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Ce que les écrivains peuvent apprendre de JRR Tolkien

Annie Cosby
décembre 30, 2024 | 3 lire la lecture

Le dernier volet de la saga de la Terre du Milieu de J.R.R. Tolkien a été publié il y a 69 ans. Les Hobbits – et leurs lecteurs – ont enfin atteint le Mont du Destin, et le genre fantastique a été transformé à jamais.

Avant Tolkien, la fantasy était souvent reléguée aux contes de fées et aux histoires pour enfants, dépourvue des intrigues complexes et des décors détaillés qui caractérisent le genre aujourd'hui. Il a établi une nouvelle norme en matière de création d'univers, introduisant un monde véritablement immersif en Terre du Milieu, avec ses propres langues, son histoire et sa mythologie. Ses personnages ont établi de nombreux archétypes et tropes fantastiques que nous connaissons aujourd'hui.

Bien sûr, les thèmes abordés par Tolkien étaient également plus matures. L'exploration de l'héroïsme, de l'amitié, de la mortalité et de l'influence corruptrice du pouvoir ont élevé la fantasy au rang de forme littéraire sophistiquée.

Le genre fantastique, autrefois considéré comme un genre échappatoire ou juvénile, est devenu un domaine respecté pour explorer des expériences humaines profondes.

Alors, que pouvons-nous exactement apprendre, en tant qu’écrivains, du grand Tollers* et de ses chefs-d’œuvre de haute fantasy ?

*C'est comme ça que ses amis l'appelaient. Et on aime à penser qu'on aurait été amis.

Sur l'écriture

Pourquoi aimons-nous tant Tolkien ? Eh bien, Le Seigneur des Anneaux parle de lui-même.

Mais nous sommes également de grands fans du processus d’écriture de Tolkien.

Tolkien a souvent adopté l'écriture libre. Il commençait par de petites idées spontanées qui évoluaient ensuite vers des récits complexes. Par exemple, la première phrase emblématique du Hobbit lui est venue alors qu'il corrigeait des copies d'étudiants.

Tolkien construisait ses personnages et ses intrigues de manière organique, découvrant fréquemment l'intrigue au fur et à mesure de l'écriture, à la manière d'un peintre ajoutant progressivement des couches à sa toile. Au début, il ne se souciait pas des détails, mais les laissait émerger au fil de l'écriture.

Obtenez plus de détails dans « Comment écrire comme JRR Tolkien ».

Sur la vie d'écrivain

Il a fallu 14 ans et un processus d’écriture très intensif à Tolkien pour achever les écrits de la Terre du Milieu que nous connaissons et aimons aujourd’hui.

Selon votre rythme d'écriture, cela peut paraître incroyablement long… ou très court. Quoi qu'il en soit, la réalité est la suivante : on ne peut pas prendre 14 ans de sa vie pour s'arrêter de vivre et s'immerger dans son monde imaginaire. Les deux doivent coexister.

Tolkien en est un merveilleux exemple.

Nous avons la chance d'avoir un aperçu précieux de la vie de Tolkien grâce à sa correspondance écrite avec ses proches. Ces lettres offrent un aperçu remarquable de la manière dont Tolkien a su concilier écriture, tâches ménagères et vie de famille, ainsi que son métier de professeur.

Une autre chose intéressante à propos de Tolkien est que son succès s'est produit de son vivant, ce qui n'est pas arrivé à de nombreux auteurs que nous considérons aujourd'hui comme des classiques.

Les lettres de Tolkien donnent un aperçu incroyable de la manière dont il a géré le succès commercial du Seigneur des Anneaux — et de la façon dont il a lutté pour écrire malgré tout.

Pour en savoir plus, lisez « 4 leçons d'écriture de JRR Tolkien que vous ne voulez vraiment pas entendre ».

Lectures complémentaires sur JRR Tolkien

  • COMMENT ÉCRIRE COMME J.R.R. TOLKIEN : On imagine facilement J.R.R. Tolkien en train d'écrire chef-d'œuvre de fantasy après chef-d'œuvre. Après tout, c'est ainsi que nous lisons et vivons ses histoires aujourd'hui. Mais la réalité était bien différente.
novembre 21, 2025 4 lire la lecture

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.

novembre 19, 2025 3 lire la lecture

The E Ink delay is officially dead. Introducing the Freewrite firmware that transforms typing on E Ink once and for all.

octobre 26, 2025 2 lire la lecture

NaNoWriMo has fallen. A band of rebels known as NoNotWriMo has risen to take its place.

Every November, writers around the globe attempt to write 50,000 words in one month. But last year the organization behind the beloved National Novel Writing Month disintegrated.

In 2025, it's more important than ever to support feats of human creativity. So an intrepid group of humans has banded together to face the antagonist of our age.

Join us in the fight against the Modern Prometheus.