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8 of the Greatest Female Writers in Literary History

Annie Cosby
March 07, 2024 | 4 min read

In the vast literary landscape, women writers have long been trailblazers, challenging norms, breaking barriers, and shaping the course of literary history.

Their contributions have not only enriched the literary canon but also sparked crucial conversations about gender, identity, and society.

Let's take a look at the lives and works of just a few of the great female writers in history to see how they transformed literature and left an indelible mark on the world.

 

1. Sappho

Let's go back. Way back. To about 610 BC, when Sappho was born.

A Greek poet from the island of Lesbos, Sappho is one of the earliest female poets with surviving work. Though much of her work has indeed been lost across centuries, enough remains that we can see how Sappho centralized female figures and pioneered the use of first-person narration.

Sappho is still thought to be one of the greatest lyric poets of ancient times, and while some call her "the female Homer," we prefer Plato's name for her: "the tenth muse."

 

2. Jane Austen

You can't discuss influential female writers without mentioning Jane Austen. Her sharp wit and keen observations of social mores continue to resonate centuries after her time. And she was writing at an incredible time for a woman to have a career — she wasn't even legally allowed to sign her own contracts; her brother Henry had to do it!

Austen's novels, including Pride and Prejudice and Sense and Sensibility, dissected the complexities of love, marriage, and class in Regency-era England with unparalleled insight. Some say she's the mother of the modern romance novel, while others argue her stories are novels of manners and social satire.

Regardless of your view, she definitely helped swing the focus of popular literature to realism and introduced new types of novel narration. Her vivid characters and masterful storytelling made her a success in our own time (though not her name — she published anonymously) and a literary giant whose influence endures to this day.

 

3. Mary Shelley

Young Mary Shelley pioneered a new genre with her 1818 novel, Frankenstein. This work made her "the mother of science fiction" to generations of writers after her. And it was in her genes: Shelley came from a family of writers, with her mother, Mary Wollstonecraft, known for her feminist manifesto, A Vindication of the Rights of Women.

Frankenstein explored profound existential themes, as well as the ethics of scientific advancement, and defied expectations of the time with a complex narrative structure. Most importantly, it inspired crucial conversations about the human condition.

 

 

4. Edith Wharton

Edith Wharton was the first woman to win the Pulitzer Prize for Literature. Her novel Age of Innocence drew on Wharton's experience with the upper-crust of New York society to create a rich portrayal of the Gilded Age.

Her razor-sharp wit and raw honesty didn't stop with Age of Innocence. Wharton would go on to write more than 40 books in 40 years.

 

5. Virginia Woolf

In the early 20th century, Virginia Woolf emerged as a pioneering figure in the realm of modernist literature. Through works like Mrs. Dalloway and To the Lighthouse, Woolf revolutionized narrative structure, employing stream-of-consciousness techniques to delve into the inner lives of her characters.

Beyond her groundbreaking literary experiments, Woolf's feminist essays, including "A Room of One's Own," challenged prevailing notions of a woman's roles in society, advocating for intellectual and creative autonomy.

 

6. Emily Dickinson

In the realm of poetry, Emily Dickinson stands as a towering figure whose enigmatic verses continue to captivate readers with their profound insights into the human condition.

Despite living a reclusive life, Dickinson's poetry explored themes of love, death, and nature with unparalleled depth and imagination. Her unconventional use of form and language pushed the boundaries of poetic expression, earning her a place among the greatest poets of all time.

 

 

7. Zora Neale Hurston

The Harlem Renaissance of the 1920s and 1930s brought a wave of talented Black writers in the United States whose work would endure and continue to resonate with audiences into the present. This includes Zora Neale Hurston.

Hurston's novel Their Eyes Were Watching God remains a seminal work of American literature, celebrated for its rich portrayal of African American culture and the exploration of identity.

Through her vibrant prose and unapologetic celebration of her heritage, Hurston paved the way for future generations of Black women writers to reclaim their voices and narratives.

 

8. Toni Morrison

In the latter half of the 20th century, the world was introduced to the formidable talent of Toni Morrison, whose novels laid bare the complexities of race, identity, and power in the U.S.

With works like Beloved and The Bluest Eye, Morrison challenged readers to confront the legacies of slavery and racism, while also celebrating the resilience of the human spirit.

Morrison's revolutionary stories gained critical acclaim across the world, and in 1993, she became the first African American woman to win the Nobel Prize in Literature.

 

The Present & the Future

Contemporary literature continues to be shaped by the voices of female writers who fearlessly tackle pressing social issues and push the boundaries of form and genre.

Writers like Chimamanda Ngozi Adichie, Celeste NgZadie SmithArundhati Roy, Joan Didion, Roxane Gay, Donna Tartt, Jhumpa Lahiri, and Angie Thomas have garnered international acclaim for their insightful explorations of gender, identity, race, and globalization.

As the work of the women before them reminds us, literature has the power to inspire, provoke, and illuminate. As we celebrate these legacies, remember the transformative potential of literature to challenge, uplift, and unite us in our shared humanity.

 

Who Is Your Favorite Woman Writer?

"That's an impossible question. So many of my favorite authors are women. If I had to mention just a few... I'm a huge Jane Austen fan, and I love Agatha Christie – which is why I chose to add her to the Freewrite screensaver lineup!"

Author & Freewrite Marketing Manager Annie Cosby

 

"Kennedy Ryan!"

Author Brittany Arreguin

 

"Ursula Le Guin. One of my fave Ursula Le Guin quotes is: 'A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls...'"

Author Monica Corwin

 

"Ursula Le Guin."

Writer & Producer Bryan Young

 

"Victoria Schwab. She is magical and 1000% my inspiration."

Lindsey O.

 

"Shirley Jackson!"

Author Carolina Flórez-Cerchiaro

 

"Anne Rice."

Lisa

 

"Maya Angelou."

Raquel

 

"L.M. Montgomery.❤️❤️❤️"

Carol H.

 

August 26, 2026 5 min read

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

August 26, 2026 1 min read

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

July 30, 2026 2 min read

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions