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¿Por qué te desplazas cuando quieres escribir?

Concetta Cucchiarelli
julio 05, 2024 | 4 lectura mínima

Cada vez que sacamos nuestro teléfono inteligente, nos enfrentamos al mismo dilema inconsciente: consumir o crear.

Piénsalo: podrías hacer un millón de cosas con un teléfono. Podrías componer la próxima pieza musical ganadora del Grammy mientras viajas al trabajo. Podrías escribir un libro ganador del Premio Pulitzer mientras haces cola para tomar un café.

Pero casi siempre terminamos eligiendo lo mismo: consumir vídeos, fotos, publicaciones y pensamientos de otras personas.

La facilidad de consumo vs. la dificultad de creación

Ya sea una serie de Netflix, un videojuego, un podcast o simplemente navegar por los millones de videos de Instagram o TikTok disponibles, cuando nos aburrimos y recurrimos a consumir algún tipo de medio, las excusas siempre son las mismas:

"Me lo merezco". "He trabajado muchísimo". "Solo este y luego empiezo a trabajar". "Solo son cinco minutos".

Ese es tu cerebro trabajando, tratando de encontrar buenas razones para tus decisiones irracionales.

Esto se debe a que el cerebro adora la consistencia y la facilidad. Es "una máquina de consistencia", como la llama el premio Nobel Daniel Kahneman .

Siendo justos, consumir no es malo en sí mismo. Al contrario, nos permite desconectar y descansar del agotador proceso de autocontrol necesario para concentrarnos y comportarnos como la sociedad nos dicta. Esta desconexión es útil por un tiempo limitado, siempre y cuando sepamos cómo no caer en la trampa.

El problema es que los medios y las plataformas que usamos hoy en día están diseñados específicamente para mantenernos enganchados el mayor tiempo posible. Simplemente porque mientras estamos en ellas, generan ingresos. Cada día, nos enfrentamos a una enorme cantidad de contenido creado a propósito para mantenernos enganchados.

Y existe un proceso biológico que nos mantiene enganchados. Todo esto se basa en el sistema de recompensa de la dopamina , que crea una adicción similar a la de las drogas y el alcohol.

La dopamina inhibe el autocontrol, por lo que cuando quedamos atrapados en el círculo, resulta difícil salir utilizando únicamente el autocontrol.

Existe un proceso biológico que nos mantiene enganchados. Todo esto se basa en el sistema de recompensa de la dopamina, que crea una adicción similar a la de las drogas y el alcohol.

En el otro extremo del espectro, nos encanta hacer cosas creativas, como escribir y el arte, entonces ¿por qué es tan difícil empezar?

Crear algo de la nada, ya sea escribir, pintar o cualquier actividad que requiera resolución de problemas, requiere autocontrol para empezar (y seguir adelante), así como otras habilidades y capacidades que requieren mucha más energía mental. Y al cerebro sabio le encanta guardar energía para cuando la necesita.

Como dijo una vez el famoso monologuista Jerry Seinfeld sobre escribir: es lo más difícil del mundo. Hay que tener mucha fuerza de voluntad y energía para seguir haciéndolo cada día. No es fácil, aunque te guste.

Para resumir la esencia de la cuestión: consumir y crear tienen dos "barreras de acceso" diferentes, como las llamaríamos en los negocios, lo que hace que una sea más fácil que la otra.

No necesitamos demasiados recursos para empezar a consumir, y se vuelve cada vez más adictivo a medida que avanzamos. Por el contrario, crear es más difícil de iniciar y de mantener.

Para resumir la esencia de la cuestión: consumir y crear tienen dos "barreras de acceso" diferentes, lo que hace que una sea más fácil que la otra.

Cómo salir del bucle del consumo

Bien, entendemos por qué nos encontramos navegando o viendo la televisión con tanta frecuencia. Pero ¿cómo superamos esa adicción para encontrar un equilibrio saludable entre crear nuestro propio trabajo y consumir sin caer en la trampa?

A continuación se ofrecen algunos consejos:

1. Planifique con anticipación.

Planifica tu día con el mayor detalle posible, garantizando espacio para lo esencial. Planificar es la mejor manera de evitar usar el teléfono "solo un segundo".

2. Mantenga una lista de "leer más tarde".

Guarda el contenido que quieres leer o ver en una lista para que cuando tengas tiempo para “perder”, sepas qué consumir sin dejarte llevar.

3. Aumente la fricción.

Aumenta tu fricción de consumo eliminando las redes sociales de tu teléfono y usando solo la versión de escritorio. Esto hará que sea más difícil caer en el círculo vicioso del consumo aleatorio y quedar atrapado allí.

4. Piensa a largo plazo.

Cada vez que estés a punto de empezar a desplazarte, intenta visualizar una imagen clara de tu yo futuro. Por ejemplo, imagina una versión completa de ti mismo sosteniendo el libro que escribiste. La satisfacción es mejor que la emoción.

5. Pregúntate: “¿En qué tipo de persona me estoy convirtiendo al consumir esto?”

¿Y cómo te hará sentir? Hoy en día, muchos medios están diseñados para enfurecer, inquietar o provocar una reacción. Antes de ver ese video, evalúa si realmente es lo que necesitas para afectar tus emociones hoy.

6. Comienza la mañana con un “sistema cerrado”.

Así lo llama Thibaut Meurisse en su libro "Desintoxicación de Dopamina" : un sistema sin acceso a estímulos innecesarios. No te metas en Instagram antes de levantarte de la cama. Empieza el día sin el móvil en la mano y te sentirás mucho mejor a lo largo del día.

7. Comparte tu trabajo constantemente.

Crea entusiasmo por tus escritos o obras de arte compartiéndolas con los demás. Una vez que sepan que te encanta hacer estas cosas, sentirás una nueva responsabilidad y placer por ello.

En general, si comienzas el día con un buen plan, una idea clara de lo que es esencial en tu lista de tareas pendientes y tecnología sin distracciones, estás construyendo las bases para un día más productivo y satisfactorio.

Regresar a "La psicología del enfoque"

agosto 26, 2026 5 lectura mínima

Freewriter Mike Somerby left a lucrative marketing career in e-commerce to start a print-only literary magazine by and for Montanans. Yes, you read that right.

We sat down with Mike to find out how ... and why.

Mike Somerby identifies as a writer — with some reservation.

"I think all who write are 'writers,'" he says, "even if the writing itself amounts to a simple letter to a friend or a personal journal entry."

We couldn't agree more. And we're thrilled that this particular writer writes his essays on Freewrite. Maybe that's why we felt comfortable asking him:

What inspires a professional brand marketer to leave his 9-5 and jump feet-first into the literary world of Bozeman, Montana?

Luckily, he was happy to tell us.

AC: Before we get into the lit mag, it actually isn't your first foray into the literary community, right?

MS: For about ten years — the lion's share of my professional chapter — I worked, in some capacity, as a brand marketer. Last spring, while enduring a particularly grueling stint as CMO for a Montanan e-commerce brand (yes, those exist), I found myself revisited by the remarks of an old journalism school professor: from his perspective, journalism students who apply their storytelling talents toward PR and marketing have crossed over to "the dark side."

While I find this a touch heavy-handed, I get the point, and I believe his notion resurfaced to meet the moment: we live in a world sorely hurting for analog (human) creativity and high-quality longform.

So I quit, traveled west with my dog in a 1986 U-Haul I'd converted into a camper, and plotted.

Step one: I founded Pulphead, a lounge (named after John Jeremiah Sullivan’s seminal 2011 essay collection) where Bozeman writers commune and grind out their prose until 2 a.m. Entry is a flat $5, which comes with unlimited drip coffee and tea.

Step two: leverage the Pulphead regulars and its online following to secure contributors for my new literary magazine, ANEMONE. Thus far, everything is going to plan.

We live in a world sorely hurting for analog (human) creativity and high-quality longform.

AC: Why do you think it's so important to create and preserve these spaces for authentic writing?

MS: Writing is a solitary act. Nonetheless, younger generations, in particular, struggle to forge IRL community in the way older generations might understand as an ordinary facet of being human.

By building a space that is as homey as it is supportive of their literary interests, we’re not only helping these individuals find their birds of a feather, but also providing them with a dojo that mandates setting aside blocks of time away from phones, home lives, and the other distractions. Win-win?

Incidentally, Livingston boasts the highest per-capita concentration of professional writers anywhere in the country. Couple this with another statistic — that Montana has more bookstores per capita than any other state — and it becomes clear southwest Montana is as fertile a place as any to invest in literature and its related industries.


AC: That's so interesting. What have you learned from being in community with creatives in Bozeman?

MS: In terms of writing, I've learned plenty. What has excited me most, however, is what I’ve learned from a small group of Indigenous women who come to the shop to write poetry and make beaded clothing in the traditions of their respective tribes (most notably, Crow, Cheyenne, Shoshone).

This is a group I’d otherwise have limited opportunity to engage with outside of Pulphead, and learning about their traditions, beliefs, hopes — even a little vocabulary — through firsthand conversation has proved incredibly edifying.

AC: And you mentioned you've seen Freewrites pop up in Pulphead. You use one, right?

MS: Yes. About seven years ago, not long after moving to Montana from New York, I purchased an Olivetti Lettera 32 typewriter from eBay. It appeared that a romanticizing of my newfound remoteness had rekindled my interest in writing.

I loved the mechanical feel and distraction-free interface, but the inability to edit line by line proved a notable annoyance for a mind habituated to modern computers. A few years down the road, some digging for alternatives led me to a blog post about smart/electronic typewriters. Voilà.

I purchased a Freewrite Gen3 Smart Typewriter, and I've been hooked ever since.

AC: That's awesome. So tell us about ANEMONE. What is it?

MS: ANEMONE is a print-only magazine (printed in a traditional broadsheet newspaper format). As for for theme, broadly, the world as told by Montanans. Short fiction, creative nonfiction, poetry, reportage, photography, and visiual illustrations comprise the submission categories.

AC: Print-only!

MS: Print is only dying because we let it.

AC: Is there a story about the name?

MS: Most people know the word anemone to describe a family of flowers — a 200-plus-species family of buttercups, comprising varieties both wild and domesticated. Dubbed “windflowers,” their delicate petals are said to blow open in the breeze; the ancient Greek word anemos means “wind.” I was drawn to the metaphorical value of beauty and how it can be revealed to us through an invisible force.

To add another layer, when I was a boy my father and I would spend weekends at the beaches north of San Francisco, where I was born and raised until I was seven. We would study the massive turqoise, kelly green, and purple sea anemones clinging to rocks left exposed by the receding Pacific tides (as to why, I can't say, outside of them looking funny, almost alien). A good memory.

Finally, “Anemone” is the name of an exquisite song by The Brian Jonestown Massacre, an irreverent and controversial rock band led by Anton Newcombe, an obsessive creative who rejects the surrender of culture and art to commercial interests. The track has a hold on me. It's like a portal to another era.

AC: Why do you think this sort of analog creativity is important?

MS:  I'm told the unending deluge of digital interface is leaving humans less and less capable of “deep work.” Will we ever know the difference?

Will we recognize what a society incapable of deep work looks like compared with those that came before it? Or will the transition manifest as a gradual degradation of quality, much as Coca-Cola was slowly, but surely, divorced from real sugar, such that to taste what Coke used to be like, one must order a Mexican Coke, still made with real cane sugar?

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

I prefer the former, and I suspect those who prefer the latter don't read or write much — life is a beautiful, taxing mess, and good writers find merit in this duality.

For me, analog perspective (and any creativity wrung from it) is rooted in continuity, tangibility, lived experience, slowness, spatial relation, nuance, emphasis on process, and grace for imperfection — antithetical to one of replicability, speed, binary outcomes, predictability, and optimization.

AC: Who is invited to submit to ANEMONE?

MS: We do limit submissions to Montanans, past and present, though we will feature writers from other states should the content of their writing bear an obvious relation to Montana — a requirement not imposed on Montanan writers.

All information regarding submissions can be found at www.anemonereview.com, along with all other facets of the magazine.

agosto 26, 2026 1 lectura mínima

Love the Freewrite 500? Here are 3 more writing contests for competitive short fiction writers.

1) Writers' Hour Magazine Prompts

The London Writer's Salon (a global writing group — no London residence necessary!) regularly host a writing contest via their Writers' Hour Magazine. Want to know a secret? Their September theme is all about freewriting.

Join them for a free workshop, Introduction to Freewriting, on Thursday, September 3, and get all the details about the contest.

The winner of the contest will win something Freewrite-shaped. 👀

2) NYC Midnight Challenges

This organization (again, no affiliation with NYC necessary) regularly hosts short story contests. Their next challenge is all about writing a rhyming story.

Learn more and register here.

Note: NYC Midnight writing contests generally have a fee to enter.

3) Henshaw Press Short Story Competition

This short story competition is open to anyone over age 16. And the best part? There is a cash prize, and profits go to charity.

Learn more here.

julio 30, 2026 2 lectura mínima

PRESENTED IN COLLABORATION WITH

Calling all micro-fiction storytellers! 🏁

For the second year in a row, Freewrite is teaming up with Grant Faulkner, co-founder of the Flash Fiction Institute and author of The Art of Brevity, to bring you the fastest, most adrenaline-pumping writing event of the year.

Whether you're a seasoned writer or a creative rookie, the Freewrite 500 is your chance to rev up your imagination, write a 500-word story, and win big.

You do not need to own a Freewrite to participate.

[REGISTRATION CLOSED]

 

How It Works

🎟️ Fill out the form above to secure your spot. It's totally free. (You must register to participate.)

📖 Watch the free mini flash fiction lesson by Grant Faulkner, which includes the announcement of the prompt for the contest. WATCH IT HERE.

📝 You'll have the weekend to finish and submit your 500-word storybased on the prompt by end of day on Monday, August 17. Entries must be 500 words or less. The entry form is plain text. Any necessary formatting should be noted in [brackets]. [SUBMISSIONS CLOSED]

✏️ Our judging panel, led by Faulkner and made up of writers from the Freewrite team and the Flash Fiction Institute, will judge each piece based on: length (500 words), relevance to the prompt, and creativity.

🥇 NEW THIS YEAR: The panel will select three finalists, and then announce one grand prize winner.

All work must be submitted by 11:59 p.m. ET on Monday, August 17, 2026.

The Prize Pack

One winner will receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Traveler
  • 1 hour-long one-on-one coaching session with Grant Faulkner
  • 1 free Flash Gym session with the Flash Fiction Institute
  • 1 Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

Second and third place writers will each receive:

  • Publication on the Freewrite blog and Flash Fiction Institute blog
  • 1 Freewrite Alpha
  • 1 free Flash Gym session with the Flash Fiction Institute
  • Words Are Hard prompt deck
  • A paperback copy of Set Your Story Free, the ultimate guide to freewriting
  • A digital copy of the opening chapter of Grant Faulkner's book, The Art of Brevity

The Schedule

  • Thursday, Aug 13: Lesson & prompt announcement
  • Monday, Aug 17: Submissions deadline
  • Monday, Aug 31: Finalists announced
  • Monday, September 7: Grand prize winner announced

Questions? You can reach us at hello@getfreewrite.com.

Write on.

The Freewrite 500 Pit Crew 🏁 

Full contest terms and conditions