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Historia de las herramientas de escritura de un escritor de novela negra

agosto 15, 2023 | 5 lectura mínima

Por Michael Jecks

Michael Jecks lleva seis años usando Freewrite para redactar sus novelas de misterio medieval. A modo de reflexión sobre estos últimos seis años, Michael nos ofreció un breve repaso de las herramientas de escritura que ha utilizado a lo largo de los años, desde máquinas de escribir hasta Freewrite.

Comienzos de escritor

Llevo treinta años creando historias de crímenes; me gusta el crimen: ha pagado mi calefacción y mi comida durante todo este tiempo.

Cuando empecé a escribir, allá por un pasado remoto (1993), la vida era bastante difícil. Solo tenía una máquina de escribir con una sola línea de pantalla de cristal líquido. Era, proclamaba con orgullo, un procesador de textos. Solo que no cumplió del todo mis expectativas. Había pasado diez años vendiendo máquinas Wordplex y Wang WP. Estas tenían pantalla, teclado y discos de memoria. La máquina de escribir no, aunque el teclado era una delicia. Para escribir algo, tenía que insertar papel y esperar a que me llegara la inspiración. Rara vez lo hacía.

Convertirse en profesional

Al año siguiente, compré una PC y me lancé a escribir. Era una IBM PS2, sorprendentemente buena para escribir en comparación con la máquina de escribir. Tenía pantalla, buen teclado, memoria e impresora. De repente, podía ver cómo mis historias se desarrollaban en la pantalla, y aun así… estaba atado a un escritorio con esa máquina. Necesitaba algo más portátil.

Pronto cambié la PS2 por una laptop nueva, elegante y bonita. Era excelente, una máquina AST con una memoria enorme (diez megabytes, creo recordar) y funcionaba de maravilla. Hasta que, claro, el teclado dejó de funcionar. Ya estaba escribiendo dos novelas de mi serie "El Misterio del Último Templario" en ese momento, y el teclado dejó de funcionar a los dieciocho meses.

Eso se convirtió prácticamente en mi tendencia habitual. Los teclados duraban entre dieciocho meses y dos años. Durante este tiempo, redescubrí la alegría de los teclados de verdad. Aquellos que, como el IBM DisplayWrite, el Wang Office Information System, el Wordplex 80-3G y otros, tenían teclas con resortes individuales en lugar de una especie de almohadilla de goma sobre la que se apoyaban todas las teclas, y que se esperaba que hiciera que todas rebotaran exactamente de la misma manera. De hecho, empecé a tratar con un proveedor de teclados regularmente.

¿Por qué? Porque los teclados no duraron. Funcionaron como máximo dos años, y luego tuve que cambiarlos.

Alrededor del año 2000, me pasé a las computadoras Apple y he trabajado felizmente con iMacs durante los últimos veinte años. Son mis caballos de batalla, y los cambio cada cuatro años aproximadamente, aunque los teclados no. Cuando compro una Apple nueva, vendo el teclado que viene incluido y recurro a mi proveedor de teclados para conseguir un teclado con teclas flexibles. En mi experiencia, los teclados Apple duran doce meses de uso intensivo, y soy un escritor profesional con tres libros al año que escribir. ¡Eso es un uso intensivo, en cualquier caso!

Pero mi vida cambió en 2017.

Ingrese a Freewrite

Para mis pecados, tengo un canal de YouTube llamado Writerly Witterings , donde hablo sobre escritura, pero también sobre todo lo que facilita y mejora la escritura. Doy consejos y ayudo a quienes tienen dificultades para contar sus propias historias, y reviso bolígrafos, papeles, tintas: todo lo relacionado con la creación de historias.

Y un día oí hablar de una extraña máquina llamada Freewrite .

Como escritor, me encanta encontrar cualquier herramienta que me facilite la vida. Pregunté al equipo de Freewrite si sería posible tener una Freewrite para revisar, y tuvieron la amabilidad de enviarme una, lo que me permitió dos semanas para experimentar con ella. Les escribí para explicarles que justo en ese momento estaba terminando la edición de un libro anterior, así que no podía tocar esta máquina de dibujo durante al menos una semana. ¿Sería posible tenerla durante un mes para tener tiempo de usarla cuando me enfadara? Me dieron permiso.

¿El resultado? Tras una semana de uso, contacté con Freewrite para comunicarles que me lo quedaba. ¿Cuánto tenía que pagar?

¿Por qué lo conservé?

El teclado es excelente, la pantalla me permite trabajar con varias líneas de texto y el almacenamiento es enorme. Puedo levantarlo y alejarme del escritorio, el iMac, los teléfonos y todas las interrupciones.

Lo llevo conmigo en los trenes. Cuando llevaba mi MacBook Air, tan bonito y ligero, a veces conseguía escribir trescientas palabras en el viaje a Londres. Son dos horas (o más) de ida y vuelta. La primera vez que usé el Freewrite, conseguí escribir más de tres mil palabras. Sí, una mejora de diez veces.

Me han dicho que soy un tonto por gastar tanto en una "máquina de escribir". Que podría haber comprado una computadora que me habría hecho mucho más. Y ahí es cuando sonrío con condescendencia, porque quienes dicen eso no tienen ni idea.

En casa tengo un destornillador, que me sirve más o menos para la mayoría de los tornillos. Si fuera relojero, tendría un juego de destornilladores de todos los tamaños. Querría tamaños precisos específicos para los tornillos con los que tengo que trabajar.

Como autor, escribo novelas de ciento veinte mil palabras o más. No quiero ni uso hojas de cálculo. No necesito software de presentaciones. ¿Qué otro software me ofrecerían estas computadoras multiusos? ¿Correo electrónico? ¿Redes sociales? Tengo un teléfono para ellas.

En cambio, Freewrite me deja libre para crear.

Una herramienta para escritores profesionales

Con Freewrite, puedo escribir durante horas sin cansarme con esa maravillosa pantalla y su magnífico teclado. Puedo llevarlo a todas partes sin preocuparme por la batería. Se adapta cómodamente a mi regazo cuando lo necesito, pero también funciona a la perfección sobre una mesa. Las teclas siempre están en la posición correcta, y sin la pesada pantalla de cristal del portátil, nunca da la sensación de que se vaya a desequilibrar.

En resumen, para mí, como escritor profesional, la mejor herramienta que puedo usar para crear mis libros es Freewrite. Y ahora, después de seis años creando libros con él, sigue funcionando a la perfección. El teclado no necesita ser reemplazado y se siente tan nuevo como el día que lo compré.

¿Puedo editarlo? ¡No! Ni quiero. En cambio, puedo crear mundos, personajes, tramas, y hacerlo durante horas, esté donde esté.

Sigue siendo la mejor herramienta porque está diseñada específicamente para una tarea en particular y en eso destaca.

LEA EL PRIMER LIBRO DE MICHAEL, EL ÚLTIMO TEMPLARIO .

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Michael Jecks

Michael Jecks es el autor más vendido de más de 40 novelas, incluyendo la internacionalmente popular serie Templaria . Es miembro de la Sociedad de Autores, la Real Sociedad Literaria, la Asociación de Escritores de Crimen y el Club de Detección, y ha sido miembro del jurado de numerosos premios de la industria. Sus libros han sido preseleccionados para premios como el premio Harrogate y el Premio Theakstons a la Novela Policial del Año, un galardón poco común para una novela medieval.

Michael vive, camina, escribe y pinta en North Dartmoor, Reino Unido.

Encuentra a Michael en línea: Sitio web | Libros | YouTube | Twitter

noviembre 29, 2025 4 lectura mínima

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

noviembre 25, 2025 1 lectura mínima

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

noviembre 21, 2025 4 lectura mínima

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.