overlaylink

Name Your Grief: How to Use Writing to Break through the Fog of Loss

Brooke Lewis
July 01, 2024 | 8 min read

When it hits, grief hangs over me like a shroud. I can go about my day as usual, but everything is dulled. Sights and sounds are less vivid. I’m distracted during conversations. My mind wanders back to the looming sadness at every opportunity, like the cartoon rain cloud depicted over the head of a depressed cartoon character.

At 33, I’ve experienced more grief than most. My childhood was exceedingly average and uneventful. I grew up in a rural one-stoplight town in Northwestern, Pa., in a stable middle-class home with my mother, father, and younger sister.

In 2010, however, our “boring” lives were changed irrevocably when we experienced our first tragic loss. My father was killed while riding his motorcycle when I was 19 years old.

His passing was sudden and jarring. It turned our world upside down, and it took my mother, sister, and me years to recover. Eventually, however, we did heal and continued living our lives. Although we still missed my father and thought of him often, we recovered from the shock, accepting that life is for the living.

Twelve years after my father’s death, tragedy struck our family again. In February 2022, my mom slipped while walking across her icy driveway and landed hard, smashing her face on the ice. Afraid she had broken her nose, she went to the local emergency room, where a CT of her head revealed a fractured nose as well as a brain tumor. In stark contrast to my father's sudden passing, my mother battled stage 4 glioblastoma for 25 months before succumbing to the illness in her home, where I cared for her in her final months with the help of hospice.

Through these hardships, I've learned that writing is the most effective way to vanquish my sadness. In 2023, I began sharing my work about my personal experiences with grief and loss on Medium.

Writing and sharing my stories and interacting with readers became a gentle breeze swiftly clearing the dreaded fog of sadness from my mind.

 

How to Start Your Own Writing Practice to Heal from Grief

Writing to heal from loss can be a private undertaking or something you choose to share with others. I never intended to write about my grief for an audience, even though I had been writing about it in private for years. I started writing to heal myself.

However, one day, I wrote a piece that brought me so much peace I thought it could help others navigating similar traumatic loss. So, I took a chance and shared it.

That’s when I discovered the world is full of people who’ve experienced trauma and loss. Connecting with this community of readers and writers, I uncovered the healing power of sharing our stories and learning to recover from each other. I realized that not only was I not alone in my suffering, but I could also help others heal by sharing my struggles.

That’s when I discovered the world is full of people who’ve experienced trauma and loss. 

When I publish my articles, I’m not comfortable writing solely about the pain and hardship without offering at least a glimmer of hope — that all is not lost, that I will heal, and that if I can do it, they can, too.

The following are a few things I’ve discovered along the way that I hope will help others write to recover from the loss of a loved one.

1. Name Your Grief

When I write to address my grief, I begin by describing the particular sadness that is haunting me that day.

Giving the pain a name or a vivid depiction gives me clarity, which helps me understand it better. It transforms the pain from an amorphous ache enveloping me to a well-defined, tangible barrier I can break through.

Giving the pain a name or a vivid depiction gives me clarity, which helps me understand it better. 

2. Write Through the Tears

Writing about grief is emotionally draining. Recalling or reflecting on a time you experienced overwhelming emotions will bring them back. You will relive them. But, writing, like discussing a topic in therapy, takes those immense, amorphous feelings and makes them tangible and, therefore, manageable.

Putting words down on paper or a screen also creates space in your mind, leaving room for fresh perspective and understanding. At the very least, it allows you to move on to the next overwhelming thought or emotion.

It’s important not to let uncomfortable feelings or avoidance stand in the way. If I let the challenge of facing my emotions stop me, I’d never find the healing on the other side.

Let the words — and tears — flow.

Writing, like discussing a topic in therapy, takes those immense, amorphous feelings and makes them tangible and, therefore, manageable.

3. Write in the Moment to Remember

I wrote throughout my mom’s time receiving in-home hospice care. The primary purpose was simply to document details of each day to inform my sister, who lived in another city.

At the end of each day, I recorded every detail I could recall, including what Mom ate and how much, medication dosages, accounts of her nurses' visits, and anecdotes about things mom had said or done, as well as my own random thoughts and reflections.

Finding the time or energy to write during these challenging times can be difficult. I found it impossible to focus on writing during the day between nurses' visits and responding to family and friends who were constantly checking in. By evening, when I finally found a free moment, my computer’s keys and backlight disturbed Mom’s much-needed rest. My Traveler turned out to be the solution.

Events like losing a loved one bring high levels of stress, extreme emotions, and confusion, which cause memories to blur and details to be forgotten. Documenting this time allows you the possibility of one day reliving the precious good moments and may help you work through the difficult ones when you’re ready.

Although I haven’t felt ready to revisit these journals yet, I’m eternally grateful to have them for when I am.

4. Take Time to Process and Reflect Before Sharing, If Necessary

While I journaled a bit directly following my dad’s passing, I hadn’t yet discovered the healing power of writing. As a result, I didn’t really write about it until years later.

Writing years after losing my dad gave me the opportunity to recount tales of trying times through the lens of having healed over the years. While the pain was less raw, the insight I’d gained over the years also made it more purposeful. I felt capable of writing with some authority and hope, having arrived at a point in my life when I’d rediscovered joy and was proud of the progress I’d made.

While many readers will appreciate and relate to the raw reality of recent tragedy, don’t be afraid to wait until you're ready to share your story.

While many readers will appreciate and relate to the raw reality of recent tragedy, don’t be afraid to wait until you're ready to share your story.

5. Remove Distractions

Once I start reflecting upon and reliving my grief, I’m transported to that time and state of mind. I remind myself of the adage that when it comes to grief, “You have to go through it, not around it.” But it’s hard enough to confront painful emotions — distractions and interruptions can make it impossible.

When I know I am returning to that place, I prepare for the journey. I grab a coffee, a box of tissues, and my Traveler, then select a cozy spot away from family and friends where the tears can flow unashamedly.

My husband has learned that if I’m writing and crying, it’s OK to leave me be.

When I know I am returning to that place, I prepare for the journey. I grab a coffee, a box of tissues, and my Traveler, then select a cozy spot away from family and friends where the tears can flow unashamedly.

6. Be Genuine and Vulnerable

Grief is a heavy topic and very personal. Writing about it is intimidating, especially when you intend to share it with others. Many writers are afraid to expose their vulnerability so openly with the world, or believe nobody will understand or care about their deeply personal experience.

Others are afraid their writing will be criticized or even mocked, a fear shared by writers of all genres but potentially devastating when the topic is so personal.

One of my favorite things is reading a piece by another writer that eloquently describes or explains an element of grief I’ve struggled to make sense of. Through writing and reading about grief, I’ve not only found company but a community of people who support and learn from one another in their attempt to heal from and escape their misery together.

Don’t write what you think an audience wants to read. Write what you felt or feel as honestly as possible. While every experience is unique, grief and trauma are incredibly common. Someone will relate and be grateful you could say what they could not.

7. Edit with Care

When you write emotionally, it’s easy to ramble, be repetitive, or stray off-topic since you’re writing with no particular endpoint in mind, simply to explore your feelings. It’s best to wait to edit.

Once you’ve finished writing, step away for a bit and return to edit when your emotions have settled. At that point, it’s much easier to select the most poignant descriptors and incorporate richer vocabulary.

Another vital consideration during editing is not to edit out the raw emotion. Once your emotions have calmed and you’ve overcome the hurt that plagued you before you began, you might feel you were “too dramatic” or “too vulnerable.” Overcome the temptation to dull the sharp edges of what you have written. It’s precisely that authentic pain and vulnerability that will resonate with others.

I prefer to write on my Freewrite to avoid any temptation to edit my train of thought while I am in that emotional space. Once I’ve finished, I switch to Word or Google Docs to edit and form a cohesive and dynamic piece.

8. Look for a Way Out of the Pain

This step is optional. Sometimes, you just want to write to get the dark thoughts out of your head. I’ve done this type of writing often. However, even if you choose not to share your writing, once you’ve described the hurt and sadness, consider contemplating possible ways to transition from hopeless to hopeful.

Perhaps you know that time will dull the ache, or you choose to recall good memories to overshadow the bad, or you’ve decided to seek grief counseling. Whatever you come up with, looking for that actionable next step that offers a glimmer of hope is an effective and healthy way to heal through your writing.

When I began sharing my writing, I couldn’t stand the idea of leaving readers with nothing but sorrow or pity for me. I wanted to show them I had hope that better days would come and that they could, too. What I didn’t expect was how aiming to give hope to my readers would help me find it as well.

While simply writing provides a great deal of relief, consider taking it one step further by exploring possible ways to overcome your grief. Ask yourself what advice you’d give a friend or family member you care about, and try treating yourself with the same compassion.

--

Without writing, grief feels as if I’m haphazardly wandering a maze. Sharing the perspective I’ve gained and my faith that things will improve, my words become my breadcrumb trail. It’s this desire to tamp down a small path for others through the winding labyrinth of grief that’s helped me discover my own peace.

It’s impossible to know when or where an overwhelming sadness will strike — whether I'm out running errands, hiking in the mountains, or enjoying my morning coffee with my dog in the backyard of my childhood home. My Traveler helps me focus, wherever I am, while mapping out the path to recovery without distractions disrupting my processes and causing me to lose my way.

Writing allows me to break through the shroud of heartache quickly, whenever and wherever it presents itself, so I can rejoin the world fully present and a little more healed.

December 30, 2025 3 min read

It’s Freewrite’s favorite time of year. When dictionaries around the world examine language use of the previous year and select a “Word of the Year.”

Of course, there are many different dictionaries in use in the English language, and they all have different ideas about what word was the most influential or saw the most growth in the previous year. They individually review new slang and culturally relevant vocabulary, examine spikes or dips in usage, and pour over internet trend data.

Let’s see what some of the biggest dictionaries decided for 2025. And read to the end for a chance to submit your own Word of the Year — and win a Freewrite gift card.

[SUBMIT YOUR WORD OF THE YEAR]


Merriam-Webster: "slop"

Merriam-Webster chose "slop" as its Word of the Year for 2025 to describe "all that stuff dumped on our screens, captured in just four letters."

The dictionary lists "absurd videos, off-kilter advertising images, cheesy propaganda, fake news that looks pretty real, junky AI-written books, 'workslop' reports that waste coworkers’ time … and lots of talking cats" as examples of slop.

The original sense of the word "slop" from the 1700s was “soft mud” and eventually evolved to mean "food waste" and "rubbish." 2025 linked the term to AI, and the rest is history.

Honorable mentions: conclave, gerrymander, touch grass, performative, tariff, 67.

Dictionary.com: "67"

The team at Dictionary.com likes to pick a word that serves as “a linguistic time capsule, reflecting social trends and global events that defined the year.”

For 2025, they decided that “word” was actually a number. Or two numbers, to be exact.

If you’re an old, like me, and don’t know many school-age children, you may not have heard “67” in use. (Note that this is not “sixty-seven,” but “six, seven.”)

Dictionary.com claims the origin of “67” is a song called “Doot Doot (6 7)” by Skrilla, quickly made infamous by viral TikTok videos, most notably featuring a child who will for the rest of his life be known as the “6-7 Kid.” But according to my nine-year-old cousin, the origins of something so mystical can’t ever truly be known.

(My third grade expert also demonstrated the accompanying signature hand gesture, where you place both hands palms up and alternately move up and down.)

And if you happen to find yourself in a fourth-grade classroom, watch your mouth, because there’s a good chance this term has been banned for the teacher’s sanity.

Annoyed yet? Don’t be. As Dictionary.com points out, 6-7 is a rather delightful example at how fast language can develop as a new generation joins the conversation.

Dictionary.com honorable mentions: agentic, aura farming, broligarchy, clanker, Gen Z stare, kiss cam, overtourism, tariff, tradwife.

Oxford Dictionary: "rage bait"

With input from more than 30,000 users and expert analysis, Oxford Dictionary chose "rage bait" for their word of the year.

Specifically, the dictionary pointed to 2025’s news cycle, online manipulation tactics, and growing awareness of where we spend our time and attention online.

While closely paralleling its etymological cousin "clickbait," rage bait more specifically denotes content that evokes anger, discord, or polarization.

Oxford's experts report that use of the term has tripled in the last 12 months.

Oxford Dictionary's honorable mentions:aura farming, biohack.

Cambridge Dictionary: "parasocial"

The Cambridge Dictionary examined a sustained trend of increased searches to choose "parasocial" as its Word of the Year.

Believe it or not, this term was coined by sociologists in 1956, combining “social” with the Greek-derived prefix para-, which in this case means “similar to or parallel to, but separate from.”

But interest in and use of the term exploded this year, finally moving from a mainly academic context to the mainstream.

Cambridge Dictionary's honorable mentions: slop, delulu, skibidi, tradwife

Freewrite: TBD

This year, the Freewrite Fam is picking our own Word of the Year.

Click below to submit what you think the Word of 2025 should be, and we'll pick one submission to receive a Freewrite gift card.

[SUBMIT HERE] 

--

Sources

December 18, 2025 7 min read

What can Jane Austen's personal letters teach writers of today?

December 10, 2025 6 min read

Singer-songwriter Abner James finds his creativity in the quiet freedom of analog tools. Learn how his creative process transcends different media.

Abner James went to school for film directing. But the success of the band he and his brother formed together, Eighty Ninety, knocked him onto a different trajectory.

The band has accrued more than 40 million streams since the release of their debut EP “Elizabeth," and their work was even co-signed by Taylor Swift when the singer added Eighty Ninety to her playlist "Songs Taylor Loves.”

Now, Abner is returning to long-form writing in addition to songwriting, and with a change in media comes an examination of the creative process. We sat down to chat about what's the same — and what's different. 

ANNIE COSBY: Tell us about your songwriting process.

ABNER JAMES: The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off.

And one of the things that occurred to me when I was traveling, actually, was that I would love to be able to do that but from a writing perspective. What would happen if I sat down and approached writing in the same way that I approached music? In a more intuitive and free-form kind of way? What would that dig up?

AC: That's basically the ethos of Freewrite.

AJ: Yes. We had just put out a record, and I was thinking about how to get into writing for the next one. It occurred to me that regardless of how I started, I always finished on a screen. And I wondered: what's the acoustic guitar version of writing?

Where there's not blue light hitting me in the face. Even if I'm using my Notes app, it's the same thing. It really gets me into a different mindset.

 "I wondered: what's the acoustic guitar version of writing?"

I grew up playing piano. That was my first instrument. And I found an old typewriter at a thrift store, and I love it. It actually reminded me a lot of playing piano, the kind of physical, the feeling of it. And it was really fun, but pretty impractical, especially because I travel a fair amount.

And so I wondered, is there such a thing as a digital typewriter? And I googled it, and I found Freewrite.

AC: What about Freewrite helps you write?

AJ:I think, pragmatically, just the E Ink screen is a huge deal, because it doesn't exhaust me in the same way. And the idea of having a tool specifically set aside for the process is appealing in an aesthetic way but also a mental-emotional way. When it comes out, it's kind of like ... It's like having an office you work out of. It's just for that.

"The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off."

And all of the pragmatic limitations — like you're not getting texts on it, and you're not doing all that stuff on the internet — that's really helpful, too. But just having the mindset....

When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing. I find that to be really cool and inspiring.

"When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing."

AC: So mentally it gets you ready for writing.

AJ: Yeah, and also, when you write a Microsoft Word, it looks so finished that it's hard to keep going. If every time I strummed a chord, I was hearing it back, mixed and mastered and produced...?

It's hard to stay in that space when I'm seeing it fully written out and formatted in, like, Times New Roman, looking all seriously back at me.

AC: I get that. I have terrible instincts to edit stuff over and over again and never finish a story.

AJ:  Also, the way you just open it and it's ready to go. So you don't have the stages of the computer turning on, that kind of puts this pressure, this tension on.

It's working at the edges in all these different ways that on their own could feel a little bit like it's not really necessary. All these amorphous things where you could look at it and be like, well, I don't really need any of those. But they add up to a critical mass that actually is significant.

And sometimes, if I want to bring it on a plane, I've found it's replaced reading for me. Rather than pick up a book or bring a book on the plane, I bring Traveler and just kind of hang out in that space and see if anything comes up.

I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise. I've found that writing from words towards music, I get different kinds of songs than I have in the past, which has been interesting.

In that way, like sitting at a piano, you just write differently than you do on a guitar, or even a bass, because of the things those instruments tend to encourage or that they can do.

It feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me.

"I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise... [Traveler] feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me."

AC: As someone who doesn't know the first thing about writing music, that's fascinating. It's all magic to me.

AJ: Yeah.

AC: What else are you interested in writing?

AJ: I went to school for film directing. That was kind of what I thought I was going to do. And then my brother and I started the band and that kind of happened first and knocked me onto a different track for a little while after college.

Growing up, though, writing was my way into everything. In directing, I wanted to be in control of the thing that I wrote. And in music, it was the same — the songwriting really feels like it came from that same place. And then the idea of writing longer form, like fiction, almost feels just like the next step from song to EP to album to novel.

For whatever reason, that started feeling like a challenge that would be deeply related to the kinds of work that we do in the studio.

AC: Do you have any advice for aspiring songwriters?

AJ: This sounds like a cliche, but it's totally true: whatever success that I've had as a songwriter — judge that for yourself — but whatever success I have had, has been directly proportional to just writing the song that I wanted to hear.

What I mean by that is, even if you're being coldly, cynically, late-stage capitalist about it, it's by far the most success I've had. The good news is that you don't have to choose. And in fact, when you start making those little compromises, or even begin to inch in that direction, it just doesn't work. So you can forget about it.

Just make music you want to hear. And that will be the music that resonates with most people.

I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake. They're not real. None of those people are actually real people. You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one.

And I just don't think that we're that different, in the end. So that would be my advice.

AC: That seems like generally great creative advice. Because fiction writers talk about that too, right? Do you write to market or do you write the book you want to read. Same thing. And that imaginary focus group has been debilitating for me. I have to silence that focus group before I can write.

AJ: Absolutely.

"I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake... You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one."

--

Learn more about Abner James, his brother, and their band, Eighty Ninety, on Instagram.