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We often think of writers as gentle, sensitive, thoughtful creatures. Whether it’s a best-selling author penning their latest masterpiece or a budding writer sharing their first stories online, you might picture someone sweetly sipping from a cup of tea and clickety-clacking on a typewriter from a cabin in the woods.
But writers, just like everyone else, are not perfect. We are by no means exempt from having beefs, stooping low in petty feuds, and, sometimes, behaving downright terribly.
As Anthony Arthur in his book Literary Feuds says, “We wonder how people who so vividly describe human failure (as well as triumph) can themselves fall short of perfection.”
From the shocking to the comical, let’s dive into the most-talked-about cases of authors behaving badly.
The Mysterious Author with Multiple Fake Identities
Readers and writers on Book Twitter (now X) are no strangers to drama and feuds. But this particular story is a sprawling labyrinth of catfishing, lies, and brownface.
Taylor Barton, a trans author of books including The Ninth Life, gained popularity on Twitter. Writing under several pen names including Taylor Brooke and Brooklyn Ray, Barton published science fiction, fantasy, paranormal romance, and erotica.
Now, there’s nothing wrong with or suspicious about writing under multiple pen names. Many authors who write novels and short stories in a variety of genres do this to separate their work for different types of readers or to create a sense of anonymity within particular genres. But the reason behind Barton’s use of pseudonyms turned out to be a little more sinister.
In 2020, members of the online literary community came forward with allegations of racism and bullying against Barton. In the wake of this, Barton issued a public apology, a promise to learn and change, and a receipt for a $500 donation made to the Trevor Project. Many pointed out, however, that the Trevor Project is not a PoC-specific organization, which undermined Barton’s apology after allegations of racist bullying.
Barton was then dropped from their publisher and took to their other Twitter account, under the pen name Brooklyn Ray, where the drama continued and their apology was all but retracted.
Later in 2021, sleuths started drawing comparisons between Taylor Barton and new author on the scene Jupiter Wyse. With similarities noticed between the pair’s home decor, astrology charts, and writing samples, the literary community dove into the drama again.
Anonymous user @AlertsBarton shared a thread on the connections between Taylor Barton and authors Hunter Barton, Stacey Anthony, and Freydís Moon too. Not only did Taylor Barton appear to be using multiple fake identities but, as Freydís Moon/Jupiter Wyse, they were masquerading as a Latinx person of color.
This led to accusations of not only catfishing but also brownface (where a white person pretends to be a brown-skinned person) in what seemed to be an attempt to escape the condemnation Barton experienced in the wake of earlier racism allegations. Jupiter Wyse was subsequently dropped by their agent, too.
With so many layers to this story, Twitter users conducted their own in-depth investigations (one created a 69-page Google Doc on the topic), and book YouTubers dissected the story in detail, too.
In terms of Book Twitter drama, this one takes the cake.
Bad Reviews, Catfishing, and Even Stalking?
Writer and journalist Kathleen Hale is the author of YA murder mystery novels and one essay collection called Kathleen Hale is a Crazy Stalker. The drama that unfolded upon the release of Hale’s debut novel is a story stranger than fiction.
When preview copies of No One Else Can Have You were sent out to popular book bloggers, Kathleen Hale was warned: don’t look at – and certainly don’t comment on – Goodreads reviews. In an article she wrote for the Guardian, Hale said, “Writing for a living means working in an industry where one’s success or failure hinges on the subjective reactions of an audience.” She knew it was a bad idea to pour over reviews of her book online. But she couldn’t resist.
Hale found a scathing one-star review from book blogger Blythe Harris who said, “I think this book is awfully written and offensive; its execution in regards to all aspects is horrible and honestly, nonexistent.” Based on comments on the platform, Harris’s review appeared to influence other reviews and discourage others from reading the book at all.
Hale began obsessing over this review – and became obsessed with Harris herself. She “ate a lot of candy and engaged in light stalking,” scrolling through Harris’s Instagram and Twitter, reading her other reviews, and even studying photos of the stranger’s baked goods and vacations. As she became more invested in Harris’s online persona, she started finding discrepancies and suspected that Harris was a catfish. Eventually, Hale got “good-naturedly drunk” and responded to Harris’s review, offending book bloggers in the process, and Book Twitter exploded. Hale tried to resolve the drama but only dug herself a deeper hole.
Sure that she’d been trolled by someone using a fake identity, Hale paid for a background check to find out and even tracked down an address linked to Harris. She booked a rental car to drive to Harris’s home and meet her face-to-face.
Hale’s article about her experience generated over 900 comments on the Guardian with many criticizing her for invading Harris’s privacy and even accusing her of romanticizing stalking. Unsurprisingly, the literary community served up some serious backlash about the whole charade.
For writers and aspiring authors, it’s easy to empathize with Hale’s struggle to stay off Goodreads. Trying to avoid reviews of a book you’ve put your heart and soul into must feel like trying to ignore an itch you’re dying to scratch. And discovering one-star reviews right off the bat must sting. But digging into a reviewer’s identity, contacting them by phone without consent, and showing up at their home unannounced is inexcusable.
Ernest Hemingway’s Beef with William Faulkner
Literary feuds long pre-date Book Twitter and BookTok. Even Hemingwrite’s namesake engaged in spats with fellow authors.
It’s safe to say that William Faulkner, author of masterpieces like The Sound and the Fury and As I Lay Dying, didn't love Ernest Hemingway’s understated writing style. AE Hotchner, Faulker’s biographer, told Hemingway, “Mr Faulkner said you never crawl out on a limb. Said you had no courage, never been known to use a word that might send the reader to the dictionary.”
Unsurprisingly, Hemingway took offence. He replied, “Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”
To add more salt to the wound, Hemingway said, “Did you read his last book? It’s all sauce-writing now, but he was good once. Before the sauce, or when he knew how to handle it.”
If Book Twitter had been around in Hemingway’s day, readers would’ve grabbed their popcorn for this one. We all would have been waiting with bated breath for the next series of subtweets to escalate into a full-blown temper tantrum.
Who would have come out on top? With his scathing retort and sassy insults, my money’s on Hemingway.
Mary Shelley’s Macabre Adventures in Gothic Love
In the pre-internet literary world, it wasn’t just the men behaving badly. Mary Shelley, author of Frankenstein, had a rebellious streak too. In fact, it’s alleged that Shelley lost her virginity on her mother's grave.
Wild rumors like this about historical figures are often dismissed as just that – rumors. But when you think about it, it’s actually quite on brand for the mother of gothic horror. And scholars believe Shelley didconsummate her relationship with her soon-to-be husband, poet Percy Bysshe Shelley, on the ground where her beloved and pioneering mother was laid to rest just 10 days after giving birth to her.
One of those scholars is Charlotte Gordon, author of Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley, who said it’s “traditionally accepted” that this rumor is, in fact, true.
“According to a letter Percy wrote, it’s there she declared her love for him…” Gordon says. “We don’t know how far they went. But they always referred to that day as his [Percy’s] birthday.”
Clearly fans of the romantic macabre, the Shelleys’ graveyard adventures could’ve given Gomez and Morticia Addams a run for their money.
Consummating a relationship atop a grave would probably be considered an insult in civilized society, a big “eff you” to the deceased below. But something tells me this wasn’t Shelley’s intention.
Shelley’s mother’s grave was a big part of her childhood. It was near her home and the family would visit often when she was growing up. It’s also said she learned to read there by tracing the letters on her mother’s gravestone and reading her mother’s work. The albeit weird decision to lose her virginity on this spot may actually have been Shelley’s way of honoring her late mother, the mother she never met but desperately wanted to connect to.
I could probably think of other, less creepy ways to pay homage to the dearly departed but, hey, each to their own.
Sure, the book dramas, salacious stories, and author feuds online are juicy and often just plain appalling. But it’s with the help – or, rather, hindrance – of the internet and social media that they went viral.
Our hyper-connected literary communities can give ordinary people the platform to find success and critical acclaim that people in centuries past couldn’t fathom. But this always-online world can also set the stage for authors’ dirty laundry to be aired – and rehashed, analyzed, and reignited over and over again.
Social media might amplify the drama but don’t be fooled. There have always been authors behaving badly.
It's no secret that the tiny island of Ireland has contributed way more than its fair share of brilliant writers and poets to the canon of literature known and loved across the globe.
The island is home to four Nobel laureates and five Booker Prize winners, and has spawned household names like James Joyce, Colm Tóibín, Maeve Binchy, and Sally Rooney.
People the world over have tried to speculate why this is. Is it something in the water? Is it the luck of the Irish?
As Colm Tóibín says,
So we decided to go on a mission to learn from some of Ireland's greatest writers.
Here are just a few of the quotes that struck us:
"A writer is someone who has taught his mind to misbehave."
Oscar Wilde cuts right to the heart of creativity here. What is creativity but the mind striking out of the grooves of regularity?
"I love communicative problems. They always introduce just enough friction for me to feel drawn into a scene, when there’s some slippage between what somebody is trying to say, or feels capable of saying, and what the other person wants to hear or is capable of hearing."
If you've read any of Sally Rooney's award-winning books, you'll recognize this device in her plots. Try the same in your work when things are feeling a little dry or slow.
"I was working on the proof of one of my poems all the morning, and took out a comma. In the afternoon I put it back again."
Nobody presents writing truths as concise and witty as Oscar Wilde. Who among us hasn't agonized over a comma for hours?
Sounds like Oscar needed a Freewrite.
"I don’t ever plot. And I do very little research, as little as possible. I prefer to use my imagination. Language is older and richer than we are and when you go in there and let go and listen, it’s possible to discover something way beyond and richer than your conscious self."
Claire Keegan's a freewriter! In this interview, Claire explains that the main character in her award-winning book, Small Things Like These, completely changed over the course of rewrites and revisions.
"The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize."
Colm Tóibín perfectly sums up the disembodied experience of writing here. The writer disappears and the characters take center stage.
"The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously."
James Joyce was certainly an adventurer, and though his notion to a "modern writer" predates ours by about a century, we don't think all that much as changed. Writers still need to take risks!
"I don’t say I was ‘proceeding down a thoroughfare.’ I say I ‘walked down the road.’ I don’t say I ‘passed a hallowed institute of learning.’ I say I ‘passed a school.’ You don’t wear all your jewellery at once. You’re much more believable if you talk in your own voice."
Maeve Binchy's own voice is apparent in every book she wrote. Her characters speak like real people, and that makes them all the more endearing.
What a poetic way to encapsulate the experience of writing poetry. Yeats certainly knew a thing or two about using that internal quarrel to create beautiful, timeless work.
It's no secret that here at Freewrite, we're a bit obsessed with controlling digital distractions.
That's why we love the Global Day of Unplugging.
This article explores the facts and fiction around writer’s block, the psychology of why it happens, and the writing productivity strategies you can use to beat it for good.
Take an idea from your brain and put it on the page. It sounds simple enough, right? But all writers know, it’s not that straightforward.
Writer’s block is a “temporary or lasting failure to put words on paper.” It can last for a few minutes, days, weeks, or even months.
When you desperately want to write, experiencing a block can be frustrating and disheartening. Writer’s block affects everyone from beginners to famous, prolific, published authors, and everyone in between. If you’re feeling this way with your current writing project, you’re not alone. All is not lost. There is hope.
Whether you’re gearing up to tackle your novel, short story, poem, essay, or thesis, we’ve got you covered.
In this article, you'll learn:
The debate has been raging since the first words of Sumerian were chiseled into the Kish tablet. OK, we don’t know that for sure. But whether writer’s block exists has always been a contentious topic.
From writers and academics to psychologists and armchair critics, everyone has an opinion.
Do you think it’s real? Is writer’s block a painful, unavoidable rite of passage for every writer? Or do you think it’s a handy excuse, used to steer away from the hard work of completing a substantial piece of writing?
Either way, understanding the expected and unexpected obstacles a writer faces will help you write faster, better, and more often.
Writer’s block is blamed for almost every stalled draft and abandoned idea. But we believe the real issue isn’t the block itself. What we need to talk about is what’s behind the block. Spoiler: it’s psychological.
Instead of blankly staring at an empty page or the few words you’ve managed to force out but can’t make sense of, think about what’s happening off the page.
Your mindset, habits, and emotions are only some of the factors that could be working against you.
Stress, self-doubt, perfectionism, a disorganized schedule — these are more than inconveniences. They’re stopping you from writing the book you know is inside you.
Instead of blankly staring at an empty page or the few words you’ve managed to force out but can’t make sense of, think about what’s happening off the page.
Identify your own specific obstacles to writing in: "Why Can't I Write Even When I Want To?"
Facing writer’s block may feel like coming toe-to-toe with Tolkien's Balrog of Morgoth. But every baddie has a fatal flaw and writer’s block is no different — it can be defeated.
Sure, it can feel hopeless sometimes. Especially when you started off strong, writing page after page and excitedly imagining the day you’d type "the end," only to come to a grinding halt.
But there are super effective tools you can add to your arsenal to fight this foe. There are proven strategies and productivity techniques you can add to your daily routine to slay this menace and return to your story victorious.
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Writer’s block doesn’t spell the end of your journey with your latest draft. (This is just what it wants you to think.)
Like the latest plot twist wreaking havoc on the life of your weary protagonist, it’s just another hurdle to overcome.
