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Comment écrire comme Stephen King

janvier 05, 2025 | 1 lire la lecture

Stephen King a publié dans de nombreux genres différents, mais Le Roi de l'horreur est surtout connu pour nous faire une peur bleue.

Que peuvent apprendre les écrivains des succès de King et de son œuvre abondante ? Plongeons-nous dans la carrière de cet écrivain légendaire…

Stephen King est souvent considéré comme le maître de l'horreur moderne, et pour cause. Sa carrière prolifique a façonné le genre, mêlant terreur psychologique et éléments surnaturels pour créer certaines des histoires les plus marquantes de la littérature.

De Carrie à Ça en passant par Shining , les histoires de King ont terrifié des millions de lecteurs (et de cinéphiles !) et ont établi la norme en matière de narration d'horreur.

Sa capacité à exploiter les peurs universelles – comme l’aliénation, la folie et la mortalité – a rendu son influence sur la littérature et le cinéma indéniable.

Découvrez certains de nos articles qui explorent la manière dont Stephen King a défini et redéfini les limites de l’écriture d’horreur :

50 conseils d'écriture parmi les plus précieux de Stephen King

[Lisez 50 des meilleurs conseils d'écriture de Stephen King]

3 auteurs qui écrivent comme Stephen King et comment vous pouvez le faire aussi

[Lisez 3 auteurs qui écrivent comme Stephen King et comment vous pouvez le faire aussi]

septembre 18, 2026 • 5 lire la lecture

I spent a decade correcting people's grammar. (Not in an insufferable way. I was getting paid to do it.) Now I write without correcting my own.

septembre 18, 2026 • 7 lire la lecture

Whether he's acting or writing, Wesley MacInnes finds a starting point for each creative project in freewriting.

septembre 10, 2026 • 2 lire la lecture

The winning short story in the 2026 Freewrite 500 is "Deathbed Victory" by Rocky Halpern.

I wish my mother could be a little less enthusiastic about losing weight from chemotherapy. Her sharp wrists and angular neck are trophies others remark upon. They look past her hair and eyebrows that are like hay carried away by a thunderstorm and ask if she’s doing keto or mediterranean. 

The world is mesmerized by shrinking things. Mini candy bars, happy meal toys, tiny dogs that fit inside a purse, dollhouses, adults who weigh as much as children. 

My mother wants me to go on Ozempic. I sit next to her hospital bed, and she wraps her wisp of a hand around my thick, pulsing wrist. She asks me to dream of wearing matching bikinis on the shores of a tropical beach. She wants me to share in her religion, recite the sacred text: Nothing tastes as good as skinny feels. 

But chemo has rubbed her tastebuds down to a dull throb, so what does she know about it anyway? 

She dozes off as evening begins to creep. The TV mounted to the wall across from the bed plays a muted rerun of Friends, the one where Monica wears a fatsuit. She is half my size, at least. I turn off the TV, let go of my mother’s hand, and head toward the cafeteria. 

I examine limp premade salads, gray tuna fish sandwiches, and an unmanned make-your-own smoothie station. Eating dinner here doesn’t leave me with much of an appetite. Maybe I don’t need weight loss medication after all, I can just skulk the halls and wonder how much time we have left together. 

How much of that time will my mother spend wishing there was less of me? 

How much less of her can there be before she disappears? 

A nurse is checking her vitals when I return to the room. My mother looks at me, laughs softly, and asks the nurse, Can you believe she used to fit inside of me? 

I think of how we must have been, her warm body encasing mine like a bacon-wrapped date. I wonder if she ate hot fudge sundaes when she was pregnant with me. I wonder if there is a single moment of her life where she didn’t feel terrified of her body. 

My mother is a ghost and it’s the proudest she’s ever been, her deathbed victory lap. Somewhere, Jenny Craig sheds a tear and whispers into the ether, It’s not just about losing weight; it's about gaining life.