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2026 Public Domain Introductions

Annie Cosby
janvier 09, 2026 | 2 lire la lecture

A new year means a whole new crop of work is entering the public domain. And that means endless opportunities for retellings, spoofs, adaptations, and fan fiction.

When Does a Work Enter the Public Domain?

In the U.S., a creative work enters the public domain based on a set of rules dictated by when it was originally created, who created it, and when it was published. That's a fancy way of saying "it's complicated."

For creative works (books, films, music scores) created on or after January 1, 1978, the general rule is that copyright lasts for the life of the author plus seventy years. Most works published in the U.S. before 1978 enter the public domain 95 years after their first authorized publication date, effectively on January 1st of the 96th year. (Of course, it's way more complicated than that, but that's a good overview of the general rule.)

Under current law, each January 1, another year’s worth of works enters the public domain. On January 1, 2026, works published in 1930 became free of copyright.

Additions to the Public Domain in 2026

Here are some of the works that the Freewrite team is most excited to see enter the public domain:

Books

  1. William Faulkner, As I Lay Dying
  2. Dashiell Hammett, The Maltese Falcon (the full book version)
  3. Agatha Christie, The Murder at the Vicarage (the first novel featuring Miss Marple)
  4. Carolyn Keene (pseudonym for Mildred Benson), the first four Nancy Drew books, beginning with The Secret of the Old Clock
  5. Watty Piper (pen name of Arnold Munk), The Little Engine That Could (the popular illustrated version, with drawings by Lois Lenski)
  6. T.S. Eliot, Ash Wednesday
  7. Edna Ferber, Cimarron
  8. Sigmund Freud, Civilization and Its Discontents (in the original German, Das Unbehagen in der Kultur)
  9. W. Somerset Maugham, Cakes and Ale
  10. Bertrand Russell, The Conquest of Happiness

Characters & Comics

  1. Betty Boop from Fleischer Studios' Dizzy Dishes and other cartoons
  2. Rover (later renamed Pluto) from Disney's The Chain Gang (as an unnamed bloodhound) and The Picnic (as Rover)
  3. Blondie and Dagwood from the Blondie comic strips by Chic Young
  4. Nine new Mickey Mouse cartoons, the initial week of Mickey Mouse comic strips, and ten new Silly Symphonies cartoons from Disney

Movies

  1. All Quiet on the Western Front, directed by Lewis Milestone (winner of the Academy Award for Best Picture)
  2. King f Jazz, directed by John Murray Anderson (musical revue featuring Paul Whiteman and Bing Crosby’s first feature-film appearance)
  3. Cimarron, directed by Wesley Ruggles (winner of the Academy Award for Best Picture, registered for copyright in 1930)
  4. The Blue Angel (Der blaue Engel), directed by Josef von Sternberg (starring Marlene Dietrich)
  5. Hell's Angels, directed by Howard Hughes (Jean Harlow’s film debut)
  6. The Big Trail, directed by Raoul Walsh (John Wayne’s first leading role)
  7. Murder!, directed by Alfred Hitchcock
  8. L'Âge d'Or, directed by Luis Buñuel, written by Buñuel and Salvador Dalí
  9. Free and Easy, directed by Edward Sedgwick (Buster Keaton’s first speaking role)

 

septembre 18, 2026 5 lire la lecture

I spent a decade correcting people's grammar. (Not in an insufferable way. I was getting paid to do it.) Now I write without correcting my own.

septembre 18, 2026 7 lire la lecture

Whether he's acting or writing, Wesley MacInnes finds a starting point for each creative project in freewriting.

septembre 10, 2026 2 lire la lecture

The winning short story in the 2026 Freewrite 500 is "Deathbed Victory" by Rocky Halpern.

I wish my mother could be a little less enthusiastic about losing weight from chemotherapy. Her sharp wrists and angular neck are trophies others remark upon. They look past her hair and eyebrows that are like hay carried away by a thunderstorm and ask if she’s doing keto or mediterranean. 

The world is mesmerized by shrinking things. Mini candy bars, happy meal toys, tiny dogs that fit inside a purse, dollhouses, adults who weigh as much as children. 

My mother wants me to go on Ozempic. I sit next to her hospital bed, and she wraps her wisp of a hand around my thick, pulsing wrist. She asks me to dream of wearing matching bikinis on the shores of a tropical beach. She wants me to share in her religion, recite the sacred text: Nothing tastes as good as skinny feels. 

But chemo has rubbed her tastebuds down to a dull throb, so what does she know about it anyway? 

She dozes off as evening begins to creep. The TV mounted to the wall across from the bed plays a muted rerun of Friends, the one where Monica wears a fatsuit. She is half my size, at least. I turn off the TV, let go of my mother’s hand, and head toward the cafeteria. 

I examine limp premade salads, gray tuna fish sandwiches, and an unmanned make-your-own smoothie station. Eating dinner here doesn’t leave me with much of an appetite. Maybe I don’t need weight loss medication after all, I can just skulk the halls and wonder how much time we have left together. 

How much of that time will my mother spend wishing there was less of me? 

How much less of her can there be before she disappears? 

A nurse is checking her vitals when I return to the room. My mother looks at me, laughs softly, and asks the nurse, Can you believe she used to fit inside of me? 

I think of how we must have been, her warm body encasing mine like a bacon-wrapped date. I wonder if she ate hot fudge sundaes when she was pregnant with me. I wonder if there is a single moment of her life where she didn’t feel terrified of her body. 

My mother is a ghost and it’s the proudest she’s ever been, her deathbed victory lap. Somewhere, Jenny Craig sheds a tear and whispers into the ether, It’s not just about losing weight; it's about gaining life.