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25 Writing Tips From Famous Writers

May 09, 2018 | 10 min read

It’s such a liberating thought that there is no one way to express your creativity as a writer. As fast as this feeling comes, it’s replaced by the daunting task of putting pen to paper. Everybody has a story to tell. A story that the whole world needs to hear. If you’re struggling to get those words out, or you just want some inspiration, this collection of thoughts, musings, and writing tips should help.

"Everyone has a story to tell. Everyone is a writer. Some are written in the books, and some are confined to hearts." -Savi Sharma

We collected 25 time-tested writing tips from bestselling authors from today and days past.

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25 Writing Tips From Famous Writers

1. “Show up, show up, show up, and after a while the muse shows up, too.” - Isabel Allende

The works of Isabel Allende have sold over 70 million copies and been translated into 35 different languages. The Chilean writer is famous for novels such asThe House of the Spirits (1982) andCity of the Beasts (2002). She brilliantly weaved together elements of myth and realism, often relating to her personal experiences as a woman.

Allende went on to say, “I need to tell a story. It’s an obsession. Each story is a seed inside of me that starts to grow and grow, like a tumor, and I have to deal with it sooner or later.

2. “This is how you do it: you sit down at the keyboard and you put one word after another until it’s done. It’s that easy, and that hard.” - Neil Gaiman

Source:Pens, Rules, Finishing Things And Why Stephin Merrit Is Not Grouchy

Following the advice of Allende, Neil Gaiman suggests putting one foot in front of the other. When a young writer asked the author how to take the last steps towards finish his stories, Gaiman offered this advice, “How do you finish them? You finish them.” Gaiman’s work has been honored with many awards including the Newbury and Carnegie Medals.

3. “If you’re using dialogue, say it aloud as you write it. Only then will it have the sound of speech.” -John Steinbeck

A Pulitzer Prize winner and Nobel laureate John Steinbeck has written a plethora of wisdom. Even if you’re not an avid reader, you’re probably familiar with Steinbeck’s most significant works. His novels,The Grapes of Wrath andOf Mice and Men defined the American Great Depression. Reading your text aloud to yourself helps to ensure that it flows like a conversation.

Leonard's Writing Wisdom

4. “If it sounds like writing, I rewrite it.” -Elmore Leonard

Steinbeck and Leonard share similar writing wisdom. Whether you choose to read it aloud or rewrite it, take their advice and find a way to make your writing sound less like… writing.

5. “Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.” -Zadie Smith

As writers, it’s crucial that we protect our personal space from the multitude of distractions we are faced with every day. Roommates, friends, family, work, and the neighbor's dog all can make it difficult to produce your best work. If you’re available to everybody and everything, you will feel drained and fatigued. When it comes to your work, you're not in the wrong for protecting your personal space.

6. “In the planning stage of a book, don’t plan the ending. It has to be earned by all that will go before it.” -Rose Tremain

Many writers will disagree with this quote. If you start with the end in mind, and that works for you, then maybe this advice isn’t for you. Rose Tremain, the English novelist suggests you earn the ending based on what you've developed beforehand.

7. “Always carry a notebook. And I mean always. The short-term memory only retains information for three minutes; unless it is committed to paper you can lose an idea for ever.” -Will Self

Will Self has authored ten novels, five short stories, three novellas, and five collections of non-fiction writing. The English novelist isn’t the only writer to carry a notebook at all times. Never forget that fleeting idea that could be your next great novel. Without writing them down, those forgotten thoughts will only come back to distract you and hold your mind prisoner.

Self is in good company. Richard Branson, the English business magnate, carries a notebook everywhere he goes. The billionaire considers himself a student of life.

8. "Simplicity is the ultimate sophistication." –Leonardo Da Vinci

You can find hundreds of writers who elect to use more straightforward language to get their point across. Sometimes, we assume that a bigger vocabulary means better writing, but that’s simply not true.

Here are a few more quotes to get the point across.

“Writing isn’t about using words to impress. It’s about using simple words in an impressive way.” - Sierra Bailey

“If you can’t explain it to a six-year-old, you don’t understand it yourself.” - Albert Einstein

Ernest Hemingway Writing Tips

9. "There is nothing to writing. All you do is sit down at a typewriter and bleed." - Ernest Hemingway

The goal of every writer is to find their flow state AND stay there.  The Freewrite is a manifestation of Hemingway’s idea. Ernest Hemingway suggests you sit down at your writing device and, figuratively, bleed. Let the thoughts flow, regardless of how difficult that may be. Leave the editing for later.

10. “You can’t wait for inspiration, you have to go after it with a club.” -Jack London

Jack London went on to say, “and if you don’t get it, you will nonetheless get something that looks remarkably like it.” Jack London, an avid adventurer, found inspiration in all of his travels. He inspired generations of people to leave the comfort of home and explore the world. Don’t just sit back and wait for an idea to hit you. Go after it, and don’t forget your club!

11. “Forget the books you want to write. Think only of the book you are writing.” -Henry Miller

How many unfinished novels do you have sitting on your hard-drive, aging like fine wines?

We all do this.

Dream up a brilliant idea, get a few thousand words into it, only to be whisked away by the next distraction.

We all like to think that we’re capable multitaskers. However, multiple studies have shown that handling various tasks at once is not only damaging to the brain but also your career. Put your full creative energy into one project at a time.

12. “If you don’t have time to read, you don’t have the time — or the tools — to write. Simple as that.”Stephen King

Stephen King has published a whopping 56 books as of today (5/7/18). The award-winning author still finds the time to read 70 books a year. He takes advantage of every idle moment in lobbies, waiting rooms, and checkout lines.

What’s Stephen’s trick? Teach yourself to read in small sips as well as in long swallows.

Source:Stephen King: The Craft Of Writing Horror Stories

Anton's Writing Tip

13. “Don’t tell me the moon is shining; show me the glint of light on broken glass.” -Anton Chekhov

I want you to close your eyes. Now imagine two scenes:

1. The moon is shining.

2. A glint of light from the moon shines on the broken glass.

Now, which one is more descriptive? Which scene is more enticing? I’d choose the latter, and I’m sure you would too. This quote is a classic case of “show, don’t tell.” Showing makes your writing far more interesting to read. Help move the reader along by adding some imagination and color to your passages.

14. "Never use a long word where a short one will do." - George Orwell

Eric Arthur Blair, better known by his pen name George Orwell, was an English writer famous for the novels1984andAnimal Farm. In the absence of skill, using long words makes you look pretentious. They also are awkward to read and interrupt the reader's flow.

15. "A short story must have a single mood and every sentence must build towards it." -Edgar Allen Poe

Edgar Allen Poe is most noted for his poem, "The Raven." In books, you have time to let the story develop and breathe. You can risk adding details that you deem necessary. When writing short stories, you must condense an entire story into a few pages. There isn’t any room for sentences that don't lead to the ending.

16. "Quantity produces quality. If you only write a few things, you're doomed." - Ray Bradbury 

When I was 16 years old, I decided that I wanted to work in content creation and online marketing. I took it upon myself to watch every video and read every book pertaining to writing and copy-writing.

Eventually, I stumbled upon a video of Seth Godin offering advice to young college graduates. He left me with a lesson that I will NEVER forget. He said, “move fast and break things.”

That inspired me to start my first blog. It quickly grew to 5,000 monthly page views. My first blog posts were horrendous, but I quickly learned what worked and what didn’t. Bradbury offers similar advice. Spend every free minute writing, even if you don’t plan to share it with the world.

17. “Every sentence must do one of two things -- reveal character or advance the action." -Kurt Vonnegut

In his 50-year writing career, Vonnegut published 14 novels, three short story collections, five plays, and five works of non-fiction. Combine Vonnegut’s and Poe’s advice into a single statement, every sentence of a short story must do one of three things -- reveal character, advance the action, or build towards a single mood.

18. “The historian records, but the novelist creates.”E. M. Forster

Great novelists have the unique ability to invent their reality. E.M Foster, an English novelist, examined class difference and hypocrisy in early 20th century British society.A Room With A View, one of his most famous works, was turned into an award-winning movie in 1985.

19. “Read, read, read. Read everything - trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” -William Faulkner

If I could offer you only one piece of advice for becoming a better writer, I would suggest this - read and write a lot. As you read and write more, you develop a better understanding of what is good and bad writing. William Faulkner, an American writer and Nobel Prize laureate had an insatiable drive to keep writing and was never completely satisfied with his work.

Nora Roberts' Writing Tip

20. "You can fix anything but a blank page.” -Nora Roberts

Putting pen to paper is a recurring theme in this article. We’ve heard Hemingway, Faulkner, Bradbury, and now Roberts offer similar advice.

One of my favorite mentors, Jim Rohn, said, “Success leaves clues.” People who produce outstanding results do specific things to create those results. As writers, there are many ways to skin a cat, but the commonalities of successful writers remain.

21. “You have to get to a very quiet place inside yourself. And that doesn’t mean that you can’t have noise outside. I know some people who put jazz on, loudly, to write. I think each writer has her or his secret path to the muse.” -Maya Angelou

I know I’m not the only one to struggle with finding a quiet place inside myself. I’ve tried everything from locking myself into a dark room, to hiding my cell phone, and listening to my favorite music. My secret path to the muse is listening to Binaural Beats. As I write this article, I’m listening to the soothing sound ofDelta Waves for Deep Healing Sleep.

22. “When you’re stuck, and sure you’ve written absolute garbage, force yourself to finish and THEN decide to fix or scrap it - or you will never know if you can.” -Jodi Picoult

Jodi Picoult, an American writer, has sold over 14 million copies of her 24 novels. Until you push your own self perceived boundaries, you'll never know how far you can go.

Source:Jodi Picoult: The million-selling novelist on carving out time for writing and the influence of Gone With the Wind

23. “You have to actually write. Daydreaming about the book you’re going to write someday isn’t writing. It’s daydreaming. Open your word processor and start writing.” - Andy Weir

Les Brown, a world famous motivational speaker, has in my mind one of the most inspirational quotes of all-time.

The graveyard is the richest place on earth, because it is here that you will find all the hopes and dreams that were never fulfilled, the books that were never written, the songs that were never sung, the inventions that were never shared, the cures that were never discovered, all because someone was too afraid to take that first step, keep with the problem, or determined to carry out their dream.”  - Les Brown

If you want to be a writer, you have to write and write and write. It starts with one. One character, one word, then one page. They key is, you have to start.

24. “I went for years not finishing anything. Because, of course, when you finish something you can be judged.”-Erica Jong

Erica Jong is an American novelist and poet best known for her 1973 novel, Fear of Flying.She shared her battle with finishing her work. For many writers, their works are their most personal possessions. Take solace in the fact that there is somebody out there who needs your writing. Why take a chance that they may never get to read it?

25. “Ignore all proffered rules and create your own, suitable for what you want to say.” -Michael Moorcock

Source:Michael Moorcock’s rules for writers

A few years back, The Guardian asked some of the most esteemed contemporary authors for any golden rules and writing tips they bring to their practice. Michael Moorcock isn’t the first writer to operate under the idea of “writing what you want”.  First, make yourself the audience by telling a story you would want to read. This is a fitting quote to leave for the end. Perhaps Mr.Moorcock has written the final rule on succeeding as a writer.

Did you find these writing tips useful? Now it’s your turn to take this inspiration and make it your own.

 


Carlton ClarkCarlton Clark loves to write about business, baseball, and popular culture. A writer, marketer, and entrepreneur. At the age of 14, he founded the media company ballplayerplus.com. Currently, Carlton helps businesses share their stories through social media and blogging. When he’s not writing or creating content, Carlton coaches youth baseball at his local high school and plays guitar. You can find him online on Instagram @itscarltonclark, and on Twitter @carlton_mukasa

 

 

Freewrite - Distraction-free Smart Typewriter
December 30, 2025 3 min read

It’s Freewrite’s favorite time of year. When dictionaries around the world examine language use of the previous year and select a “Word of the Year.”

Of course, there are many different dictionaries in use in the English language, and they all have different ideas about what word was the most influential or saw the most growth in the previous year. They individually review new slang and culturally relevant vocabulary, examine spikes or dips in usage, and pour over internet trend data.

Let’s see what some of the biggest dictionaries decided for 2025. And read to the end for a chance to submit your own Word of the Year — and win a Freewrite gift card.

[SUBMIT YOUR WORD OF THE YEAR]


Merriam-Webster: "slop"

Merriam-Webster chose "slop" as its Word of the Year for 2025 to describe "all that stuff dumped on our screens, captured in just four letters."

The dictionary lists "absurd videos, off-kilter advertising images, cheesy propaganda, fake news that looks pretty real, junky AI-written books, 'workslop' reports that waste coworkers’ time … and lots of talking cats" as examples of slop.

The original sense of the word "slop" from the 1700s was “soft mud” and eventually evolved to mean "food waste" and "rubbish." 2025 linked the term to AI, and the rest is history.

Honorable mentions: conclave, gerrymander, touch grass, performative, tariff, 67.

Dictionary.com: "67"

The team at Dictionary.com likes to pick a word that serves as “a linguistic time capsule, reflecting social trends and global events that defined the year.”

For 2025, they decided that “word” was actually a number. Or two numbers, to be exact.

If you’re an old, like me, and don’t know many school-age children, you may not have heard “67” in use. (Note that this is not “sixty-seven,” but “six, seven.”)

Dictionary.com claims the origin of “67” is a song called “Doot Doot (6 7)” by Skrilla, quickly made infamous by viral TikTok videos, most notably featuring a child who will for the rest of his life be known as the “6-7 Kid.” But according to my nine-year-old cousin, the origins of something so mystical can’t ever truly be known.

(My third grade expert also demonstrated the accompanying signature hand gesture, where you place both hands palms up and alternately move up and down.)

And if you happen to find yourself in a fourth-grade classroom, watch your mouth, because there’s a good chance this term has been banned for the teacher’s sanity.

Annoyed yet? Don’t be. As Dictionary.com points out, 6-7 is a rather delightful example at how fast language can develop as a new generation joins the conversation.

Dictionary.com honorable mentions: agentic, aura farming, broligarchy, clanker, Gen Z stare, kiss cam, overtourism, tariff, tradwife.

Oxford Dictionary: "rage bait"

With input from more than 30,000 users and expert analysis, Oxford Dictionary chose "rage bait" for their word of the year.

Specifically, the dictionary pointed to 2025’s news cycle, online manipulation tactics, and growing awareness of where we spend our time and attention online.

While closely paralleling its etymological cousin "clickbait," rage bait more specifically denotes content that evokes anger, discord, or polarization.

Oxford's experts report that use of the term has tripled in the last 12 months.

Oxford Dictionary's honorable mentions:aura farming, biohack.

Cambridge Dictionary: "parasocial"

The Cambridge Dictionary examined a sustained trend of increased searches to choose "parasocial" as its Word of the Year.

Believe it or not, this term was coined by sociologists in 1956, combining “social” with the Greek-derived prefix para-, which in this case means “similar to or parallel to, but separate from.”

But interest in and use of the term exploded this year, finally moving from a mainly academic context to the mainstream.

Cambridge Dictionary's honorable mentions: slop, delulu, skibidi, tradwife

Freewrite: TBD

This year, the Freewrite Fam is picking our own Word of the Year.

Click below to submit what you think the Word of 2025 should be, and we'll pick one submission to receive a Freewrite gift card.

[SUBMIT HERE] 

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Sources

December 18, 2025 7 min read

What can Jane Austen's personal letters teach writers of today?

December 10, 2025 6 min read

Singer-songwriter Abner James finds his creativity in the quiet freedom of analog tools. Learn how his creative process transcends different media.

Abner James went to school for film directing. But the success of the band he and his brother formed together, Eighty Ninety, knocked him onto a different trajectory.

The band has accrued more than 40 million streams since the release of their debut EP “Elizabeth," and their work was even co-signed by Taylor Swift when the singer added Eighty Ninety to her playlist "Songs Taylor Loves.”

Now, Abner is returning to long-form writing in addition to songwriting, and with a change in media comes an examination of the creative process. We sat down to chat about what's the same — and what's different. 

ANNIE COSBY: Tell us about your songwriting process.

ABNER JAMES: The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off.

And one of the things that occurred to me when I was traveling, actually, was that I would love to be able to do that but from a writing perspective. What would happen if I sat down and approached writing in the same way that I approached music? In a more intuitive and free-form kind of way? What would that dig up?

AC: That's basically the ethos of Freewrite.

AJ: Yes. We had just put out a record, and I was thinking about how to get into writing for the next one. It occurred to me that regardless of how I started, I always finished on a screen. And I wondered: what's the acoustic guitar version of writing?

Where there's not blue light hitting me in the face. Even if I'm using my Notes app, it's the same thing. It really gets me into a different mindset.

 "I wondered: what's the acoustic guitar version of writing?"

I grew up playing piano. That was my first instrument. And I found an old typewriter at a thrift store, and I love it. It actually reminded me a lot of playing piano, the kind of physical, the feeling of it. And it was really fun, but pretty impractical, especially because I travel a fair amount.

And so I wondered, is there such a thing as a digital typewriter? And I googled it, and I found Freewrite.

AC: What about Freewrite helps you write?

AJ:I think, pragmatically, just the E Ink screen is a huge deal, because it doesn't exhaust me in the same way. And the idea of having a tool specifically set aside for the process is appealing in an aesthetic way but also a mental-emotional way. When it comes out, it's kind of like ... It's like having an office you work out of. It's just for that.

"The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off."

And all of the pragmatic limitations — like you're not getting texts on it, and you're not doing all that stuff on the internet — that's really helpful, too. But just having the mindset....

When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing. I find that to be really cool and inspiring.

"When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing."

AC: So mentally it gets you ready for writing.

AJ: Yeah, and also, when you write a Microsoft Word, it looks so finished that it's hard to keep going. If every time I strummed a chord, I was hearing it back, mixed and mastered and produced...?

It's hard to stay in that space when I'm seeing it fully written out and formatted in, like, Times New Roman, looking all seriously back at me.

AC: I get that. I have terrible instincts to edit stuff over and over again and never finish a story.

AJ:  Also, the way you just open it and it's ready to go. So you don't have the stages of the computer turning on, that kind of puts this pressure, this tension on.

It's working at the edges in all these different ways that on their own could feel a little bit like it's not really necessary. All these amorphous things where you could look at it and be like, well, I don't really need any of those. But they add up to a critical mass that actually is significant.

And sometimes, if I want to bring it on a plane, I've found it's replaced reading for me. Rather than pick up a book or bring a book on the plane, I bring Traveler and just kind of hang out in that space and see if anything comes up.

I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise. I've found that writing from words towards music, I get different kinds of songs than I have in the past, which has been interesting.

In that way, like sitting at a piano, you just write differently than you do on a guitar, or even a bass, because of the things those instruments tend to encourage or that they can do.

It feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me.

"I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise... [Traveler] feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me."

AC: As someone who doesn't know the first thing about writing music, that's fascinating. It's all magic to me.

AJ: Yeah.

AC: What else are you interested in writing?

AJ: I went to school for film directing. That was kind of what I thought I was going to do. And then my brother and I started the band and that kind of happened first and knocked me onto a different track for a little while after college.

Growing up, though, writing was my way into everything. In directing, I wanted to be in control of the thing that I wrote. And in music, it was the same — the songwriting really feels like it came from that same place. And then the idea of writing longer form, like fiction, almost feels just like the next step from song to EP to album to novel.

For whatever reason, that started feeling like a challenge that would be deeply related to the kinds of work that we do in the studio.

AC: Do you have any advice for aspiring songwriters?

AJ: This sounds like a cliche, but it's totally true: whatever success that I've had as a songwriter — judge that for yourself — but whatever success I have had, has been directly proportional to just writing the song that I wanted to hear.

What I mean by that is, even if you're being coldly, cynically, late-stage capitalist about it, it's by far the most success I've had. The good news is that you don't have to choose. And in fact, when you start making those little compromises, or even begin to inch in that direction, it just doesn't work. So you can forget about it.

Just make music you want to hear. And that will be the music that resonates with most people.

I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake. They're not real. None of those people are actually real people. You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one.

And I just don't think that we're that different, in the end. So that would be my advice.

AC: That seems like generally great creative advice. Because fiction writers talk about that too, right? Do you write to market or do you write the book you want to read. Same thing. And that imaginary focus group has been debilitating for me. I have to silence that focus group before I can write.

AJ: Absolutely.

"I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake... You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one."

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Learn more about Abner James, his brother, and their band, Eighty Ninety, on Instagram.