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Esquemas para escritores que odian esquematizar

octubre 31, 2017 | 6 lectura mínima


Cate Dean lleva escribiendo mucho más tiempo del que quiere admitir. Ha publicado más de 40 libros y novelas cortas, y es conocida por su serie de misterio paranormal, Las Crónicas de Claire Wiche , así como por su serie de misterio acogedor, Los Misterios de Maggie Mulgrew.

Esquema.

Es solo una palabra, pero, oh, ¿puede dejarte temblando en tu silla, mirando una pantalla en blanco y con el sudor corriendo por tu espalda?

He estado en tu misma situación, muchas veces. Cada vez que leía un artículo sobre esquemas, acallaba las desesperadas quejas de mi improvisador y probaba la técnica más novedosa. El resultado siempre era el mismo: horas perdidas y un fracaso rotundo.

Ese fracaso me haría volver directamente a mis improvisaciones y a mis borradores largos y desordenados. Era más trabajo, pero era mucho más feliz sin la maraña de un esquema.

Si has pasado algún tiempo en foros de escritores o en cualquier grupo de escritura, sabes que la batalla entre quienes escriben sin pensar y quienes escriben sin esquemas ha sido larga y feroz. Cada bando afirma que su método es el mejor, el único.

Pero, ¿y si hubiera una tercera opción? ¿Una forma de esquematizar que no apagara tu creatividad y, de hecho, aumentara tu número de palabras?

¡Ajá! Ahora tengo tu atención.

¡Pero soy una improvisadora! ¡Delinear arruinaría mi proceso creativo!

Te entiendo. Tenía el mismo grito de guerra, la misma reacción cada vez que circulaba un nuevo proceso de esquema "perfecto".

Durante años, escribí sin pensar. Como dije antes, bosquejar nunca me funcionó. Después de dedicarme tanto tiempo a escribir cada detalle de mi mundo, mi trama y mis personajes, estaba tan harta de la historia que ya no quería escribirla.

¿Te suena familiar?

Si cada intento de esquematizar ha sido un desastre que te ha quitado tiempo y creatividad, ahora mismo estás asintiendo. Probablemente también estés listo para pasar a la siguiente publicación, antes de que vuelva a mencionar esa palabra malvada.

Dame un minuto más antes de que huyas.

Estoy aquí para decirles, como ex escritor improvisado, que hay una manera de delinear que no arruinará su proceso creativo. De hecho, todo lo contrario.

Déjame contarte cómo me convertí en un adepto del esquema, para siempre.

Por qué comencé a hacer esquemas y por qué tú también deberías hacerlo

Era 2012 y acababa de autopublicar mi primera novela corta. Estaba nervioso, emocionado y listo para dar el siguiente paso: escribir el primer libro de una posible serie.

Mi mayor obstáculo era trabajar 12 horas al día, con solo fines de semana y festivos para escribir seriamente. Como escritor improvisado, sabía que me llevaría una eternidad terminar el primer borrador, y aún más tiempo perfeccionarlo lo suficiente como para enviárselo a un editor.

Para agregar aún más presión, le di una fecha límite real a mi nuevo amigo autor, y ahora yo tenía que cumplir con esa fecha límite.

Había estado leyendo sobre la estructura de las historias y descubrí que, aunque inventaba historias sobre la marcha, entendía instintivamente el flujo de una historia y qué debía ir en cada lugar.

Llevo escribiendo mucho tiempo (desde los siete años) y creando historias completas con múltiples tramas en mi cabeza durante casi el mismo tiempo. Llevo años practicando la creación de historias.

Entonces tomé ese conocimiento y la estructura de la historia y comencé a escribir cosas.

Mi primer intento fue un proceso largo. Incluía fichas, un montón de notas y una plantilla que tardó días en completarse.

El resultado fue un esquema que me permitió escribir mi primer libro en tres semanas. Sí, leíste bien. Puede que me haya llevado más tiempo del previsto resolver la logística del esquema, pero tener todas las piezas en su lugar me permitió avanzar con la historia.

Fue el primer libro de lo que sigue siendo mi serie más vendida, Las Crónicas de Claire Wiche .

Decir que estaba emocionado sería quedarse corto. Estaba volando, y le pedí a varias personas que leyeran ese libro, solo para asegurarme de que no me imaginaba que tenía una buena historia.

Como apunte, todos estaban leyendo un primer borrador. Literalmente escribí los últimos párrafos y lo envié, más asustado que nunca.

Si hubiera sido un primer borrador previo al esquema, nunca habría dejado que nadie lo viera, no hasta que hubiera pasado por múltiples pasadas de edición.

Un resumen de un antiguo escritor improvisado

Desde esa primera experiencia, he ido perfeccionando y refinando mi esquema, para hacerlo rápido, fácil y un placer de hacer.

Nunca pensaste que verías contorno y placer en la misma frase, ¿verdad?

Lo que uso ahora es un esquema rápido, de una página y con viñetas, basado en la estructura de la historia. Me lleva un par de horas completarlo.

¿Estás listo para intentarlo?

Lo llamo mi esquema para aquellos que tienen fobia a los esquemas, como yo.

Así es como se ve:

  • Incidente incitador – (aquí es cuando algo cambia, es decir, cuando la historia realmente comienza)
  • Punto de la trama 1 : (aquí es donde se establece la pregunta de la historia: donde la vida del protagonista cambia para siempre)
  • Punto de presión 1 – (la oposición contraataca)
  • Punto de la trama 2 – (la nueva información permite que el protagonista comience a actuar en lugar de reaccionar, es decir, correr como un pollo salvaje)
  • Punto crítico 2 – (la oposición contraataca, dura y fea)
  • Punto 3 de la trama (este es el gran impulso para el tercer acto; normalmente, no hay información nueva después de este punto, pero esto no está escrito en piedra)
  • Momento negro – (lo peor que puede pasar: clavar a tu personaje en un árbol y luego prenderle fuego)
  • Resolución – (sácalos del árbol – sin un movimiento deus ex machina)

No da tanto miedo, ¿verdad? Para simplificar aún más el proceso, crea una plantilla que puedas usar una y otra vez. Luego, simplemente cópiala y pégala al principio del documento cada vez que comiences una nueva historia o libro. Es fácil consultarla y puedes borrar o tachar una escena al terminarla.

Un consejo extra: usa cada viñeta para crear un capítulo. Lo he estado haciendo con mis últimos libros y me ayuda mucho a tener fluidez y a no escribir capítulos demasiado largos.

No seas duro contigo mismo al abordar este esquema por primera vez. Recuerda que llevo años escribiendo y, para cuando llego al esquema, suelo tener la historia completa en mente.

Tómate el tiempo que necesites y ten en cuenta que este documento será fluido. Irás añadiendo, cambiando o modificando elementos a medida que avances en la redacción.

Ahí es donde comienza la verdadera diversión.

Ver cómo tu historia cobra vida, descubrir sorpresas divertidas y tener una historia concisa y emocionante te enganchará. Antes de que te des cuenta, no empezarás una nueva historia, sino el boceto de una nueva.

Y aquí lo tienen: un esquema que realmente puede resultar agradable.

El poder de este esquema reside en que te deja mucho espacio para la creatividad, incluso para desviarte del camino narrativo. Siempre tendrás un mapa para encontrar el camino de regreso.

También agilizará tu escritura y, además, probablemente aumentará tu recuento diario de palabras. Saber hacia dónde te diriges en una historia hace volar tu imaginación. Puede que tus dedos tengan dificultades para seguir el ritmo.

Hacer esquemas puede ser abrumador, sobre todo para quienes se estremecen al recordar los esquemas complejos y de varios niveles que les obligaban a crear en la preparatoria. Mi esquema simple elimina todo el miedo y devuelve la diversión.

¿Tienes algún método propio para delinear que te funcione? ¡Me encantaría saberlo! Compártelo con nosotros en los comentarios.

Ahora, sigue adelante y describe tu próxima obra con confianza.

salud,

~Cate


Cate Dean es autora, adicta a los viajes y una anglófila empedernida. Creció perdiéndose en la naturaleza de los mundos fantásticos y ha vivido sus propias aventuras recorriendo el Reino Unido y otras partes del mundo. Amante de todo lo sobrenatural, infunde ese amor en sus historias, dándoles un toque único. Cuando no está escribiendo, le encanta cocinar, asustarse en los cementerios locales y leer prácticamente cualquier cosa que caiga en sus manos.


Freewrite - Máquina de escribir inteligente sin distracciones

diciembre 30, 2025 3 lectura mínima

It’s Freewrite’s favorite time of year. When dictionaries around the world examine language use of the previous year and select a “Word of the Year.”

Of course, there are many different dictionaries in use in the English language, and they all have different ideas about what word was the most influential or saw the most growth in the previous year. They individually review new slang and culturally relevant vocabulary, examine spikes or dips in usage, and pour over internet trend data.

Let’s see what some of the biggest dictionaries decided for 2025. And read to the end for a chance to submit your own Word of the Year — and win a Freewrite gift card.

[SUBMIT YOUR WORD OF THE YEAR]


Merriam-Webster: "slop"

Merriam-Webster chose "slop" as its Word of the Year for 2025 to describe "all that stuff dumped on our screens, captured in just four letters."

The dictionary lists "absurd videos, off-kilter advertising images, cheesy propaganda, fake news that looks pretty real, junky AI-written books, 'workslop' reports that waste coworkers’ time … and lots of talking cats" as examples of slop.

The original sense of the word "slop" from the 1700s was “soft mud” and eventually evolved to mean "food waste" and "rubbish." 2025 linked the term to AI, and the rest is history.

Honorable mentions: conclave, gerrymander, touch grass, performative, tariff, 67.

Dictionary.com: "67"

The team at Dictionary.com likes to pick a word that serves as “a linguistic time capsule, reflecting social trends and global events that defined the year.”

For 2025, they decided that “word” was actually a number. Or two numbers, to be exact.

If you’re an old, like me, and don’t know many school-age children, you may not have heard “67” in use. (Note that this is not “sixty-seven,” but “six, seven.”)

Dictionary.com claims the origin of “67” is a song called “Doot Doot (6 7)” by Skrilla, quickly made infamous by viral TikTok videos, most notably featuring a child who will for the rest of his life be known as the “6-7 Kid.” But according to my nine-year-old cousin, the origins of something so mystical can’t ever truly be known.

(My third grade expert also demonstrated the accompanying signature hand gesture, where you place both hands palms up and alternately move up and down.)

And if you happen to find yourself in a fourth-grade classroom, watch your mouth, because there’s a good chance this term has been banned for the teacher’s sanity.

Annoyed yet? Don’t be. As Dictionary.com points out, 6-7 is a rather delightful example at how fast language can develop as a new generation joins the conversation.

Dictionary.com honorable mentions: agentic, aura farming, broligarchy, clanker, Gen Z stare, kiss cam, overtourism, tariff, tradwife.

Oxford Dictionary: "rage bait"

With input from more than 30,000 users and expert analysis, Oxford Dictionary chose "rage bait" for their word of the year.

Specifically, the dictionary pointed to 2025’s news cycle, online manipulation tactics, and growing awareness of where we spend our time and attention online.

While closely paralleling its etymological cousin "clickbait," rage bait more specifically denotes content that evokes anger, discord, or polarization.

Oxford's experts report that use of the term has tripled in the last 12 months.

Oxford Dictionary's honorable mentions:aura farming, biohack.

Cambridge Dictionary: "parasocial"

The Cambridge Dictionary examined a sustained trend of increased searches to choose "parasocial" as its Word of the Year.

Believe it or not, this term was coined by sociologists in 1956, combining “social” with the Greek-derived prefix para-, which in this case means “similar to or parallel to, but separate from.”

But interest in and use of the term exploded this year, finally moving from a mainly academic context to the mainstream.

Cambridge Dictionary's honorable mentions: slop, delulu, skibidi, tradwife

Freewrite: TBD

This year, the Freewrite Fam is picking our own Word of the Year.

Click below to submit what you think the Word of 2025 should be, and we'll pick one submission to receive a Freewrite gift card.

[SUBMIT HERE] 

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Sources

diciembre 18, 2025 5 lectura mínima

¿Qué pueden enseñar las cartas personales de Jane Austen a los escritores?

diciembre 10, 2025 6 lectura mínima

Singer-songwriter Abner James finds his creativity in the quiet freedom of analog tools. Learn how his creative process transcends different media.

Abner James went to school for film directing. But the success of the band he and his brother formed together, Eighty Ninety, knocked him onto a different trajectory.

The band has accrued more than 40 million streams since the release of their debut EP “Elizabeth," and their work was even co-signed by Taylor Swift when the singer added Eighty Ninety to her playlist "Songs Taylor Loves.”

Now, Abner is returning to long-form writing in addition to songwriting, and with a change in media comes an examination of the creative process. We sat down to chat about what's the same — and what's different. 

ANNIE COSBY: Tell us about your songwriting process.

ABNER JAMES: The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off.

And one of the things that occurred to me when I was traveling, actually, was that I would love to be able to do that but from a writing perspective. What would happen if I sat down and approached writing in the same way that I approached music? In a more intuitive and free-form kind of way? What would that dig up?

AC: That's basically the ethos of Freewrite.

AJ: Yes. We had just put out a record, and I was thinking about how to get into writing for the next one. It occurred to me that regardless of how I started, I always finished on a screen. And I wondered: what's the acoustic guitar version of writing?

Where there's not blue light hitting me in the face. Even if I'm using my Notes app, it's the same thing. It really gets me into a different mindset.

 "I wondered: what's the acoustic guitar version of writing?"

I grew up playing piano. That was my first instrument. And I found an old typewriter at a thrift store, and I love it. It actually reminded me a lot of playing piano, the kind of physical, the feeling of it. And it was really fun, but pretty impractical, especially because I travel a fair amount.

And so I wondered, is there such a thing as a digital typewriter? And I googled it, and I found Freewrite.

AC: What about Freewrite helps you write?

AJ:I think, pragmatically, just the E Ink screen is a huge deal, because it doesn't exhaust me in the same way. And the idea of having a tool specifically set aside for the process is appealing in an aesthetic way but also a mental-emotional way. When it comes out, it's kind of like ... It's like having an office you work out of. It's just for that.

"The way I tend to write my songs is hunched over a guitar and just seeing what comes. Sounds become words become shapes. It's a very physical process that is really about turning my brain off."

And all of the pragmatic limitations — like you're not getting texts on it, and you're not doing all that stuff on the internet — that's really helpful, too. But just having the mindset....

When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing. I find that to be really cool and inspiring.

"When I pick up a guitar, or I sit down at the piano, it very much puts me into that space. Having a tool just for words does the same thing."

AC: So mentally it gets you ready for writing.

AJ: Yeah, and also, when you write a Microsoft Word, it looks so finished that it's hard to keep going. If every time I strummed a chord, I was hearing it back, mixed and mastered and produced...?

It's hard to stay in that space when I'm seeing it fully written out and formatted in, like, Times New Roman, looking all seriously back at me.

AC: I get that. I have terrible instincts to edit stuff over and over again and never finish a story.

AJ:  Also, the way you just open it and it's ready to go. So you don't have the stages of the computer turning on, that kind of puts this pressure, this tension on.

It's working at the edges in all these different ways that on their own could feel a little bit like it's not really necessary. All these amorphous things where you could look at it and be like, well, I don't really need any of those. But they add up to a critical mass that actually is significant.

And sometimes, if I want to bring it on a plane, I've found it's replaced reading for me. Rather than pick up a book or bring a book on the plane, I bring Traveler and just kind of hang out in that space and see if anything comes up.

I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise. I've found that writing from words towards music, I get different kinds of songs than I have in the past, which has been interesting.

In that way, like sitting at a piano, you just write differently than you do on a guitar, or even a bass, because of the things those instruments tend to encourage or that they can do.

It feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me.

"I've found that it's kind of like writing songs on a different instrument, you get different styles of music that you wouldn't have otherwise... [Traveler] feels almost like a little synthesizer, a different kind of instrument that has unlocked a different kind of approach for me."

AC: As someone who doesn't know the first thing about writing music, that's fascinating. It's all magic to me.

AJ: Yeah.

AC: What else are you interested in writing?

AJ: I went to school for film directing. That was kind of what I thought I was going to do. And then my brother and I started the band and that kind of happened first and knocked me onto a different track for a little while after college.

Growing up, though, writing was my way into everything. In directing, I wanted to be in control of the thing that I wrote. And in music, it was the same — the songwriting really feels like it came from that same place. And then the idea of writing longer form, like fiction, almost feels just like the next step from song to EP to album to novel.

For whatever reason, that started feeling like a challenge that would be deeply related to the kinds of work that we do in the studio.

AC: Do you have any advice for aspiring songwriters?

AJ: This sounds like a cliche, but it's totally true: whatever success that I've had as a songwriter — judge that for yourself — but whatever success I have had, has been directly proportional to just writing the song that I wanted to hear.

What I mean by that is, even if you're being coldly, cynically, late-stage capitalist about it, it's by far the most success I've had. The good news is that you don't have to choose. And in fact, when you start making those little compromises, or even begin to inch in that direction, it just doesn't work. So you can forget about it.

Just make music you want to hear. And that will be the music that resonates with most people.

I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake. They're not real. None of those people are actually real people. You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one.

And I just don't think that we're that different, in the end. So that would be my advice.

AC: That seems like generally great creative advice. Because fiction writers talk about that too, right? Do you write to market or do you write the book you want to read. Same thing. And that imaginary focus group has been debilitating for me. I have to silence that focus group before I can write.

AJ: Absolutely.

"I think there's a temptation to have an imaginary focus group in your head of like 500 people. But the problem is all those people are fake... You're a focus group of one, you're one real person. There are more real people in that focus group than in the imaginary one."

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Learn more about Abner James, his brother, and their band, Eighty Ninety, on Instagram.