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Interview with Martin Shannon, author of "The Last Sunrise"

October 26, 2022 | 6 min read

Today, we're speaking with Martin (Marty) Shannon, author of the new book "The Last Sunrise".  This interview was conducted via email and minimally edited for clarity or brevity. 

 

Hey Marty, it's nice to talk with you again.  For our readers, let's start at the beginning.  When did you realize you wanted to be a writer and how did you get into it?

That’s a great question. I’d say I’ve wanted to do it pretty much my entire life. In my high school years I was the kid telling really terrible (but well-meaning) fantasy stories to his role-playing game group. It really wasn’t until computers became commonplace that I started putting those same stories into word processors. Luckily for me, those stories are long gone, but there’s still a lot of the young man who wrote them living in my head. He likes telling stories and I don’t think I could get him to stop even if I wanted to. 

     

    Tell us about your writing setup.  Where do you write?  

    I’m a firm believer in having a nice desk. Mine came from reclaimed barn wood and looks like something from a Viking’s mead hall. Perhaps Valhalla will call and say they’re missing a table? I like to keep my desk pretty spartan. I have a 3d printed skull on it that carries my headphones and reminds me that life is short, plus a small notebook for offhand ideas, but beyond that (and my Freewrites) I keep a pretty clean setup.

       

      We've talked before so I know the answer to this question, but how often do you write?

      There’s an old quote, I think it was Bradbury who said it, but I’m not sure. I’m probably butchering it here, but it goes something like this:  

      “I only write when I’m inspired. I just make damn sure I’m inspired every day at nine am.”

      That’s pretty much how I live. I’m a huge fan of daily writing. I’m up before dawn every day, sitting at the viking desk and punching out words (1500-3000) before the sun peeks over the horizon. Do I always love it? No. Do I always produce perfect prose? Hardly. But do I always have something when I’m done? Yes. You can’t revise what you don’t have. Having something, even something that isn’t your best work, is always worth more than the promise of future writing, no matter how well-intentioned.

      That’s the process I used to write a million words during the pandemic.

       

      How long on average does it take you to write a book?

      Good question, that sort of depends on what sort of book I’m doing. Some of my books are more serialized fiction, which has a tendency to go on a lot longer than any normal novel. Still, I would say most of my novels (70k words or so) are done within a month. That’s the initial draft and first pass of revisions. I tend to like to stick them in the virtual drawer after that and then come back to them later, maybe the following month, with fresh eyes and fix up whatever is left before sending them off to the proofreader.

         

        You mentioned that you drafted over one million words during the pandemic.  First, congratulations and way to find a silver lining during quarantine. But second, how did you do that?

        It’s not easy to break a million words, but there’s a process to it for sure. Prior to discovering the Freewrite, I was a big proponent of word processors. First, having no distractions is key. Second, the “write forward” architecture is very important to staying on track. See, as an author, we’re also editors at heart. We have these little voices in our head that are always reading the prior few lines, and offering to tweak them. They say such helpful things:

        “Hmm, that’s not very good.”
        “You should delete that before someone sees it.”
        “Gah! You didn’t just write that, did you?”

        These voices function under the guise of assisting you, but they really aren’t. They’re just slowing you down. Sure, they want you to create things you can be proud of, but they don’t understand that you have to be free to create before you can do that. 

        Creation is messy.

        That’s what “writing forward” lets you do, be messy.

        Since the Freewrite doesn't make it easy to go back, you tend to be able to quiet those voices pretty quickly. Simply put, they are just as impatient as you would imagine them to be, and don’t like being forced to backspace to edit.

        You’ll find you can produce a lot of words when all you have is a backspace key.  Yes, it takes a while to train your brain (and your fingers) but with consistent practice, you’ll get there. I have yet to meet a single writer I’ve taken down this process who hasn’t come away with far higher daily word counts.

        And that’s what matters when it comes to making books. You’ve got to have words. 

         

        Haha, well put.  So, tell us about your new book!  What’s the story?

        My latest book, The Last Sunrise, was written during the million word pandemic and is a thrilling, revenge-fueled vampire story. It’s a gritty and violent narrative that takes the reader inside the mind of Mallory Evers, recently turned vampire and unreliable narrator. You’ll find yourself rooting both for and against her throughout this twisty tale. It takes place in the backwoods of Florida, with scrub pines and saw palmetto, a place both unique and very much hostile to creatures of the night. 


        What themes are you exploring in the work?

        Mallory is an unreliable narrator. Her memories aren’t what she thinks they are. My goal in using that structure was to expose the reader to the many shades of gray that represent humanity. I wanted to dig into the troubling veins of hate and anger, however well-intentioned, as well as the self-perpetuating nature of those emotions. In fact, I’ve been exploring these themes with a number of my recent books. That’s sort of what authors tend to do, we see something in the human experience that we don’t quite understand, then we throw ourselves headlong into it, and just like Mallory, sometimes we come out a little bloodied for the effort.

         

        I know you’ve jumped feet-first into the Kindle Vella world.  What do you like about the space and how are you adjusting your writing or process to it?

        Kindle Vella is an interesting animal. Amazon created the serial fiction service a year or so ago and I decided to give it a spin. I write fast and follow a framework, so it was pretty easy to generate lots of content for the platform quickly. It’s not a perfect place, but the barriers to entry are low and it’s fun to be forced to think on your feet and keep the story fresh day after day.

         

        How do you stay connected to the writing community?

        I can’t say I’m great with social media, but I’ve got a wonderful group of people I’ve met through #WritingCommunity on Twitter. It’s a nice little bubble of highly motivated crazies that get up early and put fingers to keys. Well worth checking out if you are getting into all of this. If you do, please drop me a line and say hello! @talesofweirdfl.

         

        Besides your own work, who would you love to shoutout?  

        I can’t drop off without mentioning my friend Devin McCamey. Devin runs a horror short/serial podcast with amazing voice actors and very interesting content. Mortis Maledictum is his baby and I’m immensely pleased to say I got a chance to write an episode for it last year. It was uniquely satisfying to hear actors play out my short story. I give him grief for all this audio stuff, but it’s good-natured and comes from a deep seated place of jealousy. I am nothing but humbled by people who can take written words and turn them into living, breathing dramas. Be sure to check it out wherever you get your podcasts.

         

        Thank you, Marty.  Always a pleasure to talk with you.

        Certainly! Thank you for reaching out and for taking the time to speak with me. I love where you guys are headed and cannot wait to see what comes next.

         

        More about Martin Shannon (martin-shannon.com)

        Martin (“Marty”) Shannon is a multi-million word author of thrilling horror and speculative fiction. He makes his home with his loving family in the creepy part of our nation’s weirdest state, where he remains a lover of all things dark and spooky. 

        Marty does his best writing in the pre-dawn hours, when it’s just him and Jack, his golden retriever whose intestinal clock plays an important role in *why* Marty’s up before the sun.

        Marty loves to write fast-paced fiction, stories that make you want to stay up far too late to find out the answer to that most compelling of questions: 

        “And *then* what happened?”

        You can find Marty on Twitter @talesofweirdfl as well as hanging out on his back porch, banjo in one hand and word processor in the other.

         

        The Last Sunrise, available on Amazon now.  

        The Last Sunrise Book Cover

         

         

        August 26, 2026 5 min read

        Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

        We sat down with Mike to find out how ... and why.

        Mike Somerby identifies as a writer — with some reservation.

        "I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

        We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

        What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

        Luckily, he was happy to tell us.

        AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

        MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

        While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

        So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

        Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

        Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

        We live in a world sorely hurting for analog (human) creativity and high-quality longform.

        AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

        MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

        By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

        Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


        AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

        MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

        This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

        AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

        MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

        I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

        I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

        AC: That's awesome. So tell us about ANEMONE. What is it?

        MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

        AC: Print-only!

        MS: Print is only dying because we let it.

        AC: Is there a story about the name?

        MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

        To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

        Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

        AC: Why do you think this sort of analog creativity is important?

        MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

        Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

        For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

        I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

        For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

        AC: Who is invited to submit to ANEMONE?

        MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

        All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

        August 26, 2026 1 min read

        Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

        1) Writers' Hour Magazine Prompts

        The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

        Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

        The winner of the contest will win something Freewrite-shaped. 👀

        2) NYC Midnight Challenges

        This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

        Learn more and register here.

        Note: NYC Midnight writing contests generally have a fee to enter.

        3) Henshaw Press Short Story Competition

        This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

        Learn more here.

        July 30, 2026 2 min read

        PRESENTED IN COLLABORATION WITH

        Calling all micro-fiction storytellers! 🏁

        For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

        Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

        You do not need to own a Freewrite to participate.

        [REGISTRATION CLOSED]

         

        How It Works

        🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

        📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

        📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

        ✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

        🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

        All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

        The Prize Pack

        One winner will receive:

        • Publication on the Freewrite blog and Flash Fiction Institute blog
        • 1 Freewrite Traveler
        • 1 hour-long one-on-one coaching session with Grant Faulkner
        • 1 free Flash Gym session with the Flash Fiction Institute
        • 1 Words Are Hard prompt deck
        • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
        • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

        Second and third place writers will each receive:

        • Publication on the Freewrite blog and Flash Fiction Institute blog
        • 1 Freewrite Alpha
        • 1 free Flash Gym session with the Flash Fiction Institute
        • Words Are Hard prompt deck
        • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
        • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

        The Schedule

        • Thursday, Aug 13: Lesson & prompt announcement
        • Monday, Aug 17: Submissions deadline
        • Monday, Aug 31: Finalists announced
        • Monday, September 7: Grand prize winner announced

        Questions? You can reach us at hello@getfreewrite.com.

        Write on.

        The Freewrite 500 Pit Crew 🏁 

        Full contest terms and conditions