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Pourquoi aimons-nous les histoires effrayantes ?

octobre 13, 2023 | 5 lire la lecture

Bon vendredi 13 ! C'est le jour idéal pour se plonger dans les genres les plus effrayants. 👻

Pourquoi aimons-nous les histoires effrayantes ?

La fascination pour le sombre et le macabre est profondément ancrée dans la psychologie et la culture humaines. À un niveau très simple, la peur peut déclencher une poussée d'adrénaline, une expérience viscérale et exaltante, agréable pour beaucoup.

Lire et écrire des romans d'horreur est aussi souvent une forme de libération émotionnelle, permettant d'affronter et de gérer ses propres peurs dans un environnement contrôlé et sécurisé. Autrement dit, nous pouvons affronter le danger à distance. Grâce à cette expérience, nous en apprenons aussi un peu sur nous-mêmes : comment réagissons-nous à la peur ? Qu'est-ce qu'elle ressent ? Jusqu'où pouvons-nous aller ? L'être humain est naturellement curieux, et affronter l'inconnu et les angoisses du « et si » à travers la fiction est donc tentant.

Pour en savoir plus, nous avons discuté avec deux auteurs d'histoires effrayantes de la Freewrite Fam de ce qui rend les histoires d'horreur si tentantes pour nous, simples mortels. Nous avons également discuté de leur processus d'écriture et de la suite de leur aventure dans l'horreur.

Sans plus tarder, rencontrez Briana Morgan et Connor Metcalf !

Plus effrayante qu'elle n'en a l'air : Briana Morgan

Briana Morgan a plus de dix ans d'expérience dans l'effroi, qu'il s'agisse de soi ou des autres. Elle est également membre active de l' Association des écrivains d'horreur . Et elle est plus effrayante qu'elle n'en a l'air…

Quels sont certains de vos auteurs d’horreur préférés ?

Certaines de mes influences littéraires incluent Shirley Jackson, Stephen King, Gemma Amor, Laurel Hightower et Daphne du Maurier.

Pourquoi pensez-vous que les gens sont attirés par les thèmes effrayants ?

Les histoires effrayantes nous permettent d'explorer les aspects les plus sombres de la vie sans risquer de nous blesser. Elles offrent un espace sûr pour l'exploration de soi, l'empathie et le développement personnel. De plus, c'est exaltant d'avoir peur (jeu de mots).

À quoi ressemble votre vie d’écrivain ?

Jusqu'à il y a deux semaines, j'étais rédacteur technique. Aujourd'hui, je suis auteur d'horreur à temps plein. J'essaie de publier au moins un livre par an, ce que je contrôle en grande partie car je suis auto-édité. Même si j'écris pour être publié, j'écris d'abord pour moi. Si on n'aime pas écrire, à quoi bon ?

En termes de processus, j'écris au moins 2 000 mots par jour sur mon Traveler lorsque je travaille sur un premier jet. Si je suis en train de corriger, je le fais une heure ou deux par jour.


Parlez-nous un peu de vos livres.

J'ai publié huit livres. Ils sont disponibles partout en format poche et livre audio, et en e-book uniquement sur Amazon . Mon livre « The Tricker-Treater and Other Stories » a remporté le prix Godless 666 du meilleur livre audio, et Son dernier opus, The Reyes Incident , s'est vendu à plus de 16 000 exemplaires à ce jour.

Tous ceux qui ont lu mon travail savent que j'adore l'horreur centrée sur les personnages. J'aime les histoires lentes, avec des enjeux personnels et des personnages imparfaits qu'on apprécie malgré tout.

Et sur quoi travailles-tu en ce moment ?

Actuellement, je travaille sur un nouveau projet, un roman d'horreur pour adultes sur une émission de télé-réalité sur une île déserte qui tourne horriblement mal.

Ça a l'air délicieux. Ou plutôt pas, en fait. Mais ça fait peur. Et parfois, c'est délicieux !

Briana Morgan est titulaire d'une licence en anglais et en écriture créative de l'Université Georgia College & State. Lorsqu'elle n'écrit pas, elle aime lire des romans dérangeants, jouer à des jeux vidéo et passer du temps avec son nouveau mari.

Apprenez-en plus sur Briana sur son site web , ou suivez-la sur Twitter , Instagram ou TikTok . Inscrivez-vous à sa newsletter sur substack.com/@brianamorgan .

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Embrasser le macabre : Connor Metcalf

Connor Metcalf vient de terminer son premier roman, une vaste fantasy noire de 98 000 mots sur le passage à l'âge adulte, chez Freewrite. Mais qu'est-ce qui l'attire dans les histoires sombres ?

Dans quel genre écrivez-vous ?

Le livre que je viens de terminer était un roman d'horreur, mais l'histoire elle-même a fini par devenir de la dark fantasy. Cependant, j'aimerais considérer ces deux genres comme des frères. Les romans d'horreur classiques ne m'ont pas forcément inspiré.

Quelles sont certaines de vos inspirations ?

Sans diplôme universitaire, je ne suis peut-être pas un romancier typique. Je n'ai jamais été épanoui à l'école. Ce n'était pas un environnement propice à mon apprentissage. Mon écriture est plutôt le fruit de mes lectures – et de mes lectures. Boulgakov, Rushdie, Miller, King – ils étaient mes professeurs d'université, et ils m'ont été plus utiles que n'importe quelle salle de classe.

Le Maître et Marguerite de Mikhaïl Boulgakov, La Neuvième Maison de Leigh Bardugo et Sharp Objects de Gillian Flynn étaient tous présents à l'esprit pendant que j'écrivais mon dernier livre, chacun comportant des éléments d'horreur variés, du ludique au grotesque.

Pourquoi pensez-vous être attiré par ces thèmes ?

Mon Dieu ! Enfant, j'avais peur de tout, mais pour une raison inconnue, je suppliais toujours mes parents de m'emmener voir des films d'horreur. Bien sûr, j'étais complètement désemparé après, terrifié à l'idée même de dormir dans ma chambre.

Je ne peux pas dire le moment exact, mais un déclic s'est produit à un moment donné de mon adolescence. Ma peur avait disparu. J'ai embrassé le macabre et l'horrible et j'ai trouvé ça, franchement, tellement excitant. Il n'y a vraiment rien de tel quand l'horreur est bien réalisée !

Parlez-nous un peu de votre vie d’écrivain.

Mon objectif ultime est d'être publié, mais il y a aussi une pulsion profonde d'écrire et une passion pour ce métier. Ces derniers temps, j'écris toute la journée. Je commence vers 10 h, je continue jusqu'à 16 h 30, je fais une pause pour faire du sport, puis je reprends après le dîner. J'étais complètement obsédé par mon dernier projet, ce qui a fortement influencé mes longues heures de travail. On verra si ça change pour le prochain roman.

Ma dernière histoire m'est tombée dessus, comme par magie, le jour même de l'arrivée de mon Voyageur. Coïncidence ? Je ne crois pas. Je me suis lancé, et avec 98 000 mots, je dirais que c'était une réussite !

Traveler est le seul produit que je possède de la gamme Freewrite, mais après avoir joué un rôle déterminant dans l'écriture de mon livre, j'envisage de passer à la version supérieure avec la machine à écrire Lemon Smart . Je le mérite, non ?

Sur quoi travaillez-vous en ce moment ?

Je suis en train de corriger un roman que je prétends terminé, mais qui ne l'est pas techniquement. L'histoire est terminée ; elle est juste peaufinée et peaufinée. C'est un roman de dark fantasy qui raconte le passage à l'âge adulte d'un lycéen du comté d'Orange, en Californie, durant l'été 2003. Le protagoniste est la cible privilégiée d'une femme malveillante qui s'empare de sa communauté.

Waouh, on a hâte de le lire !

Connor Metcalf vit et écrit à Los Angeles. L'écriture de son premier livre a été une expérience profondément enrichissante et il a hâte de poursuivre son aventure littéraire. Il est désormais en phase de rédaction de ses requêtes et se concentre sur son prochain projet. Suivez Connor sur Instagram ou LinkedIn .
novembre 29, 2025 4 lire la lecture

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

novembre 25, 2025 1 lire la lecture

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

novembre 21, 2025 4 lire la lecture

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.