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7 diarios que todo escritor debería leer

Harrison Cook
septiembre 28, 2024 | 5 lectura mínima

Los diarios tienen un significado particular en la cultura moderna: el confesor silencioso en las películas para adolescentes, cuando la protagonista se cuelga de la cama y anota sobre su día con un bolígrafo borroso, como en Chicas pesadas , Lizzie McGuire o Unfabulous .

Pero los diarios son en realidad un concepto antiguo.

Uno de los libros de tipo diario más antiguos, el Diario de Merer , proviene del Antiguo Egipto y detalla la historia personal de un oficial de rango medio. La idea egipcia de llevar registros giraba en torno al comercio, pero con el tiempo, vemos aparecer registros personales en otras partes del mundo, como el libro de almohada (un libro que se colocaba bajo la cabeza mientras se soñaba) en el Japón del siglo X.

Durante el Renacimiento, muchas figuras públicas y artistas notables mantuvieron notas detalladas y registraron sus pensamientos, que luego se publicaron y formaron una importante columna vertebral de la literatura autobiográfica.

Los diarios ofrecen una mirada fascinante a las mentes de los artistas y nosotros, como escritores, podemos encontrar información útil sobre su vida y sus procesos creativos.

Con esto en mente, aquí hay siete diarios (sin ningún orden particular) que todo escritor debería leer.

1. Locamente, profundamente: Los diarios de Alan Rickman (No ficción creativa)

Los diarios de personajes famosos —y este es un subgénero aparte— pueden parecer superficiales, como si se inventaran entradas para reivindicar un pasado interesante. Pero no con Alan Rickman.

Antes de interpretar al genio criminal alemán o al descarado maestro de pociones que conocemos y apreciamos, fue diseñador gráfico y creativo. Pero su talento innato lo impulsó a la actuación, y en sus diarios de 1993 a 2015, nos sumergimos en las órbitas de prestigiosos escenarios de todo el mundo.

Su astucia y compromiso con la vida del artista son tan agudos y emotivos como su foto en la portada del libro. En la contraportada, encontrará interesantes elementos visuales con los que Rickman jugó frecuentemente, dada su formación en diseño gráfico.

2. Jane: Un asesinato de Maggie Nelson (Memorias en verso)

En Jane: A Murder , Maggie Nelson utiliza poemas, prosa y entradas del diario de su tía Jane para reflejar las verdaderas complicaciones del dolor, la pérdida y la ira, y cómo pueden proyectar una larga sombra sobre la familia al estilo de un crimen real.

La tía Jane de Nelson fue asesinada en Michigan en 1969, y el caso, aunque oficialmente no se resolvió (léase The Red Parts: Autobiography of a Trial ), fue el tercero de una serie de asesinatos brutales que sacudieron al estado.

En Jane , Nelson presenta el diario como un artefacto para ampliar e inyectar historia familiar en la desgarradora ausencia de Jane.

3. Los diarios de Franz Kafka (No ficción creativa)

Tras examinar a fondo las novelas y relatos de Franz Kafka, quise desenterrar la mente que inspiró su propio adjetivo, "kafkiano". En la traducción de Ross Benjamin de los diarios de Kafka, se conserva la naturaleza fragmentada de la prosa. Kafka solía terminar una entrada con un trazo horizontal, y Benjamin afirma que quería conservar las notas tal como las escribía Kafka, "dándoles una apariencia mucho más de puñaladas en la oscuridad".

La fragmentación de Kafka, aunque parezca incompleta, revela una excelente manera de abordar la escritura de diarios. A menudo, dejo notas fragmentadas en mi vida diaria. Escribir un diario puede ser un trabajo pesado, ¿por qué no ir al grano?

Muchas de las citas más impactantes de Kafka provienen de esta obra. Como:

“Un libro debe ser un piolet para romper el mar congelado que llevamos dentro”.

La sencillez de Kafka también dice mucho, como la entrada que dice simplemente:

"Demasiado cansado."

Demasiado cansado para una frase completa, un pensamiento completo, que en sí mismo es poesía.

4. El libro de almohadas de Sei Shōnagon (No ficción creativa)

Shōnagon fue una escritora japonesa del siglo X, frecuentemente elogiada como una de las mejores escritoras de prosa de la literatura japonesa, y también sirvió en la corte real, lo que le permitió tener una visión panorámica de los problemas frecuentes de la alta sociedad.

El libro de almohada de Shōnagon contiene diez años de sus escritos personales organizados por tema, desde “carruajes” hasta una lista de anuncios y cosas vergonzosas.

Una de mis secciones favoritas se llama “Cosas que caen del cielo”, que enumera nieve, granizo y lluvia, pero como en un ensayo, vemos breves interjecciones del escritor recontextualizando a través de una lente personal:

“Cuando la nieve empieza a derretirse un poco, o cuando solo ha caído una pequeña cantidad, entra por todas las grietas entre los ladrillos, de modo que el techo queda negro en algunos lugares y blanco puro en otros: muy atractivo”.

5. 9 de agosto—Fog de Kathryn Scanlan (Ficción — más o menos)

Como se describe en la introducción de este libro, Kathyrn Scanlan recibió el diario que posteriormente inspiraría este libro de un familiar que lo compró en una subasta de bienes. Scanlan lo atesoró durante una década, a medida que las páginas comenzaban a desprenderse y la encuadernación se desmoronaba, leyendo y releyendo compulsivamente el diario, escrito entre 1968 y 1972.

En un esfuerzo por preservar esa voz, Scanlan la adaptó a una narrativa ficticia, pero conservó intencionalmente las faltas de ortografía y las inconsistencias numéricas originales a lo largo del texto. 9 de agosto: La niebla emula el desgaste de una estación a otra, de un año a otro. Además, se puede leer de una sentada.

6. Sueños insomnes: Experimentos con el tiempo de Vladimir Nabokov (No ficción creativa)

El experimento inicial del “tiempo serial” que llevó a Vladimir Nabokov a registrar sus sueños es un poco extraño, pero los resultados son un ejercicio fascinante en el subconsciente de uno de los escritores más famosos del mundo.

A partir del 14 de octubre de 1964 y durante los siguientes 80 días, Nabokov anotó los sueños que lo despertaban cada mañana, en cuanto abría los ojos. Terminó registrando 64 sueños en 118 fichas.

Desde entonces, el editor Gennady Barabtarlo ha señalado dónde se pueden encontrar ejemplos similares dentro de las obras de ficción de Nabokov, creando una red de inspiración detrás de su trabajo.

7. Calendario de Lauren Haldeman (Poesía)

En mi primer año de universidad, asistí a una lectura de poesía de Lauren Haldeman, donde leyó un fragmento de la colección Calenday e interpretó un poema acompañado de un fascinante espectáculo de marionetas.

Haldeman creó su propia combinación de “calendario” y “día”, que habla de la capacidad de la colección de generar un año dentro de cada día de la maternidad y crea una exhibición deslumbrante de los diferentes modos de poesía, con la hablante oscilando entre documentalista, poeta y madre privada de sueño.

Haldeman presenta visiones alucinógenas de la vida cotidiana a través de una telaraña de la máxima sinceridad.

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En algún momento de nuestras vidas, todos hemos escrito " Querido diario" . Yo lo hacía a menudo. Ser hijo de profesor conllevaba privilegios, como conseguir un diario con llave y candado en la Feria del Libro Scholastic un día antes que el resto de mis compañeros.

Aunque mi diario original, con candado y llave, se perdió hace mucho tiempo, posiblemente semanas después de conseguirlo, de adulta, he pasado a llevar un diario para las semillas de historias, ensayos y poemas incompletos. Incluso cuando no estoy escribiendo, siempre estoy escribiendo.

Como cualquier hábito nuevo, escribir un diario requiere práctica y tiempo. Solo recuerda que no tiene que ser tan perfecto como crees. A veces, un pensamiento incompleto captura tu atención a la perfección en ese instante.

Incluso cuando no estoy escribiendo, siempre estoy escribiendo.

noviembre 29, 2025 4 lectura mínima

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

noviembre 25, 2025 1 lectura mínima

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

noviembre 21, 2025 4 lectura mínima

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.