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The Horror Genre vs. The Human Experience

October 25, 2023 | 7 min read

Horror books often address some of humanity's greatest fears: danger and, ultimately, death. So why do we willingly put ourselves into stories that so thoroughly explore the topic? And so often in unsettling ways?

To find an answer, we spoke with Jake Martin, a member of the Freewrite Fam who spent the last year completing a very unique challenge: writing the unofficial novelization of Halloween 5: The Revenge of Michael Myers.

Jake has always gravitated toward horror (though he doesn't want to pigeonhole himself as a writer) and had some interesting thoughts about the human experience and its intersection with horror. Check out the interview!

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First off, where are you located and is Jake Martin your real name?

I reside, write, and enjoy life in Sioux Falls, South Dakota. It's often overlooked as a flyover region, but when autumn arrives, it provides me with all the inspiration I could ever want as a horror writer. The season changes beautifully. We’re just now getting into fall after a rather brutally hot summer — I only wish fall lasted longer before heading into our frigid winters. You’ve never experienced wind until you’ve experienced a February Sioux Falls blizzard at 6 a.m. while you’re on your way to work. I promise.

In publishing, I go by the pen name Jake Martin instead of my actual name because the pronunciation of my real last name has always been up for debate. Interestingly, this decision did lead to some confusion when I published the novelization for Halloween 5 because there's another author named Jack Martin who wrote the novelizations for Halloween II and Halloween III: Season of the Witch. It certainly made fans do a double-take!

What does your writing life look like?

My writing repertoire spans from essays covering a wide range of topics, from movies to politics, to personal journal entries. Freewrite has been a true savior for my mental well-being. The act of emptying my thoughts onto the page has proven to be the best thing I've ever done for myself. Maintaining a consistent writing practice has become the most therapeutic habit in my life. And I also, of course, write fiction.

When it comes to writing fiction, I must be in the right frame of mind to begin. My writing process tends to oscillate between periods of inactivity and days when I produce over a thousand words. When I enter that elusive state of flow, it becomes a challenge to break away. Just ask my partner — sometimes, he has to pry me away from my work when I'm on a writing binge!

A personal question: to outline or not to outline?

I often find myself grappling with the concept of outlining, and I usually just dive in at Chapter One and let the story unfold as I go. I reserve the editing and additional content for later, once the narrative starts taking shape in my mind as I write.

A true Freewriter!

Yes, in the first month that I had Traveler, it rarely left my side. I took it everywhere with me. As I established a more structured writing routine, it found a special place on my bedside table. We transformed a part of our house into a dedicated writing space, and there, I connected an external keyboard to the Traveler, effectively turning it into a desktop writing unit. However, I always knew that when I set up my writing office, I wanted a dedicated desktop device. I had no intention of using my PC for long-form writing (that was strictly reserved for editing), and I had been eyeing the Smart Typewriter.

The decision between the standard Smart Typewriter and the Hemingwrite presented a dilemma, but the Hemingwrite's aesthetics were irresistible! After some contemplation, I made the decision to go for the Hemingwrite (thanks for the pay-over-time option, by the way!). It arrived at my doorstep just two days later, and I was over the moon. I find it nearly impossible to resist the urge to start typing every time I glance at it.

What genre(s) of fiction do you write?

My first piece of serious writing, Halloween 5, was more of a personal challenge, a test to see if I could actually complete a project. It took me a year to finish the book (my father was a huge help in the editing department), and by the time it was done, I was exhausted (as much as I love it) from all the slashy, stabby content.

I felt the need to explore something different, so I started delving into more supernatural fiction with a series of short stories. However, even in my drama and romance-focused stories, there's often a subtle undercurrent of horror. I just can't seem to let go of horror completely!

Who are some of your literary influences?

Stephen King reigns supreme at the top of my list (as I'm sure he does on many others). I love his knack for character development, a skill I took to heart. Halloween 5 as a film didn't invest much time in character development, and I aimed to rectify that shortcoming in my novelization. I believe that my exposure to King's work significantly aided me in that department.

One of my major writing priorities is to incorporate elements that make the audience squirm, and authors of the more gnarly, extreme horror, like Duncan Ralston ("Woom"), Aron Beauregard ("The Slob"), Edward Lee ("The Bighead"), and Eric LaRocca ("Things Have Gotten a Lot Worse Since We Last Spoke") come to mind. Their works have left a lasting impact on me.

No, seriously, there are images that will NEVER leave my head.

You're a musician, as well. How does music affect your creative process?

I can't write without it. In the realm of music, John 5 (known for his work with Rob Zombie and Motley Crue) is undoubtedly my biggest influence. Witnessing his career evolve over the past two decades has been a true pleasure. If you haven't already, do check out his solo instrumental albums like "Vertigo," "The Devil Knows My Name," and "Careful With That Axe" — they're absolutely mind-blowing!

However, when I'm in writing mode, I turn to film scores for inspiration. Find my suggested horror playlist below to see what keeps me motivated and in the creative zone.

Why do you think people are drawn to scary stories?

I should only really speak for myself in this regard, but I believe my reasons are shared by many. We are drawn to the themes that horror presents us because they resonate with deep-seated aspects of our human experience.

Personally, I grapple with a rather intense fear of death, to the extent that I occasionally experience panic attacks when I dwell on the subject, but sometimes, the thoughts just come. It's terrifying. This fear has been a lifelong challenge for me, particularly as an atheist, where my belief is that death leads to eternal nothingness. It's a concept that can really mess with one's day-to-day.

So, why do I immerse myself in horror? Why confront the very thing I fear the most? While I appreciate the gore and intensity often found in horror fiction, what truly resonates with me is when the heroes persevere and live to fight another day. When I witness characters like Laurie Strode and Nancy Thompson standing up to the likes of Michael Myers and Freddy Krueger, I feel a sense of empowerment. When I see the Loser's Club facing off against Pennywise, fully aware that they could be literally eaten to death, or worse, trapped in "It"'s Deadlights, I'm deeply inspired. It instills in me a real desire to resist the inevitability of death at every turn, or at the very least, to embrace life with all its vigor.

We only have this one life, and I believe we should shout, fight, kick, and scream our way through it until the end. Death will ultimately claim us, there is no doubt about that, but I'm convinced that we don't have to make it easy for death to do so. I believe we need to kick death's ass as much as humanly possible until the inevitable.

Where can people read your work?

Currently, my unofficial novelization for Halloween 5: The Revenge of Michael Myers can be read for free on my website. I'm eagerly looking forward to releasing more of my work in the future! 

What are you working on next?

I feel the need to move beyond the world of Michael Myers and carve out my own creative path. I'm currently immersed in developing a new set of stories for a short story collection entitled "Empty Stomach."

Short stories can be tricky, but I think I've got a handful of good ones so far. Among them, you can expect to encounter a haunting tale set within the walls of a mysterious casino, an exploration of an obsession that transcends the boundaries of the living, and a poignant story of a departed lover offering solace to the bereaved partner they left behind. This has been quite a journey, and my goal is to have it ready for release by July 2024.

Jake's Horror Playlist

  1. John Carpenter and Alan Howarth's Halloween score
  2. The Firestarter soundtrack album by Tangerine Dream
  3. The Fog score by John Carpenter and Alan Howarth
  4. Goblin's mesmerizing score for Suspiria
  5. Disasterpeace's score for It Follows
  6. Escape from New York score by (you guessed it) John Carpenter and Alan Howarth
  7. Kyle Dixon and Michael Stein's work on Stranger Things

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When not writing, Jake Martin is an avid guitar player and film collector. He is also a full-time assistant teacher for a non-profit organization. He lives in Sioux Falls, South Dakota, with his partner, Jimmy; a dog named Donut; two cats, Kitsu and Mochi; and two guinea pigs named Picasso and Pumpkin. He's an animal lover, but that's quite enough of them for now, don't you think?

Follow him on Instagram @jakemartintele or Twitter @jakemartinwrite, or visit his website

November 29, 2025 4 min read

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

November 25, 2025 1 min read

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.