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Lo que los escritores pueden aprender de J. R. R. Tolkien

Annie Cosby
diciembre 30, 2024 | 3 lectura mínima

La última entrega de la saga de la Tierra Media de J. R. R. Tolkien se publicó hace 69 años. Los hobbits —y sus lectores— finalmente llegaron al Monte del Destino, y el género fantástico cambió para siempre.

Antes de Tolkien, la fantasía solía relegarse a los cuentos de hadas y las historias infantiles, careciendo de las tramas intrincadas y los escenarios detallados que definen el género hoy en día. Él estableció un nuevo estándar en la creación de mundos, presentando un mundo verdaderamente inmersivo en la Tierra Media, con sus propios idiomas, historia y mitología. Sus personajes establecieron muchos arquetipos y tropos fantásticos que nos resultan familiares hoy en día.

Por supuesto, los temas en los que se centraba la obra de Tolkien también eran más maduros. La exploración del heroísmo, la amistad, la mortalidad y la influencia corruptora del poder elevaron la fantasía a una forma literaria sofisticada.

El género fantástico, alguna vez visto como escapista o juvenil, se convirtió en un dominio respetado para explorar experiencias humanas profundas.

Entonces, ¿qué exactamente podemos aprender nosotros, como escritores, del gran Tollers* y sus obras maestras de alta fantasía?

*Así lo llamaban sus amigos. Y nos gusta pensar que habríamos sido amigos.

Sobre la escritura

¿Por qué amamos tanto a Tolkien? Bueno, El Señor de los Anillos habla por sí solo.

Pero también somos grandes fanáticos del proceso de escritura de Tolkien.

Tolkien solía practicar la escritura libre. Empezaba con ideas pequeñas y espontáneas que luego evolucionaban en narrativas complejas. Por ejemplo, la icónica primera frase de El Hobbit se le ocurrió mientras calificaba trabajos de estudiantes.

Tolkien construyó sus personajes y tramas de forma orgánica, descubriendo con frecuencia la trama a medida que escribía, de forma similar a cómo un pintor añade capas gradualmente a un lienzo. Al principio, no se preocupó por los detalles, sino que los dejó emerger a medida que escribía.

Obtenga más detalles en "Cómo escribir como J. R. R. Tolkien".

Sobre vivir la vida de escritor

A Tolkien le llevó 14 años y un proceso de escritura muy intensivo completar los escritos de la Tierra Media que conocemos y amamos hoy.

Dependiendo de lo rápido que escribas, eso podría parecer muchísimo tiempo... o muy corto. Sea como sea, la realidad es esta: no puedes tomarte 14 años de tu vida para dejar de vivir y sumergirte en tu mundo de fantasía. Ambos deben coexistir.

Tolkien es un maravilloso ejemplo de esto.

Tenemos la suerte de poder echar un vistazo a la vida de Tolkien a través de su correspondencia con sus seres queridos. Estas cartas ofrecen una visión fantástica de cómo Tolkien compaginaba la escritura con las tareas del hogar y la vida familiar, así como con su trabajo diario como profesor.

Otra cosa interesante sobre Tolkien es que su éxito se produjo durante su vida, algo que no ocurrió con muchos autores que hoy consideramos clásicos.

Las cartas de Tolkien ofrecen una visión increíble de cómo afrontó el éxito comercial de El Señor de los Anillos y cómo luchó para escribir a pesar de ello.

Lea más en "4 lecciones de escritura de J. R. R. Tolkien que realmente no quieres escuchar".

Lecturas adicionales sobre J. R. R. Tolkien

  • CÓMO ESCRIBIR COMO J. R. R. TOLKIEN : Es fácil imaginar a J. R. R. Tolkien sentado, escribiendo una obra maestra de fantasía tras otra. Al fin y al cabo, así es como leemos y experimentamos sus historias hoy. Pero la realidad era muy distinta.
noviembre 21, 2025 4 lectura mínima

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

noviembre 19, 2025 3 lectura mínima

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

octubre 26, 2025 2 lectura mínima

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.