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Is AI Going to Change the Way We Speak?

Emily Pogue
August 02, 2024 | 6 min read

How often do you use the word “tapestry” in your everyday speech? How about “delve”? Does “testament” regularly show up in your text chains?

Many of us would probably say no, and for good reason. These words didn’t secure a spot on the “500 Most Popular English Words” list. Realistically, they likely didn’t make the Top 1,000 either.

Yet, these terms have recently seen a massive increase within written content. For example, Jeremy Nguyen, PhD, conducted a study in March 2024 where he found that .5% of all articles on the research site PubMed contained the word “delve.” Compare this to 2022, when that figure was less than .1%.

Graph by Jeremy Nguyen, PhD

So what changed in this 15-month span? Why the sudden spike in scholars using the term?

ChatGPT came out in November 2022. And we’re now discovering that ChatGPT favors certain words, including (you guessed it) delve, tapestry, and testament.

This has been a warning siren for language enthusiasts across the globe.

How is it that ChatGPT has chosen these seemingly random words as its favorites? And more importantly, with its rapid ascension, will artificial intelligence (AI) have the power to shape our vernacular in the near future?

It seems the answer is (ironically enough) very human.

AI in Our Everyday Lives

While AI seems to many like a new technology that appeared overnight, it’s been around in subtle ways for years.

The facial recognition that opens your phone? That’s a form of AI.

Netflix recommending you watch Peaky Blinders after finishing Breaking Bad? Another type of AI.

That chatbot that asks for your symptoms before sending a message to your doctor? An example of AI.

However, these weren’t examples of the stereotypical AI many of us imagine now. Those were small systems that helped us finetune an already-working piece of technology (our phone, streaming application, health portal).

It wasn’t until recently that we were presented with a new kind of artificial intelligence that could seemingly think for itself, in the form of generative AI, like OpenAI’s ChatGPT.

But these technologies don’t actually think for themselves. Instead, they analyze an extraordinary amount of information — the equivalent of millions of books — and use that data to spit out answers to our queries.

Yet, the AI doesn’t actually understand what it’s telling us. Kem-Laurin Lubin, Ph.D-C, created a helpful metaphor to explain this concept:

“Imagine you’re abducted by aliens and brought to a planet resembling Earth. You’re assigned the role of a chef for a vital event, using unfamiliar ingredients from an alien garden, plus what appear to be spices from their kitchen. Suppose you’ve never cooked before and now face a dire consequence for any mistake. Consider AI as a chef using data as ingredients.”

The folks over at OpenAI weren’t naive enough to send their untrained chef blindly out into the world. Instead, they use humans to coach their cook-in-training on what meals — AKA lines of copy — sound the most appetizing.

The People Behind AI’s Lexicon

The process of rating the responses that AI has concocted is called Reinforcement Learning from Human Feedback (RLHF). And here is our first clue to why ChatGPT leans on certain terms so heavily.

It’s not cheap to employ an army of testers to rate potentially endless responses from AI. So (as they tend to do) corporations outsource these jobs to lower income countries. In these places, English is often a second language.

It’s typical for non-native speakers to have a more formal way of talking, as slang isn’t typically taught in language courses. (Hence why your high-school Spanish sounds a little off in Spain.)

Certain areas also gravitate toward certain terms. It’s why the same room is called a “washroom” in Canada, “bathroom” in the U.S., and “loo” in Britain.

All these factors weave together as non-native English speakers speak the language more frequently, leading each nation to develop their own version of the “Top 500 Most Popular English Words” list.

All these factors weave together as non-native English speakers speak the language more frequently, leading each nation to develop their own version of the “Top 500 Most Popular English Words” list.

When we start dissecting the English preferences of countries who are typically targeted for cheap labor, we’re led to Nigeria. In Nigerian-English, “delve” is a fairly common word to use in professional language.

Therefore, when Nigerian testers are telling ChatGPT what responses sound genuine to them, they’re favoring the responses with words they typically use — like delve.

And voilà: the mystery of these words’ rise in prominence has a logical answer. And that begs the question:

As we use AI more, and consume AI-written content more frequently, will these AI-favored words will slowly become more pervasive in native English speakers’ lexicons, too?

Ultimately, this brings into question the evolution of language itself.

The Natural Progression of Language: AI or Not

In one way, AI has already affected our vernacular. In the last few years, we’ve added terms like large language model (LLM), generative AI (GenAI), and GPT (the full name being Generative Pre-training Transformer) to our dictionaries.

But this isn’t unique to AI. Each technological boom has brought a wave of new words, along with the death of others. We no longer say we need to “tape” something (in reference to recording a show) because:

A) few people record shows in the age of streaming services

B) no one uses VHS tapes anymore

At the same time, other terms tend to stick around. We no longer have to physically put our phone back on the hook to end a call, yet most of us still say we’re going to “hang up.”

Our lexicon is also affected by current events. “Social distancing” became commonplace to use during the COVID-19 pandemic, despite none of us ever using the term prior to 2020.

Pop culture and social media are also huge players in our lingo. “Rizz” entered our vocab in 2023 after YouTuber and Twitch user Kai Cenat first coined the term. If you’re not hip with the kids, “rizz” refers to one’s charisma or “swagger” level. (Yes, I felt old writing that.)

The point is, we’re constantly adopting new phrases and updating our jargon. And how often we use particular words or phrases is influenced by the people we talk to on a daily basis and also the content that we consume.

As more and more of the media we consume comes from generative AI, could this influence the changing of our lexicon more rapidly than ever before?

It's possible. Even likely.

But a change in language isn’t necessarily a bad thing. That’s just what languages do.

But a change in language isn’t necessarily a bad thing. That’s just what languages do.

However, there is one potential linguistic consequence of AI that hasn’t been addressed yet. For this, we’re going to have to broaden our scope.

AI’s Potential Impact on Smaller Languages

Up until now, we’ve been focusing on AI and the English language. This is because English content dominates the internet, which is the raw data that AI pulls from — meaning ChatGPT works most effectively in English.

But less than 5% of the world speaks English as their first language. As the world becomes more reliant on AI — and that AI favors English — what does that mean for smaller languages?

Icelandic linguist Dr. Linda Heimisdóttir points out that with the rise of AI, there is a real risk of digital death for smaller languages like her own, which only has a few hundred thousand speakers.

One of the reasons comes down to ease of use. Apple’s Siri doesn’t understand Icelandic, so it’s easier to say a command in English. If you try to run a Google search in Icelandic, you get few results. Autocomplete and spell checkers aren’t nearly as intuitive with Heimisdóttir’s native tongue as they are with English.

If you were an Icelandic teenager and wanted to make the most of AI, would you find yourself leaning more into English than your native tongue? This is how the extinction of a language begins.

If you were an Icelandic teenager and wanted to make the most of AI, would you find yourself leaning more into English than your native tongue? This is how the extinction of a language begins.

However, we don’t need to start planning any phonetic funerals quite yet. Heimisdóttir is optimistic that if AI developers realize this could be a consequence of their technology, they can proactively work with ambassadors from small languages to integrate their languages early on. Heimisdóttir has proven this is a possibility in her work partnering with OpenAI.

If they succeed in doing this, Heimisdóttir believes, “The future of linguistic diversity is bright.”

Balancing AI and a Human-Built Vocabulary

If you’re dead set on keeping these AI-preferred words from entering your lexicon, fear not. You can educate yourself on ChatGPT’s common phrases to steel yourself against these terms seeping into your jargon.

You can also use this knowledge to more easily spot AI-written content that comes across your screen.

Yet, this writer thinks a cautious awareness is enough to keep my mind at ease. Because really, languages are always changing, and a little Nigerian-English influence doesn’t sound half bad to me.

Read Freewrite Founder Adam Leeb's statement on AI here.

August 26, 2026 5 min read

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

August 26, 2026 1 min read

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions