read what you’re writing) and sit down to write, the negativity will impact on your neuron pathways and cause difficulties with the writing process.

The Psychology of Writing

Ronald Kellogg is the author of ‘The Psychology of Writing’ and he has highlighted the way that certain environments, schedules and rituals can either increase or inhibit writing processes. There’s a neuropsychological link with this, as it’s been shown that neural pathways can be activated by associations with places, times of day, and so on.

Circadian Rhythm Rules

There are links, too, with the circadian rhythms (otherwise known as the sleep-wake cycle). For example, many writers find that their creative juices flow better at certain times of day. This is another area that has been backed up by neuroscience – albeit in studies done with mice.

Neuroscientific studies have revealed that circadian rhythms aren’t just about when we’re awake and when we’re asleep. There are also times of the day that are better suited to different types of tasks. To make this more complicated, everyone’s circadian rhythm for specific tasks is different, so there are no rules when it comes to the specific times when you should be doing something.

What the circadian rhythm studies have shown, though, is that if you don’t understand your own circadian rhythms, you could find yourself trying to write when your brain is better optimized for research (knowledge-processing). There are different neural processes involved in creativity (such as writing) compared with more structured tasks (such as research), so when you experience writer’s block, it could actually be that you’re trying to be creative when your brain wants to be learning.

Interestingly, we’re notoriously bad at correctly understanding our own circadian rhythm, too. Some research has proved that self-proclaimed ‘morning-people’ are actually more productive in the evening, and those who call themselves ‘night-owls’ are more productive during the morning. Could beating writer’s block be as simple as better understanding your circadian rhythm?

Using Neuropsychology to Combat Writer’s Block

Now that we’ve taken a quick tour through some of the complexities of neuropsychology, it’s time to get practical. How can you use neuropsychology to combat writer’s block? There are actually a number of techniques you can use that have their roots in neuropsychological thinking.

1. Cognitive Cueing

Cognitive cueing is based on Kellogg’s understanding of how certain places can impact on the efficiency of certain processes. It’s not an immediate fix, as it takes time to establish cognitive cues, but it’s a technique that’s been shown to help break the cycle of writer’s block.

With cognitive cueing, you need to create a specific space that is only used for writing. It will only be effective if that space is exclusively for writing – if you use it for anything else, the cognitive cues won’t work. Your brain will come to associate the space with the act of writing, and the neural pathways that are formed will kick-start the writing process when you return to the space to write.

2. Circadian Self-Reflection

Since our circadian rhythms have such a big impact on our ability to perform specific tasks, it makes sense that another means of beating writer’s block lies in understanding the times of day that are most suited to writing. It’s different for everyone, so the only way to figure out the times of day that are suited to research and those that are better suited for creativity is through self-reflection.

Keep a journal or notes about your daily activities and reflect on how easy (or difficult) the different types of tasks seemed. Vary the times of day that you complete tasks so that you can begin to see patterns. When you understand your circadian rhythm, you can focus your writing activities at the most creative times of day, and reduce your risk of writer’s block.

3. Incubate Your Creativity

Incubation of ideas is a neuropsychological principle that’s been tested on mice. It’s based on the idea that when you work on a task (or learn a skill) and then take a break or begin a different task, the neural pathways involved in the original task or skill remain active.

RELATED: Writing Habits to Jumpstart Your Creativity

Applying this to writer’s block, if you find that you’re struggling to get the words onto the page (or screen), then taking a break and doing something else – going for a walk, reading a book, and so on – can allow ideas to incubate, since the neural pathways that related to your writing task will stay active. Writers regularly report that their best ideas come when they’re doing something completely unrelated, so it’s worth trying incubation to beat writer’s block.

4. Motivational Methods

In neuropsychology, there are different types of motivation that have been identified, and people tend to have one or the other. These are known as ‘approach motivation’ and ‘avoidance motivation’. ‘Approach motivated’ people are optimistic about what they can achieve, and positively motivated to complete tasks. ‘Avoidance motivated’ people, by contrast, are negative and motivated by a fear of failure.

Neuroscience shows that changes in neuronal activity can be affected by perceived outcomes – so what we think will be the result impacts on our performance. If we start writing worried that no one will want to read what we’re writing, this perceived outcome will negatively impact our neurons, and the writing task will become more difficult.

RELATED: 55 Motivational Writing Quotes from Famous Authors

The solution to this problem is to change our motivational type and use approach motivation. To do this, we focus on positive outcomes and set easily attainable goals that will reinforce the positivity. The more we attain these ‘easy’ goals, the better the impact on our neurons, and the less likely we are to experience writer’s block.

5. Background Noise

I was skeptical about this technique – until I tried it myself. Apparently, studies have shown that writers are often more productive in coffee shops or other similar environments where others are being productive. This has something to do with background noise – and there are now apps that will actually replicate the ambient noise of a coffee shop for writers who aren’t able to physically go out and sit in a coffee shop to write when they’re feeling blocked.

Different types of background noise can either positively or negatively affect our creativity and productivity, so it’s important to note that you need to find the kind of background noise that works for you. Some people, for example, are more sensitive to noise, so a very busy coffee shop could have a negative impact on their ability to write, but a quieter shop could help to combat writer’s block.

6. Unplug and Reset

In the modern world, it sometimes feels like we’re slaves to our technological devices. Smartphones, tablets, and laptops keep us constantly connected to emails, social media, online videos and other distractions – which can be bad news if you’re already prone to experiencing writer’s block.

There are a range of psychological benefits to unplugging from technology for a while. Unplugging can help when you’re feeling depressed and anxious or overwhelmed in any way. It can also help with writer’s block, by removing distractions and allowing you the opportunity to reset and get back in touch with your creativity.

If you’re used to writing on a laptop or desktop computer, switching off all your technology can help unblock you when you feel like your creativity has dried up. The abundance of distractions on the internet can make it impossible to focus on anything and get into a rhythm.  It’s a simple technique that increases your ability to focus and helps get those creative juices flowing again.

Freewrite Smart Typewriter

While you could abandon technology completely and go back to the basics with pen/paper, most of us can type much faster than we write.  Plus, re-transcribing handwritten notes to the computer is extremely tedious. Luckily, there is a way to unplug but still reap the benefits of technology: Freewrite’s distraction-free writing devices. With a typewriter-like feel and automatic syncing to the cloud, you can get writing again quickly. Find out more about the range of available devices here.

A Treatment Plan for Writer’s Block

Neuropsychology shows us that there’s scientific evidence for the existence of writer’s block – and it isn’t just excuses and/or laziness. Treating writer’s block with neuropsychology offers a range of techniques that can be used individually or combined into your own personal treatment plan. Experiment with the different techniques and find the ones that work best for you, so that you can combat the dreaded blank-page syndrome that writers fear.

Sources
https://www.psychologytoday.com/gb/blog/psychology-writers/201108/writers-block-and-burnout-getting-unstuck
https://www.psychologytoday.com/gb/blog/one-true-thing/201307/writers-block-it-may-not-be-all-in-your-head
https://www.brainpickings.org/2014/08/25/the-psychology-of-writing-daily-routine/
https://www.brainpickings.org/2012/10/01/breakthrough-alex-cornell/
https://psychcentral.com/blog/the-psychology-behind-writers-block/
http://www.writing-world.com/life/block.shtml
https://scienceblogs.com/neurontic/2006/02/04/on-writers-block
https://www.theguardian.com/lifeandstyle/2017/mar/17/is-writers-block-a-real-thing-oliver-burkeman
https://www.apa.org/gradpsych/2015/11/writers-block
https://rainmaker.fm/audio/writer/best-writers-brain-four/
https://www.pri.org/stories/2016-04-05/creative-block-here-s-neuroscience-how-fix
https://www.copyblogger.com/outsmart-writers-block/
August 26, 2026 5 min read

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

August 26, 2026 1 min read

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions