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Interview with Martin Shannon, author of "The Last Sunrise"

October 26, 2022 | 6 min read

Today, we're speaking with Martin (Marty) Shannon, author of the new book "The Last Sunrise".  This interview was conducted via email and minimally edited for clarity or brevity. 

 

Hey Marty, it's nice to talk with you again.  For our readers, let's start at the beginning.  When did you realize you wanted to be a writer and how did you get into it?

That’s a great question. I’d say I’ve wanted to do it pretty much my entire life. In my high school years I was the kid telling really terrible (but well-meaning) fantasy stories to his role-playing game group. It really wasn’t until computers became commonplace that I started putting those same stories into word processors. Luckily for me, those stories are long gone, but there’s still a lot of the young man who wrote them living in my head. He likes telling stories and I don’t think I could get him to stop even if I wanted to. 

     

    Tell us about your writing setup.  Where do you write?  

    I’m a firm believer in having a nice desk. Mine came from reclaimed barn wood and looks like something from a Viking’s mead hall. Perhaps Valhalla will call and say they’re missing a table? I like to keep my desk pretty spartan. I have a 3d printed skull on it that carries my headphones and reminds me that life is short, plus a small notebook for offhand ideas, but beyond that (and my Freewrites) I keep a pretty clean setup.

       

      We've talked before so I know the answer to this question, but how often do you write?

      There’s an old quote, I think it was Bradbury who said it, but I’m not sure. I’m probably butchering it here, but it goes something like this:  

      “I only write when I’m inspired. I just make damn sure I’m inspired every day at nine am.”

      That’s pretty much how I live. I’m a huge fan of daily writing. I’m up before dawn every day, sitting at the viking desk and punching out words (1500-3000) before the sun peeks over the horizon. Do I always love it? No. Do I always produce perfect prose? Hardly. But do I always have something when I’m done? Yes. You can’t revise what you don’t have. Having something, even something that isn’t your best work, is always worth more than the promise of future writing, no matter how well-intentioned.

      That’s the process I used to write a million words during the pandemic.

       

      How long on average does it take you to write a book?

      Good question, that sort of depends on what sort of book I’m doing. Some of my books are more serialized fiction, which has a tendency to go on a lot longer than any normal novel. Still, I would say most of my novels (70k words or so) are done within a month. That’s the initial draft and first pass of revisions. I tend to like to stick them in the virtual drawer after that and then come back to them later, maybe the following month, with fresh eyes and fix up whatever is left before sending them off to the proofreader.

         

        You mentioned that you drafted over one million words during the pandemic.  First, congratulations and way to find a silver lining during quarantine. But second, how did you do that?

        It’s not easy to break a million words, but there’s a process to it for sure. Prior to discovering the Freewrite, I was a big proponent of word processors. First, having no distractions is key. Second, the “write forward” architecture is very important to staying on track. See, as an author, we’re also editors at heart. We have these little voices in our head that are always reading the prior few lines, and offering to tweak them. They say such helpful things:

        “Hmm, that’s not very good.”
        “You should delete that before someone sees it.”
        “Gah! You didn’t just write that, did you?”

        These voices function under the guise of assisting you, but they really aren’t. They’re just slowing you down. Sure, they want you to create things you can be proud of, but they don’t understand that you have to be free to create before you can do that. 

        Creation is messy.

        That’s what “writing forward” lets you do, be messy.

        Since the Freewrite doesn't make it easy to go back, you tend to be able to quiet those voices pretty quickly. Simply put, they are just as impatient as you would imagine them to be, and don’t like being forced to backspace to edit.

        You’ll find you can produce a lot of words when all you have is a backspace key.  Yes, it takes a while to train your brain (and your fingers) but with consistent practice, you’ll get there. I have yet to meet a single writer I’ve taken down this process who hasn’t come away with far higher daily word counts.

        And that’s what matters when it comes to making books. You’ve got to have words. 

         

        Haha, well put.  So, tell us about your new book!  What’s the story?

        My latest book, The Last Sunrise, was written during the million word pandemic and is a thrilling, revenge-fueled vampire story. It’s a gritty and violent narrative that takes the reader inside the mind of Mallory Evers, recently turned vampire and unreliable narrator. You’ll find yourself rooting both for and against her throughout this twisty tale. It takes place in the backwoods of Florida, with scrub pines and saw palmetto, a place both unique and very much hostile to creatures of the night. 


        What themes are you exploring in the work?

        Mallory is an unreliable narrator. Her memories aren’t what she thinks they are. My goal in using that structure was to expose the reader to the many shades of gray that represent humanity. I wanted to dig into the troubling veins of hate and anger, however well-intentioned, as well as the self-perpetuating nature of those emotions. In fact, I’ve been exploring these themes with a number of my recent books. That’s sort of what authors tend to do, we see something in the human experience that we don’t quite understand, then we throw ourselves headlong into it, and just like Mallory, sometimes we come out a little bloodied for the effort.

         

        I know you’ve jumped feet-first into the Kindle Vella world.  What do you like about the space and how are you adjusting your writing or process to it?

        Kindle Vella is an interesting animal. Amazon created the serial fiction service a year or so ago and I decided to give it a spin. I write fast and follow a framework, so it was pretty easy to generate lots of content for the platform quickly. It’s not a perfect place, but the barriers to entry are low and it’s fun to be forced to think on your feet and keep the story fresh day after day.

         

        How do you stay connected to the writing community?

        I can’t say I’m great with social media, but I’ve got a wonderful group of people I’ve met through #WritingCommunity on Twitter. It’s a nice little bubble of highly motivated crazies that get up early and put fingers to keys. Well worth checking out if you are getting into all of this. If you do, please drop me a line and say hello! @talesofweirdfl.

         

        Besides your own work, who would you love to shoutout?  

        I can’t drop off without mentioning my friend Devin McCamey. Devin runs a horror short/serial podcast with amazing voice actors and very interesting content. Mortis Maledictum is his baby and I’m immensely pleased to say I got a chance to write an episode for it last year. It was uniquely satisfying to hear actors play out my short story. I give him grief for all this audio stuff, but it’s good-natured and comes from a deep seated place of jealousy. I am nothing but humbled by people who can take written words and turn them into living, breathing dramas. Be sure to check it out wherever you get your podcasts.

         

        Thank you, Marty.  Always a pleasure to talk with you.

        Certainly! Thank you for reaching out and for taking the time to speak with me. I love where you guys are headed and cannot wait to see what comes next.

         

        More about Martin Shannon (martin-shannon.com)

        Martin (“Marty”) Shannon is a multi-million word author of thrilling horror and speculative fiction. He makes his home with his loving family in the creepy part of our nation’s weirdest state, where he remains a lover of all things dark and spooky. 

        Marty does his best writing in the pre-dawn hours, when it’s just him and Jack, his golden retriever whose intestinal clock plays an important role in *why* Marty’s up before the sun.

        Marty loves to write fast-paced fiction, stories that make you want to stay up far too late to find out the answer to that most compelling of questions: 

        “And *then* what happened?”

        You can find Marty on Twitter @talesofweirdfl as well as hanging out on his back porch, banjo in one hand and word processor in the other.

         

        The Last Sunrise, available on Amazon now.  

        The Last Sunrise Book Cover

         

         

        December 10, 2025 6 min read

        Singer-songwriter Abner James finds his creativity in the quiet freedom of analog tools. Learn how his creative process transcends different media.

        Abner James went to school for film directing. But the success of the band he and his brother formed together, Eighty Ninety, knocked him onto a different trajectory.

        The band has accrued more than 40 million streams since the release of their debut EP “Elizabeth," and their work was even co-signed by Taylor Swift when the singer added Eighty Ninety to her playlist "Songs Taylor Loves.”

        Now, Abner is returning to long-form writing in addition to songwriting, and with a change in media comes an examination of the creative process. We sat down to chat about what's the same — and what's different. 

        ANNIE COSBY: Tell us about your songwriting process.

        ABNER JAMES: The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off.

        And one of the things that occurred to me when I was traveling, actually, was that I would love to be able to do that but from a writing perspective. What would happen if I sat down and approached writing in the same way that I approached music? In a more intuitive and free-form kind of way? What would that dig up?

        AC: That's basically the ethos of Freewrite.

        AJ: Yes. We had just put out a record, and I was thinking about how to get into writing for the next one. It occurred to me that regardless of how I started, I always finished on a screen. And I wondered: what's the acoustic guitar version of writing?

        Where there's not blue light hitting me in the face. Even if I'm using my Notes app, it's the same thing. It really gets me into a different mindset.

         "I wondered: what's the acoustic guitar version of writing?"

        I grew up playing piano. That was my first instrument. And I found an old typewriter at a thrift store, and I love it. It actually reminded me a lot of playing piano, the kind of physical, the feeling of it. And it was really fun, but pretty impractical, especially because I travel a fair amount.

        And so I wondered, is there such a thing as a digital typewriter? And I googled it, and I found Freewrite.

        AC: What about Freewrite helps you write?

        AJ:I think, pragmatically, just the E Ink screen is a huge deal, because it doesn't exhaust me in the same way. And the idea of having a tool specifically set aside for the process is appealing in an aesthetic way but also a mental-emotional way. When it comes out, it's kind of like ... It's like having an office you work out of. It's just for that.

        "The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off."

        And all of the pragmatic limitations — like you're not getting texts on it, and you're not doing all that stuff on the internet — that's really helpful, too. But just having the mindset....

        When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing. I find that to be really cool and inspiring.

        "When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing."

        AC: So mentally it gets you ready for writing.

        AJ: Yeah, and also, when you write a Microsoft Word, it looks so finished that it's hard to keep going. If every time I strummed a chord, I was hearing it back, mixed and mastered and produced...?

        It's hard to stay in that space when I'm seeing it fully written out and formatted in, like, Times New Roman, looking all seriously back at me.

        AC: I get that. I have terrible instincts to edit stuff over and over again and never finish a story.

        AJ:  Also, the way you just open it and it's ready to go. So you don't have the stages of the computer turning on, that kind of puts this pressure, this tension on.

        It's working at the edges in all these different ways that on their own could feel a little bit like it's not really necessary. All these amorphous things where you could look at it and be like, well, I don't really need any of those. But they add up to a critical mass that actually is significant.

        And sometimes, if I want to bring it on a plane, I've found it's replaced reading for me. Rather than pick up a book or bring a book on the plane, I bring Traveler and just kind of hang out in that space and see if anything comes up.

        I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise. I've found that writing from words towards music, I get different kinds of songs than I have in the past, which has been interesting.

        In that way, like sitting at a piano, you just write differently than you do on a guitar, or even a bass, because of the things those instruments tend to encourage or that they can do.

        It feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me.

        "I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise... [Traveler] feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me."

        AC: As someone who doesn't know the first thing about writing music, that's fascinating. It's all magic to me.

        AJ: Yeah.

        AC: What else are you interested in writing?

        AJ: I went to school for film directing. That was kind of what I thought I was going to do. And then my brother and I started the band and that kind of happened first and knocked me onto a different track for a little while after college.

        Growing up, though, writing was my way into everything. In directing, I wanted to be in control of the thing that I wrote. And in music, it was the same — the songwriting really feels like it came from that same place. And then the idea of writing longer form, like fiction, almost feels just like the next step from song to EP to album to novel.

        For whatever reason, that started feeling like a challenge that would be deeply related to the kinds of work that we do in the studio.

        AC: Do you have any advice for aspiring songwriters?

        AJ: This sounds like a cliche, but it's totally true: whatever success that I've had as a songwriter — judge that for yourself — but whatever success I have had, has been directly proportional to just writing the song that I wanted to hear.

        What I mean by that is, even if you're being coldly, cynically, late-stage capitalist about it, it's by far the most success I've had. The good news is that you don't have to choose. And in fact, when you start making those little compromises, or even begin to inch in that direction, it just doesn't work. So you can forget about it.

        Just make music you want to hear. And that will be the music that resonates with most people.

        I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake. They're not real. None of those people are actually real people. You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one.

        And I just don't think that we're that different, in the end. So that would be my advice.

        AC: That seems like generally great creative advice. Because fiction writers talk about that too, right? Do you write to market or do you write the book you want to read. Same thing. And that imaginary focus group has been debilitating for me. I have to silence that focus group before I can write.

        AJ: Absolutely.

        "I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake... You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one."

        --

        Learn more about Abner James, his brother, and their band, Eighty Ninety, on Instagram.

        November 29, 2025 4 min read

        The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

        These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

        1. Auction Overview

        1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

        1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

        2. Eligibility

        2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

        2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

        2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

        3. Auction Registration

        3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

        3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

        4. Bidding Rules

        4.1. All bids are binding, final, and non-retractable.

        4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

        4.3. Freewrite reserves the right to:

        • set minimum bids or bid increments;
        • reject bids deemed in bad faith or intended to disrupt the Auction;
        • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

        5. Winning Bids and Payment

        5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

        5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

        5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

        5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

        6. Item Description and Condition

        6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

        6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

        6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

        7. Shipping & Delivery

        7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

        7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

        7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

        7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

        8. Charity Donation

        8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

        8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

        8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

        9. Intellectual Property

        9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

        9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

        10. Privacy

        10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

        10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

        11. Prohibited Conduct

        Participants may not:

        • engage in bid manipulation, fraud, or collusive bidding;
        • use automated systems (bots, scripts, scrapers) to place or monitor bids;
        • interfere with the Auction, platform, or other participants

        Freewrite may ban or disqualify any Participant violating these rules.

        12. Limitation of Liability

        To the fullest extent permitted by law:

        12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

        12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

        12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

        13. Cancellation and Force Majeure

        Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

        14. Governing Law & Dispute Resolution

        14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

        14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

        14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

        15. Amendments

        Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

        16. Contact Information

        For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

        November 25, 2025 1 min read

        This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

        How to Play

          1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
          2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
          3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
          4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
          5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

        The Prompts

        • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
        • The silliest thing I'm grateful for is...
        • The littlest thing I'm grateful for is...
        • The biggest thing I'm grateful for is...
        • The grossest thing I'm grateful for is...
        • One thing I love about myself is...
        • My favorite thing that happened this year was...
        • My hope for next year is...

        This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

        Write on.