overlaylink

From Scrolls to Scrolling: Are Libraries Obsolete?

April 05, 2024 | 5 min read

Many people view libraries as timeless monuments to the pursuit of knowledge. Others think they're outdated relics of the past.

In a rapidly evolving world dominated by digital technology, the role of libraries comes under scrutiny more and more often. With information at our fingertips through the internet, what do physical libraries have to offer?

Join us as we delve into the role of libraries through history alongside Phoenix Grimm, a writer and library technician based in Delaware.

 

From Gutenberg to Google

One of the earliest known libraries was located in the ancient city of Nineveh in Mesopotamia (in modern-day Iraq), where King Ashurbanipal assembled a vast collection of clay tablets. In ancient Egypt, the famous Library of Alexandria was renowned as the intellectual capital of the ancient world, housing an unparalleled collection of scrolls and attracting scholars from far and wide.

During the Middle Ages, monastic libraries played a pivotal role in preserving knowledge in Europe, thanks to the monks who diligently copied and preserved manuscripts. The Renaissance witnessed a revival of interest in classical learning and the proliferation of private libraries among European elite. Of course, the rise of the printing press in the 15th century revolutionized the dissemination of knowledge, making books more accessible to a wider audience.

Benjamin Franklin founded the Library Company of Philadelphia in 1731, establishing the first successful subscription library in the American colonies, and the following centuries saw a rapid expansion of libraries across the globe, fueled by advancements in literacy, technology, and public education.

More recently, the digital revolution brought profound changes in the way information is created and accessed, and the rise of the internet enabled the creation of virtual libraries and digital archives. Does that mean brick-and-mortar libraries have outlived their use?

 

Modern Stewards of Knowledge

Phoenix Grimm is a writer and library technician at a small public library in Delaware. Working at a smaller institution, they handle a wide array of work, from circulation to programming, and even driving the mobile library. Phoenix carves out time to write on their Freewrite Traveler during lunch breaks and weekends and evenings.

When asked about the evolution of libraries, Phoenix says,

"Libraries are masters at adaptation. I started in libraries in 2020, which is when everything changed. When COVID put an end to in-person programming, libraries switched to curbside pickup and virtual programming, and many libraries even today are still doing hybrid programming. Things have changed since then and they will continue to change, because as technologies and society evolve, the demands shift."

But should libraries have to evolve? Or this evolution simply a sign that they've become obsolete and are no longer necessary for accessing information?

"Ah, yes, the internet has all the answers," Phoenix says. "Except it doesn't. It has responses, which aren't necessarily accurate."

Phoenix emphasizes that libraries don't just provide information — they provide accurate, peer-reviewed information. In fact, they provide community members free access to entire databases of peer-reviewed articles and papers that are often locked behind a paywall on the internet.

If libraries are stewards of knowledge, like the ancients believed, then the internet is a minefield of informational hazards and pitfalls.

While the internet gives the impression of democratizing the dissemination of information, the origin and veracity of that knowledge is often difficult to verify, especially for young people. Libraries provide a space where people of all ages can discover knowledge — and explore it in more depth, for free and with scholarly guidance. 

Besides all that, Phoenix says, libraries don't just lend books anymore. Most libraries have audiobooks, MP3s, DVDs, Blu-Rays, video games, board games, laptops, and Wi-Fi hotspots. Not everyone has internet access at home, and libraries level the playing field by bridging the "digital divide" and providing access to everyone in the community. This, at the end of the day, is the sharing of knowledge that early libraries intended — but in a thoroughly modern way.

That's before even touching on programming: many libraries host story-times and summer reading programs, concerts, lectures, book clubs, and craft classes. In Delaware, Phoenix says, several libraries have telehealth kiosks, and many have librarians dedicated to employment and business services, on-staff social workers, and more.

"Libraries have absolutely assumed roles beyond their traditional scope," Phoenix explains. "A lot of these roles should be filled by other government agencies, but they are overwhelmed, and I would rather those people come to libraries than fall through the cracks entirely."

In other words? "Libraries are the hearts of modern communities."

 

On the Front Lines

As the demands of the community shift, so, too, do the obstacles libraries face. From book bans to the never-ending debate over public spending, questions continue to arise about the relevance of public libraries in today's world.

"Budgeting is the eternal woe of libraries everywhere," Phoenix says. "There's never enough money, because there's always more people to help, more technology coming out, more materials."

Phoenix challenges readers with a simple question: Have you ever benefited from a library? (This author can confidently say yes.)

Did you have one in your school? (Yes, it was my favorite place in the school.) Have you ever needed assistance finding a job or even locating a notary? (Yes, I went to the library for a notary twice last year.) Have you ever needed to use a computer when you didn't have one? (I'm lucky enough to have a computer at home, but I've gone to the library to use the printer!)

"Libraries are absolutely essential today," Phoenix says. "They provide everything from information to entertainment, and studies have shown their benefit. And honestly, I can assure them, you lose more in pocket change than you pay to libraries yearly."

It's true that studies have consistently shown that libraries yield substantial returns, both economically and socially. For every dollar invested in libraries, communities reap benefits like enhanced literacy rates, increased workforce readiness, and bolstered community cohesion.

Phoenix adds that the biggest help community members can give to any library is support. If enough community members come together and say they want their libraries to be funded, politicians will cave.

In Delaware, the library system just held "Leg Day," where individuals from the community and libraries across the state traveled to Legislative Hall to meet with representatives and advocate on behalf of libraries.

 

The Future of Libraries

From traditional print collections to digital repositories, libraries continue to adapt and thrive in the digital age, reaffirming their enduring relevance as guardians of knowledge and culture. As humanity's habits and technologies change, so, too, will libraries' guardianship of knowledge and the community as a whole.

Ultimately, investing in libraries is not just a prudent fiscal decision but a reaffirmation of our commitment to education, equality, and the common good.

In the face of discouragement, Phoenix offers a poignant reminder for library workers and patrons:

"Stories are the most powerful things in the world. They live on for generations, through empires even, and there's nothing more magical than helping them continue to live on and inspiring new ones."

 

--

 

Annie Cosby is the Marketing Manager at Freewrite, a former fiction editor, and the author of seven books — and counting. Her work deals with Celtic mythology and has twice won the YA Indie Author Project in Missouri. See what she's writing on Freewrite.

 

Join Our Email Newsletter

 

November 29, 2025 4 min read

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

November 25, 2025 1 min read

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

November 21, 2025 4 min read

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.