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Brownface & Bad Reviews: Authors Behaving Badly

Sophie Campbell
June 17, 2024 | 7 min read

We often think of writers as gentle, sensitive, thoughtful creatures. Whether it’s a best-selling author penning their latest masterpiece or a budding writer sharing their first stories online, you might picture someone sweetly sipping from a cup of tea and clickety-clacking on a typewriter from a cabin in the woods.

But writers, just like everyone else, are not perfect. We are by no means exempt from having beefs, stooping low in petty feuds, and, sometimes, behaving downright terribly.

As Anthony Arthur in his book Literary Feuds says, “We wonder how people who so vividly describe human failure (as well as triumph) can themselves fall short of perfection.”

From the shocking to the comical, let’s dive into the most-talked-about cases of authors behaving badly.

 

Modern Authors Behaving Badly

The Mysterious Author with Multiple Fake Identities

Readers and writers on Book Twitter (now X) are no strangers to drama and feuds. But this particular story is a sprawling labyrinth of catfishing, lies, and brownface.

Taylor Barton, a trans author of books including The Ninth Life, gained popularity on Twitter. Writing under several pen names including Taylor Brooke and Brooklyn Ray, Barton published science fiction, fantasy, paranormal romance, and erotica.

Now, there’s nothing wrong with or suspicious about writing under multiple pen names. Many authors who write novels and short stories in a variety of genres do this to separate their work for different types of readers or to create a sense of anonymity within particular genres. But the reason behind Barton’s use of pseudonyms turned out to be a little more sinister.

In 2020, members of the online literary community came forward with allegations of racism and bullying against Barton. In the wake of this, Barton issued a public apology, a promise to learn and change, and a receipt for a $500 donation made to the Trevor Project. Many pointed out, however, that the Trevor Project is not a PoC-specific organization, which undermined Barton’s apology after allegations of racist bullying.

Barton was then dropped from their publisher and took to their other Twitter account, under the pen name Brooklyn Ray, where the drama continued and their apology was all but retracted.

Later in 2021, sleuths started drawing comparisons between Taylor Barton and new author on the scene Jupiter Wyse. With similarities noticed between the pair’s home decor, astrology charts, and writing samples, the literary community dove into the drama again.

Anonymous user @AlertsBarton shared a thread on the connections between Taylor Barton and authors Hunter Barton, Stacey Anthony, and Freydís Moon too. Not only did Taylor Barton appear to be using multiple fake identities but, as Freydís Moon/Jupiter Wyse, they were masquerading as a Latinx person of color.

This led to accusations of not only catfishing but also brownface (where a white person pretends to be a brown-skinned person) in what seemed to be an attempt to escape the condemnation Barton experienced in the wake of earlier racism allegations. Jupiter Wyse was subsequently dropped by their agent, too.

With so many layers to this story, Twitter users conducted their own in-depth investigations (one created a 69-page Google Doc on the topic), and book YouTubers dissected the story in detail, too.

In terms of Book Twitter drama, this one takes the cake.

 

Bad Reviews, Catfishing, and Even Stalking?

Writer and journalist Kathleen Hale is the author of YA murder mystery novels and one essay collection called Kathleen Hale is a Crazy Stalker. The drama that unfolded upon the release of Hale’s debut novel is a story stranger than fiction.

When preview copies of No One Else Can Have You were sent out to popular book bloggers, Kathleen Hale was warned: don’t look at – and certainly don’t comment on – Goodreads reviews. In an article she wrote for the Guardian, Hale said, “Writing for a living means working in an industry where one’s success or failure hinges on the subjective reactions of an audience.” She knew it was a bad idea to pour over reviews of her book online. But she couldn’t resist.

Hale found a scathing one-star review from book blogger Blythe Harris who said, “I think this book is awfully written and offensive; its execution in regards to all aspects is horrible and honestly, nonexistent.” Based on comments on the platform, Harris’s review appeared to influence other reviews and discourage others from reading the book at all.

Hale began obsessing over this review – and became obsessed with Harris herself. She “ate a lot of candy and engaged in light stalking,” scrolling through Harris’s Instagram and Twitter, reading her other reviews, and even studying photos of the stranger’s baked goods and vacations. As she became more invested in Harris’s online persona, she started finding discrepancies and suspected that Harris was a catfish. Eventually, Hale got “good-naturedly drunk” and responded to Harris’s review, offending book bloggers in the process, and Book Twitter exploded. Hale tried to resolve the drama but only dug herself a deeper hole.

Sure that she’d been trolled by someone using a fake identity, Hale paid for a background check to find out and even tracked down an address linked to Harris. She booked a rental car to drive to Harris’s home and meet her face-to-face.

Hale’s article about her experience generated over 900 comments on the Guardian with many criticizing her for invading Harris’s privacy and even accusing her of romanticizing stalking. Unsurprisingly, the literary community served up some serious backlash about the whole charade.

For writers and aspiring authors, it’s easy to empathize with Hale’s struggle to stay off Goodreads. Trying to avoid reviews of a book you’ve put your heart and soul into must feel like trying to ignore an itch you’re dying to scratch. And discovering one-star reviews right off the bat must sting. But digging into a reviewer’s identity, contacting them by phone without consent, and showing up at their home unannounced is inexcusable.

 

Historical Examples of Authors Behaving Badly

Ernest Hemingway’s Beef with William Faulkner

Literary feuds long pre-date Book Twitter and BookTok. Even Hemingwrite’s namesake engaged in spats with fellow authors.

It’s safe to say that William Faulkner, author of masterpieces like The Sound and the Fury and As I Lay Dying, didn't love Ernest Hemingway’s understated writing style. AE Hotchner, Faulker’s biographer, told Hemingway, “Mr Faulkner said you never crawl out on a limb. Said you had no courage, never been known to use a word that might send the reader to the dictionary.”

Unsurprisingly, Hemingway took offence. He replied, “Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”

To add more salt to the wound, Hemingway said, “Did you read his last book? It’s all sauce-writing now, but he was good once. Before the sauce, or when he knew how to handle it.”

If Book Twitter had been around in Hemingway’s day, readers would’ve grabbed their popcorn for this one. We all would have been waiting with bated breath for the next series of subtweets to escalate into a full-blown temper tantrum.

Who would have come out on top? With his scathing retort and sassy insults, my money’s on Hemingway.

 

Mary Shelley’s Macabre Adventures in Gothic Love

In the pre-internet literary world, it wasn’t just the men behaving badly. Mary Shelley, author of Frankenstein, had a rebellious streak too. In fact, it’s alleged that Shelley lost her virginity on her mother's grave.

Wild rumors like this about historical figures are often dismissed as just that – rumors. But when you think about it, it’s actually quite on brand for the mother of gothic horror. And scholars believe Shelley didconsummate her relationship with her soon-to-be husband, poet Percy Bysshe Shelley, on the ground where her beloved and pioneering mother was laid to rest just 10 days after giving birth to her.

One of those scholars is Charlotte Gordon, author of Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley, who said it’s “traditionally accepted” that this rumor is, in fact, true.

“According to a letter Percy wrote, it’s there she declared her love for him…” Gordon says. “We don’t know how far they went. But they always referred to that day as his [Percy’s] birthday.”

Clearly fans of the romantic macabre, the Shelleys’ graveyard adventures could’ve given Gomez and Morticia Addams a run for their money.

Consummating a relationship atop a grave would probably be considered an insult in civilized society, a big “eff you” to the deceased below. But something tells me this wasn’t Shelley’s intention.

Shelley’s mother’s grave was a big part of her childhood. It was near her home and the family would visit often when she was growing up. It’s also said she learned to read there by tracing the letters on her mother’s gravestone and reading her mother’s work. The albeit weird decision to lose her virginity on this spot may actually have been Shelley’s way of honoring her late mother, the mother she never met but desperately wanted to connect to.

I could probably think of other, less creepy ways to pay homage to the dearly departed but, hey, each to their own.

 

The Literary World Has Always Thrived On Drama

Sure, the book dramas, salacious stories, and author feuds online are juicy and often just plain appalling. But it’s with the help – or, rather, hindrance – of the internet and social media that they went viral.

Our hyper-connected literary communities can give ordinary people the platform to find success and critical acclaim that people in centuries past couldn’t fathom. But this always-online world can also set the stage for authors’ dirty laundry to be aired – and rehashed, analyzed, and reignited over and over again.

Social media might amplify the drama but don’t be fooled. There have always been authors behaving badly.

August 26, 2026 5 min read

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

August 26, 2026 1 min read

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions