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Meet the Freewriter: Brie Ripley Sparks

Annie Cosby
octubre 12, 2025 | 4 lectura mínima

The winner of the inaugural Freewrite 500 flash fiction competition is Brie Ripley Sparks, with her short story "High Holy Days."

Brie Ripley Sparks is a communications director and artist from Seattle. She currently lives in Rome, Italy, where she runs comms, media, and PR for the head of the United Nations World Food Programme.

Brie believes art can and must exist even in the hardest contexts, in war, in displacement, in hunger. She wants her work to matter — to make people’s lives better, or at least more interesting.

Read on to learn more about Brie and her writing process.

ANNIE COSBY: What does your writing life look like?

BRIE RIPLEY SPARKS:I try to write every morning, right after waking up. I commit to a 30-minute writing flow at minimum, sometimes longer if more needs to get out on the page.

I write both longhand and on my computer. I always keep a notebook nearby (and now, my Freewrite Traveler!) and sometimes wake in the middle of the night with ideas or bits of dialogue I type into my phone before they slip away.

My husband, Ryan Sparks, is the most talented writer I know — forever my first reader and favorite editor. He hasn’t shared his own creative writing with the world yet, but when he does, it will be better for it.

I’ve been lucky to incorporate much of my writing practice professionally. Over the past six years, I’ve worked as a communications manager and social media ghostwriter for executives across a range of industries: scientists, creatives, and philanthropists. For the past two years, I led communications for the head of the United Nations World Food Programme, which is what brought me to Rome.

Ryan and I will be moving back to my hometown, Seattle, this winter, so I’m beginning to look for my next professional chapter. I want to channel more of my creative energy into guiding others in the art of communication — PR and media management, communications reporting, and writing for thought leaders — while dedicating my personal time to fiction. 

AC: Are there any specific writers or books you’ve been influenced by?

BRS:So many. I fell into a reading slump a few years ago, then wandered into a bookstore and picked up Aesthetica by Allie Rowbottom because the colorful cover caught my eye.

I reached out to tell her she’d pulled me out of my literary hiatus, and she introduced me to writers like Tea Hačić-Vlahović and Chelsea Bieker. From there, my reading life exploded. I’ve been devouring fiction ever since and only started the steady personal writing practice I described above a few months ago.

For speculative fiction, the late Jacqueline Harpman’s I Who Have Never Known Men is a touchstone. For contemporary work, I keep returning to Ottessa Moshfegh’s My Year of Rest and Relaxation.

AC: Why do you think you are drawn to your specific genre and themes?

BRS: I’m drawn to stories that examine power, especially in workplaces and social circles, and the quiet negotiations people make between their inner and outer selves.

I’m fascinated by why we self-soothe in ways that numb us, and by the blurry line between dystopia and utopia.

Maybe it’s because I watch a lot of science fiction, but I love exploring what happens when ordinary human psychologies meet extraordinary circumstances.

READ "HIGH HOLY DAYS" BY BRIE RIPLEY SPARKS

AC: What are you working on right now?

BRS:I’m following The 90-Day Novel and Cody Cooke Parrott’s The Long Arc practice and working on my debut, tentatively titled A Rare Medium Well Done.

It’s about a young public radio producer at a station outside Yellowstone National Park whose voice wields more power than she realizes, even as she struggles to control other forces like addiction, ambition, and the ethics of journalism.

AC: Wow, I'd like to read that right now. How did you hear about Freewrite?

BRS: This will be my first Freewrite device, and I am over the moon about it! Shoutout to @baileybcreates on TikTok who first showed me what a Freewrite Traveler is. I just so happened to see her video a few days before the Freewrite 500 contest prompt was announced.

AC: Any fun facts about you that you'd like to share?

BRS:I have two cats, brothers named Marc and Chainsaw. After moving abroad, I got back into film photography thanks to a friend who gifted me an Olympus OM-G (an incredible going away gift — thank you, Anthony) and fell in love with film soup by Hanalogital.

I also have an analogue collage practice that I occasionally share snippets of on my Substack.

This is my first published piece of fiction! Thank you, Flash Fiction Institute and Freewrite. I hope to publish many, many more.

Follow along on Brie's writing journey on Substack, Instagram, or TikTok.

READ "HIGH HOLY DAYS" BY BRIE RIPLEY SPARKS

noviembre 21, 2025 4 lectura mínima

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

noviembre 19, 2025 3 lectura mínima

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

octubre 26, 2025 2 lectura mínima

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.