6 Neuroscience Hacks to Beat Writer's Block

March 06, 2019 | 8 min read

The page is blank and the cursor is blinking at you accusingly. You’ve been sitting at your computer for an hour and you’ve written a sum total of nothing. It’s not that you don’t want to write – it’s that you can’t. The words that yesterday flowed so easily have disappeared into the ether – and you’re wondering despairingly if they’re ever going to return.

Most (if not all) writers are familiar with this scenario. The dreaded writer’s block – that, for me at least, usually turns up when there’s an important deadline looming. Recently, however, I got into an argument with a friend – another writer – who insisted that writer’s block doesn’t exist. Writer’s block, he said, was all in my mind.

He’s not the first to suggest that idea. I headed straight to Google to find out what others have to say about it (hoping to be able to present my friend with proof that I was right and he was wrong). Instead, I stumbled across some fascinating research from the world of neuropsychology and neuroscience. It turns out that writer’s block is just in my head – but not in the way that my friend was suggesting.

The Neuropsychology of Writer’s Block

Neuropsychology is a complex field that combines psychological understandings of the mind with a more physiological investigation of the way that the brain works. For example, neuropsychology might look at what neurons are firing when we experience certain feelings, or what the parts of the brain that are active during specific experiences or actions. So, what does neuropsychology have to say about writer’s block?

Neurologists, psychologists, neuropsychologists and neuroscientists have been studying and debating for decades why things like writer’s block occur. While some psychologists will conclude that writer’s block is more of an excuse than a phenomenon, there have been studies that have set out to demonstrate that there’s neuropsychological evidence for the reality of writer’s block.

Executive Dysfunction

Neuropsychologists Elkhonon Goldberg and Russell Barkley have both investigated a set of complex mental functions that happen in (or are controlled by) the pre-frontal cortex known as ‘executive functions’. It is these executive functions that allow us to do things like plan, organize, prioritize, self-monitor, initiate and sustain certain behaviors as we pursue goals.

When there’s disruption to executive functions, we enter a state Russell Barkley has called ‘executive dysfunction’. A sign of executive dysfunction is an inability to stop ourselves from doing something that’s preventing us from achieving a goal-focused activity. A prime example of this is when you’ve set yourself a goal of writing a blog post but spend the time set aside for writing watching videos of dogs on YouTube.

When writers are experiencing writer’s block, then, it’s a form of executive dysfunction. Certainly, there are problems with executive functions when you feel that your creativity is blocked. These problems can include:

  • Difficulties with getting started (initiation)
  • Distraction
  • Trouble prioritizing
  • Struggling to pace ourselves

Emotional Roots

Another key neuropsychological view of writer’s block came from Gene Parret. His theory is that not only is writer’s block a genuine malady, but it is also rooted in underlying fears. Neuroscience backs up this idea. Everything that we do is the result of neurons firing in our brains – and strong emotions, such as fear, can have a profound effect on neuron functions.

Parret’s view is that the way that we perceive our writing abilities plays a huge role in our experience of writer’s block. For example, if you have a negative mindset (such as thinking that no one will want to read what you’re writing) and sit down to write, the negativity will impact on your neuron pathways and cause difficulties with the writing process.

The Psychology of Writing

Ronald Kellogg is the author of ‘The Psychology of Writing’ and he has highlighted the way that certain environments, schedules and rituals can either increase or inhibit writing processes. There’s a neuropsychological link with this, as it’s been shown that neural pathways can be activated by associations with places, times of day, and so on.

Circadian Rhythm Rules

There are links, too, with the circadian rhythms (otherwise known as the sleep-wake cycle). For example, many writers find that their creative juices flow better at certain times of day. This is another area that has been backed up by neuroscience – albeit in studies done with mice.

Neuroscientific studies have revealed that circadian rhythms aren’t just about when we’re awake and when we’re asleep. There are also times of the day that are better suited to different types of tasks. To make this more complicated, everyone’s circadian rhythm for specific tasks is different, so there are no rules when it comes to the specific times when you should be doing something.

What the circadian rhythm studies have shown, though, is that if you don’t understand your own circadian rhythms, you could find yourself trying to write when your brain is better optimized for research (knowledge-processing). There are different neural processes involved in creativity (such as writing) compared with more structured tasks (such as research), so when you experience writer’s block, it could actually be that you’re trying to be creative when your brain wants to be learning.

Interestingly, we’re notoriously bad at correctly understanding our own circadian rhythm, too. Some research has proved that self-proclaimed ‘morning-people’ are actually more productive in the evening, and those who call themselves ‘night-owls’ are more productive during the morning. Could beating writer’s block be as simple as better understanding your circadian rhythm?

Using Neuropsychology to Combat Writer’s Block

Now that we’ve taken a quick tour through some of the complexities of neuropsychology, it’s time to get practical. How can you use neuropsychology to combat writer’s block? There are actually a number of techniques you can use that have their roots in neuropsychological thinking.

1. Cognitive Cueing

Cognitive cueing is based on Kellogg’s understanding of how certain places can impact on the efficiency of certain processes. It’s not an immediate fix, as it takes time to establish cognitive cues, but it’s a technique that’s been shown to help break the cycle of writer’s block.

With cognitive cueing, you need to create a specific space that is only used for writing. It will only be effective if that space is exclusively for writing – if you use it for anything else, the cognitive cues won’t work. Your brain will come to associate the space with the act of writing, and the neural pathways that are formed will kick-start the writing process when you return to the space to write.

2. Circadian Self-Reflection

Since our circadian rhythms have such a big impact on our ability to perform specific tasks, it makes sense that another means of beating writer’s block lies in understanding the times of day that are most suited to writing. It’s different for everyone, so the only way to figure out the times of day that are suited to research and those that are better suited for creativity is through self-reflection.

Keep a journal or notes about your daily activities and reflect on how easy (or difficult) the different types of tasks seemed. Vary the times of day that you complete tasks so that you can begin to see patterns. When you understand your circadian rhythm, you can focus your writing activities at the most creative times of day, and reduce your risk of writer’s block.

3. Incubate Your Creativity

Incubation of ideas is a neuropsychological principle that’s been tested on mice. It’s based on the idea that when you work on a task (or learn a skill) and then take a break or begin a different task, the neural pathways involved in the original task or skill remain active.

RELATED: Writing Habits to Jumpstart Your Creativity

Applying this to writer’s block, if you find that you’re struggling to get the words onto the page (or screen), then taking a break and doing something else – going for a walk, reading a book, and so on – can allow ideas to incubate, since the neural pathways that related to your writing task will stay active. Writers regularly report that their best ideas come when they’re doing something completely unrelated, so it’s worth trying incubation to beat writer’s block.

4. Motivational Methods

In neuropsychology, there are different types of motivation that have been identified, and people tend to have one or the other. These are known as ‘approach motivation’ and ‘avoidance motivation’. ‘Approach motivated’ people are optimistic about what they can achieve, and positively motivated to complete tasks. ‘Avoidance motivated’ people, by contrast, are negative and motivated by a fear of failure.

Neuroscience shows that changes in neuronal activity can be affected by perceived outcomes – so what we think will be the result impacts on our performance. If we start writing worried that no one will want to read what we’re writing, this perceived outcome will negatively impact our neurons, and the writing task will become more difficult.

RELATED: 55 Motivational Writing Quotes from Famous Authors

The solution to this problem is to change our motivational type and use approach motivation. To do this, we focus on positive outcomes and set easily attainable goals that will reinforce the positivity. The more we attain these ‘easy’ goals, the better the impact on our neurons, and the less likely we are to experience writer’s block.

5. Background Noise

I was skeptical about this technique – until I tried it myself. Apparently, studies have shown that writers are often more productive in coffee shops or other similar environments where others are being productive. This has something to do with background noise – and there are now apps that will actually replicate the ambient noise of a coffee shop for writers who aren’t able to physically go out and sit in a coffee shop to write when they’re feeling blocked.

Different types of background noise can either positively or negatively affect our creativity and productivity, so it’s important to note that you need to find the kind of background noise that works for you. Some people, for example, are more sensitive to noise, so a very busy coffee shop could have a negative impact on their ability to write, but a quieter shop could help to combat writer’s block.

6. Unplug and Reset

In the modern world, it sometimes feels like we’re slaves to our technological devices. Smartphones, tablets, and laptops keep us constantly connected to emails, social media, online videos and other distractions – which can be bad news if you’re already prone to experiencing writer’s block.

There are a range of psychological benefits to unplugging from technology for a while. Unplugging can help when you’re feeling depressed and anxious or overwhelmed in any way. It can also help with writer’s block, by removing distractions and allowing you the opportunity to reset and get back in touch with your creativity.

If you’re used to writing on a laptop or desktop computer, switching off all your technology can help unblock you when you feel like your creativity has dried up. The abundance of distractions on the internet can make it impossible to focus on anything and get into a rhythm.  It’s a simple technique that increases your ability to focus and helps get those creative juices flowing again.

Freewrite Smart Typewriter

While you could abandon technology completely and go back to the basics with pen/paper, most of us can type much faster than we write.  Plus, re-transcribing handwritten notes to the computer is extremely tedious. Luckily, there is a way to unplug but still reap the benefits of technology: Freewrite’s distraction-free writing devices. With a typewriter-like feel and automatic syncing to the cloud, you can get writing again quickly. Find out more about the range of available devices here.

A Treatment Plan for Writer’s Block

Neuropsychology shows us that there’s scientific evidence for the existence of writer’s block – and it isn’t just excuses and/or laziness. Treating writer’s block with neuropsychology offers a range of techniques that can be used individually or combined into your own personal treatment plan. Experiment with the different techniques and find the ones that work best for you, so that you can combat the dreaded blank-page syndrome that writers fear.

Sources
https://www.psychologytoday.com/gb/blog/psychology-writers/201108/writers-block-and-burnout-getting-unstuck
https://www.psychologytoday.com/gb/blog/one-true-thing/201307/writers-block-it-may-not-be-all-in-your-head
https://www.brainpickings.org/2014/08/25/the-psychology-of-writing-daily-routine/
https://www.brainpickings.org/2012/10/01/breakthrough-alex-cornell/
https://psychcentral.com/blog/the-psychology-behind-writers-block/
http://www.writing-world.com/life/block.shtml
https://scienceblogs.com/neurontic/2006/02/04/on-writers-block
https://www.theguardian.com/lifeandstyle/2017/mar/17/is-writers-block-a-real-thing-oliver-burkeman
https://www.apa.org/gradpsych/2015/11/writers-block
https://rainmaker.fm/audio/writer/best-writers-brain-four/
https://www.pri.org/stories/2016-04-05/creative-block-here-s-neuroscience-how-fix
https://www.copyblogger.com/outsmart-writers-block/

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In the vast galaxy of storytelling, few stories have captured hearts and minds like the epic saga of Star Wars.

Beyond its dazzling lightsabers and iconic characters lies a treasure trove for writers: countless invaluable lessons in the art of storytelling expertly served up by creator George Lucas.

We gathered just a few of those lessons for you to get a quick master class in narrative structure and crafting a compelling tale that will resonate across generations.

Here are five invaluable writing tips from one of the most iconic franchises in cinematic history:

 

George Lucas famously drew inspiration from Joseph Campbell's concept of the "Hero's Journey" when crafting the story of Luke Skywalker.

The concept of the Hero's Journey was first outlined in Campbell's 1949 book, The Hero with a Thousand Faces, as a universal motif of adventure and transformation that runs through virtually all of the world’s mythological traditions. The concept is characterized by a hero who leaves the ordinary world, faces trials, and returns home transformed. Sound familiar?

Today, the Hero's Journey is found all across media — from fairy tales and books to films and video games. In fact, George Lucas has publicly said that he wrote "many drafts" of what would become Star Wars, but it wasn't until he read The Hero with a Thousand Faces that he was able to hone in on what would become the essential story and characters of the saga.

(The two writers even met eventually, and watched the original trilogy together.)

As a writer, consider whether the hero's journey fits your story. The roadmap may not resonate with every writer, but it just might give essential structure to that story you've been trying to tell for years.

 

At the heart of Star Wars lies a profound exploration of universal themes like redemption, the power of hope, and good versus evil. For example, take the iconic clash between the Jedi and the Sith.

Through characters like Luke Skywalker and Darth Vader, we witness the complexities of morality and the potential for redemption.

By tapping into timeless concepts like these, writers can create narratives that resonate across cultures and generations. Whether your story is set in a galaxy far, far away or in the confines of everyday life, infuse it with themes that speak to the common human experience.

 

Lucas had a background in visual arts, which heavily influenced his approach to storytelling. But you don't need to be an artist to create a vivid world.

As a writer, strive to visualize your story in your own way, considering how each scene will unfold on the page. Whether through sketches, diagrams, or simply vivid imagination, cultivating a strong visual sense can enhance the impact of your writing — whether you're writing for the screen or for the page.

 

From the wise mentorship of Obi-Wan Kenobi to the villainous allure of Darth Vader, George Lucas excels at creating characters that resonate with audiences long after the credits roll.

When developing your own characters, focus on crafting individuals with depth, complexity, and memorable traits. Whether they're heroes, villains, or somewhere in between, give your characters distinct personalities, motivations, and arcs that captivate readers' imaginations.

This is especially important when you're working with fantasy creatures or even robots and droids. Think of all the personality traits and the deft personification that make R2-D2 so lovable!

 

While the final version of Star Wars may seem like a seamless masterpiece, the reality is that it underwent numerous revisions and iterations throughout the creative process.

Lucas wasn't afraid to rework scenes, dialogue, or even entire storylines in pursuit of the best possible outcome.

As a writer, embrace the revision process as an opportunity to refine and improve your work. Be willing to solicit feedback, make tough decisions, and constantly strive for excellence in your craft.

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The contributions of Star Wars to the sci-fi genre, and society at large, are immeasurable. By embracing some of the techniques that led to the creation of such a classic, you can level up your storytelling skills and just maybe create what will become the next Star Wars.

So, grab your Freewrite (or lightsaber) and let the Force guide you on your own epic writing journey.

April 29, 2024 5 min read
In the exciting landscape of modern fantasy fiction, the role of fantasy creatures stands as a cornerstone of imagination and storytelling.

From the majestic dragons of George R.R. Martin's A Song of Ice and Fire to the decades of adoration for J.R.R. Tolkien's hobbits, these creatures serve as more than mere embellishments to the worlds they inhabit. They function as essential conduits for exploring complex themes, reflecting societal values, and igniting the imagination of readers.

The Freewrite team is full of fantasy readers (and writers!) so we wanted to unravel the trick to creating dynamic fantasy creatures that leave an impact on both the narratives they inhabit — and the audiences they enchant.

To delve into it, we spoke with E.K. Wiggins, a fantasy author, webtoon creator, and Freewriter writing about dragons in sunny Southern California...

 

Why do you think people are drawn to fantasy and, in particular, fantastical creatures?

I think it's simple: People want to escape reality and delve into worlds and stories that allow their imagination to run wild. The fact that fantasy (whether written, filmed, or drawn) is such a large part of today's culture means that anyone can find something that attracts them. Everyone can find something that transports them to wonderful worlds and takes their eyes — and minds — off life for a moment.

The same goes for fantasy creatures — the rules are boundless, new monsters are created all the time, and the old familiar ones remain classic.

People love believing in fantasy creatures because they’re not ordinary — they’re unique and unforgettable. And new fantasy keeps the genre fresh and thriving.

That's how I feel. For years, I could only write nonfiction for school. Why write nonfiction when we live in reality?

 

What's the most influential fantasy creature, in your opinion?

Dragons, hands down.

They’re so prominent in fantasy culture of decades past, yet they’re never boring because they’re constantly being recreated in original ways. With popular productions like House of the Dragon and Lord of the Rings: The Rings of Power, for example, these reptiles aren’t going away anytime soon (if ever!).

I think I’m mainly drawn to them because of how much you, as an artist or writer, can reinvent them while they still remain familiar.

And I love how many real-world legends describe and depict encounters with these beasts! There are even passages of Biblical scripture that describe dragons or dragon-like creatures. All of that adds a history and realism to dragons that other creatures can’t quite claim.

 


How has the dragon been depicted throughout history?

Dragons were common in written tales and verbal legends during the Renaissance period. In Europe (and the West) dragons were considered ruthless murderers and savage guardians of their possessions, taking exuberant control over their innocent prey and dealing harshly with the rebellious!

Many of these tales were of mighty warriors facing off against these brute monsters (e.g. the Beowulf manuscripts).

Conversely, in some Asian cultures, including China, dragons were seen as signs of luck and blessing. They often wielded powers used to benefit the human race and sometimes communicated with people. They were far more benevolent and kind than their Western counterparts!

The Beowulf manuscripts and the Bible depict and speak of dragons directly. Beowulf’s scaly opponent and Satan (depicted in the book of Revelation as a fiery red dragon with seven heads and ten horns!) are both historical examples of dragons written in text. Many more exist, as well as writings about wyrms and other dragon-like creatures.


Some fantasy creatures have cultural roots. How do you navigate those roots while creating something completely new?

Generally, if I create an original character that has a historical or cultural background, I immediately ask myself if anything about my character contradicts the creature’s roots. If it does, I ask myself if I supplied or created a solid backstory for the character that can "override" that history or is strong enough to be a worthy, sensical alternative.

It also depends on the culture and if I wanted to showcase it. In my opinion, this is sort of a "gray area" that could be endlessly debated…

I don’t think its the author’s duty to always pay homage to a character’s roots, unless it’s essential to understanding the story, is required for the plot, or if the author wants to honor the culture it came from.

There have been many times that creatures have been used in literature without any sort of acknowledgement to their origins, simply because there wasn’t enough time to incorporate it, or it wasn't relevant to the current story. It really depends on what the writer is writing and how the character is being used.

How do you create creatures that are believable when they are, by definition, completely unreal?

I begin by deciding what the creature is, in the most barebones way possible. Is it going to be a wyrm? Is it maybe an elf? Is it a dragon? Figure out what your foundation is and then build off of it.

Next, visualize what the creature looks like, how its body is shaped, what unique features it has, and what its face would look like if you stared right into its eyes. Once I’ve visualized it, I’ll usually draw a sketch to solidify the creature’s design.

But don't just write or draw your fantasy creatures (or any sort of characters!) — envision them.

Anyone can take a mental picture of a fantasy creature and write a description of it (like an overweight bridge troll or a talking tabby cat). As writers, our job is not to simply write out a character study for the reader. A writer’s job is to make the creature real.

In order to do that, you have to know how the creature feels, thinks, and interacts. It has to have a personality. I start by imagining this creature’s demeanor, attitude, and character traits.

Ask yourself how they would react to you, your emotions, and your personality — and how their personality would complement or crash with yours. Imagine spending a day to get to know them! Or pretend to interview them.

In other words: it’s not always about what the creature is and how it looks, but who they are!

I guess the true trick to creating awesome, seemingly real creatures is pretty easy: pretend they’re real.

 


What are you working on right now?

I’m currently working on several different projects, including my first young adult dystopian sci-fi The Exodus Chronicles. This is the first novel I wrote entirely on my Traveler!

Traveler is my go-to. From the car to the folding tray on an airplane, Traveler has literally traveled with me everywhere! I’ve written one and a half manuscripts (almost 140,000 words) on it!

My second project is writing and overseeing the production of my webtoon, “Neko-Neko is a Cat Doll!” Writing a webtoon is very interesting because you have to visualize all the characters, emotions, scenes, and dialogue in every panel concisely (almost like the director of a movie).

My final project is writing the second book in my YA fantasy series Dragod Origins, which I published in December 2023. My world-building for the book took over five years alone, and writing the book took three.

Writing is my diehard hobby, and I aspire to be a hybrid novelist (both traditionally and self-publishing my books) and a serialized webtoon/manga writer.

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E.K. Wiggins is a fantasy and webtoon author living and working in sunny San Juan Capistrano, California. His love of fantasy creatures — especially dragons — inspired him to create the original storyline and drawings for a series called Dragon Quest, which eventually lead to the inception of the first Dragod Origins book, released in 2023.

When not writing, he loves biking, listening to music, and playing the piano, acoustic guitar, electric guitar, banjo, ukulele, melodica, and concertina accordion.

Learn more about E.K.'s fantasy universe at his website or follow his indie imprint, Shadow Beast Publishing, on Instagram or Facebook. You can also sign up for his monthly email newsletter here.