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5 consejos de un escritor de terror para terminar tu novela

junio 13, 2023 | 5 lectura mínima
Consejos de un escritor de terror

Por Will Boechler

Todos hemos llegado a ese punto al escribir nuestro proyecto en el que nos quedamos mirando la página, todo el trabajo duro y el tiempo que hemos dedicado a crear nuestro mundo y nuestros personajes, y pensamos: "¿Adónde voy ahora?". Este punto puede ser frustrante, pero hay formas de evitarlo, todas al alcance de la mano.

Hola, me llamo William Boechler y soy autor de terror y usuario de Freewrite de Portland, Oregón. Aquí les comparto cinco consejos que utilizo cuando mis historias necesitan un impulso extra para empezar.

1. Confía en tus personajes: motivación externa vs. motivación interna

A veces, al escribir, uno se queda atascado porque no quiere arruinar la caracterización de su personaje, ni cómo se siente o cómo podría actuar en una situación o escena determinada. Cuando tengo dificultades con esto, intento buscar dos cosas: la motivación externa y la interna de cada personaje.

La motivación externa describe el objetivo fundamental del personaje. En el exitoso libro apocalíptico de Cormac McCarthy, La Carretera , la historia gira en torno a un padre y un hijo que recorren este paisaje caduco. El objetivo: el padre quiere viajar al sur. Esa es la motivación externa del padre. Sin embargo, su motivación interna es mucho más profunda y personal, y no se revela tan fácilmente al principio. A medida que avanza el libro, nos damos cuenta de que este padre desea desesperadamente asegurarse de que su hijo esté a salvo en este nuevo mundo infernal. Esta es su motivación interna. La esencia misma de su ser. Quiere ir al sur, pero en realidad quiere asegurarse de que su hijo esté a salvo.

Cuando me atasco, anoto en un cuaderno las motivaciones internas y externas que creo que tienen mis personajes para la escena, pero también para toda la obra. Así, mientras escribo, puedo ver con más claridad qué límites superaría el personaje para conseguir lo que quiere.

2. Escenas secundarias

Cuando me quedo atascado escribiendo una escena, intento pensar en algo que influya en las acciones del personaje en ese momento, ya sea un evento pasado, un trauma, una relación o algo que pueda conectar emocionalmente con el momento presente en el que estoy atrapado. Pero la clave es que tenga una conexión emocional. Cuanto más fuerte sea la conexión, más podrá influir en la escena.

Una vez que encuentro ese momento, lo abro y exploro qué más lo rodeó. Qué olores, qué sensaciones evoca. A estas escenas, que aunque importantes, no necesariamente se incluirán en el proyecto, las llamo «Escenas Secundarias».

Lo divertido de las Escenas Secundarias es que, como quizá no se publiquen, puedes escribir sin preocuparte por las críticas ni por tener que pulirlo para una editorial. Estas escenas son solo para que aprendas más sobre tu personaje y puedas avanzar en tu historia. Puedes ser tan extravagante con las descripciones como quieras, ocupar páginas con un solo detalle si es necesario o escribir los pensamientos reactivos de tus personajes sin filtro. Quizás entonces, al analizar la psique de tu personaje, puedas descubrir algo sobre él que ni siquiera tú sabías antes.

3. Ampliación de contornos

Aunque hay dos tipos de escritores, los planificadores y los improvisadores, este consejo se aplica universalmente a ambos. Uno de mis antiguos profesores de guion me dio una vez un ejercicio para escribir la historia que estábamos planeando con tres niveles de detalle diferentes:

  • Una parte de la historia completa, como si fuera un resumen de la trama, llamada Esquema de Párrafo. Como su nombre indica, no debe tener más de uno o dos párrafos.
  • Luego, te acercas un paso más y creas el Esquema Completo, que te permite ver mejor cómo dividir el proyecto en actos. Es más detallado y puede abarcar varias páginas. Este esquema también te permite definir los puntos clave que quieres abordar en tu historia.
  • Por último, están los Esquemas de Escena, los más cercanos de todos, que te permiten desglosar el propósito de cada escena de tu historia y explorar su peso narrativo. Idealmente, tendrías varios Esquemas de Escena, lo que también te permite reorganizar el ritmo de tu historia a tu antojo si sientes que algo no fluye correctamente.

Usar estos esquemas me ha permitido mantenerme enfocado cuando me doy cuenta de que estoy escribiendo una escena donde realmente no sucede nada. Intento asegurarme de que cada escena tenga un objetivo para varios personajes, y es más fácil organizarlos y modificarlos por escena si tienes un esquema específico.

4. Paisajes sonoros y atmósfera

Una de mis cosas favoritas cuando me estanco escribiendo es alejarme un poco de la historia e imaginar cómo suena el mundo alrededor de mis personajes. Me hago diversas preguntas, como:

  • ¿Dónde están? ¿Cuál es el ambiente del lugar?
  • ¿Qué siente el personaje en ese momento? ¿Cómo puedo enfatizarlo con el sonido?

Lo que hago es buscar videos en YouTube de dos o incluso tres horas de duración que simulen el entorno del personaje de alguna manera, y los reproduzco en bucle. Puede ser prácticamente cualquier cosa, desde el Twin Peaks Double R Diner con jazz suave y el tintineo ocasional de los platos, hasta la biblioteca de un gran castillo gótico en un entorno medieval, con el crepitar de la chimenea, el crujido de las páginas de libros antiguos bajo los dedos del observador y el lejano retumbar de un trueno.

Luego, mientras suena ese paisaje sonoro, busco algo musical que lo acompañe. Suele ser la banda sonora de alguna película que se ajuste al ambiente de la escena, o una lista de reproducción personal para el personaje en particular (y si aún no creas listas de reproducción para tus personajes, te lo recomiendo encarecidamente). A medida que el paisaje sonoro continúa y la música me rodea, me resulta más fácil conectar con mi personaje.

5. Mira tus películas favoritas o lee otros libros

El último consejo es de eficacia comprobada: si tu proyecto actual se ha estancado, a veces es mejor alejarse un poco y dedicarse a algo que te guste. Ya sea una película que te guste, una serie de televisión o un libro que hayas leído varias veces, es importante darle un respiro a tu proyecto.

Si buscas inspirarte continuamente mientras te tomas un descanso de tu proyecto, intenta ver o leer cosas de tu género. Claro que ver o leer cosas fuera de tu género también puede ser muy útil. Te sorprenderá lo que puedes aprender de un western si eres escritor de terror.

--

¡Ahí lo tienen! Cinco consejos que me ayudan a terminar mis proyectos cuando me atasco. Pase lo que pase, es importante recordar que tu proyecto no es algo fácil de completar. Escribir es como cuidar un jardín. Cuidarlo demasiado lo arruinará. Tienes que confiar en tu capacidad para sentarte pacientemente, cuidando el jardín con delicadeza y cuidado, y poco a poco, cada planta de ese jardín florecerá en la hermosa flor de un borrador terminado.

Un día, cuando llegue el momento adecuado, podrás recoger esas flores y te darás cuenta de que tienes entre tus manos un ramo hermoso y vibrante como nunca antes has visto.

--

Will Boechler Will Boechler es un autor de Fargo, Dakota del Norte. Actualmente reside en Portland, Oregón, donde cursa su maestría en Escritura Creativa y observa la lluvia caer en su ventana.

Escribe en una máquina de escribir inteligente Freewrite con teclas negras personalizadas.

Visite su sitio web en WBoechler.com .

noviembre 29, 2025 4 lectura mínima

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

noviembre 25, 2025 1 lectura mínima

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

noviembre 21, 2025 4 lectura mínima

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.