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How the Internet Gave Dark Fantasy & Indie Authors a Home

Annie Cosby
November 20, 2024 | 8 min read

Dark fantasy and other formerly taboo genres have found a home on the internet in the digital age, thanks largely to social media and self-publishing.

We sat down with author Mariel Pomeroy, also known as @Book_Daddy_ on Instagram, and asked her the tough questions…

Like the trials tribulations of being an author with a social media-centric platform. And how on earth you handle the daily negativity of the internet?

ANNIE COSBY: Before we jump into things, can you share what you write?

MARIEL POMEROY: Sure! Right now, I write high-fantasy, dark romance, with a huge focus on mental health. My goal when I started writing these books was to tell people things that I needed to hear when I was younger but dress it up and make it digestible and comfortable.

I know that sounds kind of like an oxymoron when you hear “dark romance, but life is full of incredibly dark themes that are really hard and difficult. I wanted to do that justice.

AC: Romantasy is the word on everybody's lips right now, but dark fantasy romance is a bit different. Can you talk about like, what defines that dark piece of it?

MP: There are various answers to that. For me, it's addressing real dark themes that exist in our world now, but once again, dressing them up as something else.

I think we just delve deeper into hard realities and do it in a fantasy setting. But most of the authors I work with, they're talking about real things.

There might be shadows and vampires and things like that, but at the core, the themes are very real.

There might be shadows and vampires and things like that, but at the core, the themes are very real.

And I think the dark parts come from those real things.

AC: There’s long been a stigma against romance readers and writers, especially dark or erotic stuff. Do you think that’s changing?

MP: There's definitely a stigma. It’s slowly being dismantled, but it takes a while.

Honestly, I think the biggest thing that changed was social media. People are a lot more outspoken, and they can be because they have a platform, where they didn't before.

It goes kind of hand in hand with why there's so many people able to actually put out books now, because they're self-publishing and you can actually market yourself. Before, you were very much tied to publishing houses, and everyone was vying for, like, four spots with the big publishing houses. Of course, they were very selective, and they still are, but I think they're slowly kind of coming around to different genres and voices.

AC: And you're writing stuff that, for a long time, traditional publishing houses wouldn't even consider publishing. Not the mainstream ones, anyway.

MP: Yes. And that's changing. I am seeing that, which tells me they're really paying attention to what the public wants. But I do believe that's come out of self-publishing. That’s come out of social media.

It's come out of people finally being able to actually make themselves heard.

Social media has its negatives, and I have my own struggles with it, but I do think because of it there’s also a lot more material out there that we didn't have before. I think it’s been a big reason for how publishing has progressed so far.

Social media has its negatives, and I have my own struggles with it, but I do think because of it there’s also a lot more material out there that we didn't have before. I think it’s been a big reason for how publishing has progressed so far.

AC: How did you decide how to publish your first book?

MP: I had this moment when I was getting to the point with the book where I was like, “OK, eventually I need to figure out what to do with it.” Because after you actually write the thing, you have this product… What are you going to do with it?!

That can be very scary because so much time, so much effort, so much heart and soul goes into it. But that's just the first 25% of your actual journey!

So I was doing research into publishing and obviously traditional publishing sounded really exciting, but I knew that with how my brain works, I would need a little bit more instant gratification. I knew I would struggle to do the querying process.

At that time in my life, I needed something that would move along a little bit faster. Whether that meant it was going to fail or not, I needed to keep moving. That's when I started looking into self-publishing.

And of course, I quickly realized if I just put it out there, I’d be screaming into the void. I was going to need an audience for it.

And of course, I quickly realized if I just put it out there, I’d be screaming into the void. I was going to need an audience for it.

I was probably a year out from even publishing the thing, but I knew I needed to start.

AC: So what did you do?

MP: For the next year or so, I dove into social media. I was posting, like, six Instagram Reels a day and posting Stories 15, 20 times a day. I was doing lives, Q&A's, reactive content so that, you know, the algorithm would do its thing and people would find my account.

I was collaborating with other Bookstagrammers and different authors. That slowly shifted my page from what had only been me talking about reading and Jennifer L. Armentrout and Sarah J. Maas to slowly transitioning it into being writing content and about my own journey writing a book.

And I honestly think, especially for that first book, that social media journey kept me going, because someone was holding me accountable at all times.

I told the world I was going to do it, and then I had to do it because there were people watching.

AC: Did it work? Do people follow you from that kind of third-party content to your own book?

MP: Yeah. Of course there's always casualties, but as a whole, a lot of them stayed. I'm not good at a lot of things, but I think what I was good at was just being honest about who I was. My content was me. It wasn't a persona. It wasn't a bit or something. It was very much me.

Which is terrifying, right? Because it's vulnerable and people oftentimes feel the liberty to take that and attack it and do whatever they want with it. But I was just putting myself out there.

As a result, I think a lot of people felt very comfortable in the space and felt like they could talk to me because it is just me. Like I'm not a big deal. I'm just writing a book.

I'm trying to do this thing like anyone else. And I love having you guys here with me. And I think that's the biggest thing when it comes to social media: if you can build a following that truly enjoys you as a person, I think you're golden.

My content was me. It wasn't a persona. It wasn't a bit or something. It was very much me. Which is terrifying, right? Because it's vulnerable and people oftentimes feel the liberty to take that and attack it... But I was just putting myself out there.

AC: You just said, “I was just putting myself out there” ... which is like the hardest thing in the world to do! Especially when it's a topic that, like we said, still has a stigma attached!

How did you get the courage to do that? I mean, did you ever second guess it? Or are you like, this is just me.

MP: Oh, I second-guess it all the time. *laughs*

I think it helps that there were so many people who walked so I could run. The people, for instance, who I had followed when I was just starting to write. I saw what people were doing out there, and I saw how brave they were and how sure they were of their words.

I might be OK at writing, but when it comes to actual dialogue, I struggle. I can't figure out how to say something right, or I'll ramble into the abyss. So speaking out loud has always been hugely courageous to me and seeing other people do it was inspiring. Even if they don't know that they did that!

I also think it helps that a lot of the things that might sound controversial to others that are being talked about within the community aren't really controversial to me.

Like being open about sexuality, being inclusive of sexuality and gender, things like that. That's not controversial to me. So it's not hard for me to say it.

There may be people in my comments who disagree, but I'm very sure of my beliefs. So I'm not really second-guessing things like that.

I think a lot of people felt very comfortable in the space and felt like they could talk to me because it is just me. Like I'm not a big deal. I'm just writing a book.

AC: How do you handle those people in your comments?

MP: I don't get a whole lot because at the beginning, I was very clear. And I always tell my friends who struggle a little more with it that you have to set boundaries.

The internet is full of people who want to disagree with you, who want to dislike you, who want to tear you down. Even though they don't know you! It's just a part of it. It's like their day job, you know?

So it’s OK for you to have just a zero-tolerance policy in this situation.

For me, if it's comments, I usually just leave them if it's something that's not harmful to other people. Because sometimes those negative comments illustrate the point I was making. So I'll leave those and let those people fend for themselves. Because others will see what you said and let you know it’s ridiculous.

It's just negativity. And often out of pocket stuff, like “I hate your new hair.” It's usually really dumb stuff.

But if it is harmful to the community itself, I just hide the comment. I don't like to engage because there's no point.

It bothers me a lot less now than when I was just starting out because I realized really quickly that those people must be really unhappy to be able to leave such comments. I think a lot of it is projecting and a lot of it is discomfort about themselves.

And I'm just not going to have a part in that.

I got a comment like a month and a half ago that was kind of gross. And I made a Reel about it, with the name blurred out, and I said, “OK, if you guys ever deal with this, please don't believe it. Cause it's so dumb.” So you can also use that negativity as a lesson sometimes.

It bothers me a lot less now than when I was just starting out because I realized really quickly that those people must be really unhappy to be able to leave such comments. I think a lot of it is projecting and a lot of it is discomfort about themselves.

AC: That's really insightful. What's next for you, if you can share. What are you working on?

MP: I'm working on a few things. I'm working on the next book in my current series, and then I also dipped my toe into the contemporary world.

I'm still in the beginning phases of this third book. It feels really daunting, but I'm excited to really get into that.

And then I've gotten to like the 75% mark on the contemporary, and I hit this wall. Sometimes when I hit a wall like that, it means something's wrong at the front end of it. She's kind of like an ongoing project that I just always come back to when I need a moment to do something else.

But hopefully in the next few years both of those will be published. In the meantime, I just plan on bopping around social media. And it's been so much fun being in this community! Just existing in it is super fun.

November 29, 2025 4 min read

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

November 25, 2025 1 min read

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.