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Cómo usar el método del copo de nieve para escribir tu libro

marzo 19, 2020 | 6 lectura mínima

Hay un proverbio que dice: «Un viaje de mil millas comienza con un solo paso». En otras palabras, por larga y difícil que sea la tarea, debe comenzar con una simple acción. Si escribir más de 60 000 palabras te parece ese viaje proverbial, entonces el Método Copo de Nieve para planificar tu libro podría ser ideal para ti.

El Método Copo de Nieve fue inventado por Randy Ingermanson, un físico teórico que, por razones que ni siquiera él mismo comprende, de repente sintió el ardiente deseo de escribir una novela histórica de suspense. Su primer intento fue (en sus propias palabras) una "tontería horrible", pero sin desanimarse, persistió durante diez años más, trabajando arduamente para mejorar su técnica hasta que un agente finalmente se arriesgó con él y logró publicar su primer libro.

De repente, de nuevo por razones que no comprende, empezaron a pedirle que diera conferencias sobre escritura, y descubrió su pasión por la enseñanza de la narrativa. Fue entonces cuando publicó un artículo en su sitio web sobre su método de escritura de novelas, al que llamó "El método del copo de nieve". El resto, como dicen, es historia.

Entonces, ¿qué es el Método del Copo de Nieve? Como su nombre indica, es una forma de escribir un libro que imita la formación de un copo de nieve. Primero, una gota de agua se congela y se convierte en una partícula de polvo, creando un cristal de hielo. A medida que este cristal se desplaza por la atmósfera, el vapor de agua se congela en su exterior, creciendo y construyendo la estructura única del copo. En esta analogía, la premisa de la historia es el cristal de hielo original, y se construye a partir de ahí.

Analicemos cada paso del Método Copo de Nieve en detalle. Si sigues estos pasos fielmente, completarás todo el proceso de planificación y escritura de tu libro.

Paso uno: Escribe un resumen de una oración

Tiempo recomendado – 1 hora

En una frase corta (intente que no supere las 15 palabras), describa la premisa de su novela. No se preocupe por los nombres de los personajes ahora mismo; concéntrese en quiénes son y qué desafíos enfrentan. Ingermanson sugiere consultar la lista de los más vendidos del New York Times para ver buenos ejemplos. Por ejemplo, el resumen de "American Dirt" de Jeanine Cummins es simplemente: "Una librera huye de México a Estados Unidos con su hijo mientras es perseguida por el jefe de un cártel de la droga".

Paso dos: Escribe una introducción de un párrafo

Tiempo recomendado – 1 hora

Una vez que hayas condensado tu premisa en una sola oración, el siguiente paso es desarrollarla en un párrafo de unas cinco oraciones. La primera oración debe presentar la historia, y las tres siguientes deben describir los conflictos, desastres y problemas que surgen a lo largo de la novela. Finalmente, la quinta oración debe resumir todo lo que sucede.

Paso tres: Presenta a tus personajes

Tiempo recomendado: 1 hora por personaje

Ahora que ya sabes la historia que vas a contar, necesitas empezar a pensar en tus personajes. Para cada uno, crea un resumen de una página que contenga:

  • Su nombre
  • Una breve frase sobre su historia.
  • Su motivación
  • Su objetivo
  • Sus conflictos o desafíos
  • Qué aprenden o cómo cambian a lo largo de la historia
  • Un párrafo más detallado sobre su historia.

Estas descripciones generales de los personajes no tienen que ser perfectas desde el principio; siéntete libre de revisarlas y perfeccionarlas a medida que avanzas en el proceso. Cuanto más pienses en tus personajes y cómo encajan en tu historia (y entre sí), más evidente será que algunos elementos de tu configuración original pueden cambiar. ¡Ahora es el mejor momento para hacerlo, antes de invertir horas y horas escribiendo el primer borrador!

Paso cuatro: Escribe un resumen de una página

Tiempo recomendado – 3-4 horas

Ahora te estás adentrando más en la construcción de la estructura de tu novela. Toma la introducción de un párrafo del paso dos y convierte cada oración en un párrafo. Aquí, el primer párrafo establece el contexto, y los tres siguientes exploran los diferentes desafíos y conflictos que experimentan tus personajes. El último párrafo explica cómo se une todo y cómo termina la historia. Al terminar, deberías tener aproximadamente una página que cubra tu historia de principio a fin.

Paso cinco: Crea tus historias de personajes individuales

Tiempo recomendado – 1-2 días

A continuación, realizarás el mismo ejercicio de desarrollo con cada uno de tus personajes: escribirás una sinopsis de una página para cada personaje principal que cuente la historia desde su perspectiva. Haz lo mismo, pero más breve, para los personajes secundarios de tu novela. Recuerda que puedes volver a los pasos del uno al cuatro en cualquier momento durante esta etapa para realizar cambios a medida que vayas conociendo mejor a cada personaje.

Paso seis: Crea tu sinopsis

Tiempo recomendado – 1 semana

Este paso implica combinar tu resumen de una página y cada hilo argumental de tu personaje para crear una sinopsis de cuatro páginas. Aquí es donde tu historia realmente cobra sentido y puedes ver cómo interactúan todos los elementos. Probablemente descubras que necesitas volver atrás y hacer algunos ajustes a los pasos anteriores para que todo encaje.

Paso siete: Amplía tus personajes

Tiempo recomendado: hasta un mes

Es hora de conocer mejor a tus personajes y crear fichas detalladas para cada uno. Incluye cada pequeño detalle, como su edad, su aspecto, sus gustos y disgustos, sus motivaciones, sueños, metas y miedos. ¿Qué experiencias los moldearon? ¿Qué tipo de personalidad tienen? ¿Cuáles son sus cualidades? ¿Tienen alguna peculiaridad? Puede parecer una tarea laboriosa, pero te ahorrará aún más tiempo una vez que finalmente empieces a escribir el primer borrador, porque tendrás una idea fantástica de todos y ya habrás ajustado el resumen y la sinopsis de tu historia para dar cabida a cualquier revelación que surja de este proceso.

Paso ocho: Crea una hoja de cálculo de escenas

Tiempo recomendado: hasta una semana

Antes de ponerte manos a la obra con tu primer borrador, te puede resultar útil planificar todas tus escenas en una hoja de cálculo. Asigna una fila a cada escena, una columna para el personaje en primera persona y otra para describir brevemente lo que sucede en la escena (solo una o dos frases). Si tus descripciones se salen de la página y no quieres estar desplazándote constantemente de izquierda a derecha, asegúrate de tener activada la opción "Ajustar texto". Usa tu sinopsis de cuatro páginas para crear esta lista. Aunque pueda parecer extraño usar una hoja de cálculo para esta tarea, ayuda a mantener todo visualmente ordenado y facilita mover las escenas según sea necesario. Puedes agregar columnas adicionales para cosas como cuántas páginas ocupará cada escena y a qué capítulo pertenece.

Paso nueve: Amplía tus escenas

Tiempo recomendado – 1-2 semanas

Quizás ya estés listo para empezar a escribir, pero si no, este paso opcional te ayudará a prepararte aún más. Consiste en tomar cada breve descripción de escena de tu hoja de cálculo y escribir varios párrafos describiéndola. Aquí es donde puedes empezar a anotar fragmentos de diálogo y confirmar el propósito de la escena: ¿cuál es el conflicto esencial? Si no encuentras un propósito para la escena, tendrás que añadir uno o eliminarla de la historia. Debes empezar cada escena en una página o documento aparte. Ingermanson recomienda imprimirlas todas y guardarlas en una carpeta de hojas sueltas para poder tomar notas e intercambiar escenas fácilmente.

Paso diez: ¡Escribe tu libro!

Ahora tienes todas las herramientas para escribir tu historia, y esta parte del proceso será mucho más rápida porque ya sabes quién hace qué y cuándo. Aún habrá pequeños detalles que resolver, pero ya has hecho el trabajo duro, así que cualquier decisión que tengas que tomar en este punto será mínima.

El Método Copo de Nieve no solo sirve para empezar desde cero. También puedes usarlo para terminar una novela a medio escribir si te has perdido, o para pulir una novela terminada y que tu historia sea más concisa y coherente.

Si tienes una historia flotando en tu cabeza pero te sientes abrumado por la enormidad de escribir un libro o simplemente no sabes por dónde empezar, el sistema del Método Copo de Nieve de dividirla en sus pasos más pequeños puede ser justo lo que necesitas para finalmente comenzar a escribir.

noviembre 29, 2025 4 lectura mínima

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

noviembre 25, 2025 1 lectura mínima

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

noviembre 21, 2025 4 lectura mínima

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.