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Les meilleurs pays du monde pour être écrivain

Sophie Campbell
octobre 14, 2024 | 4 lire la lecture

Noël 1956 à New York. Une écrivaine en difficulté, jonglant avec ses petits boulots pour joindre les deux bouts, reçoit un cadeau incroyable de ses amis : un an de salaire , ce qui lui permet de quitter son travail et de se consacrer à l'écriture à plein temps pendant une année entière.

Cet écrivain était Harper Lee et le roman qu'elle a écrit était To Kill a Mockingbird .

Si Lee n'avait pas reçu cet argent, l'un des livres les plus importants du XXe siècle n'aurait peut-être jamais existé. Si cette histoire ne prouve pas l'importance du financement des arts, rien ne le fera.

Parlons du financement des arts

Le financement est un rêve pour de nombreux auteurs en herbe. Et il ne fait aucun doute que l'allègement des contraintes financières élargit l'accès et permet aux écrivains de tous horizons d'être plus créatifs et productifs.

Mais les histoires comme celle de Harper Lee sont aussi rares et insaisissables que le premier jet parfait.

Des bourses, des subventions et d'autres possibilités existent pour les écrivains. Mais quel est aujourd'hui le financement des contes de fées pour la prochaine génération d'auteurs ?

L'état du financement des arts dans le monde

Dans de nombreux pays, la lutte pour un financement adéquat des arts et de la culture dure depuis des décennies. Malgré ses énormes bienfaits sur la croissance économique, la diversité, la mobilité sociale, l'éducation et le bien-être, le financement des arts est toujours le premier à être sabré lorsque les gouvernements doivent se serrer la ceinture.

Aux États-Unis, Ron DeSantis a supprimé plus de 32 millions de dollars de financement des arts et de la culture du budget de la Floride plus tôt cette année. Au Canada, le gouvernement du Québec a réduit d'un million de dollars le budget du Conseil des arts et des lettres du Québec (CALQ), malgré les appels des artistes qui réclament 100 millions de dollars supplémentaires pour maintenir l'écosystème créatif.

De l'autre côté de l'Atlantique, les écrivains et les créateurs britanniques sont confrontés à des défis similaires. Les dépenses consacrées à la culture au Royaume-Uni sont parmi les plus faibles d'Europe et le financement global des arts a été réduit de 16 % en termes réels depuis 2017 .

Cela m’a fait réfléchir : quels pays financent bien les arts ?

Les meilleurs endroits pour être écrivain

1. NORVÈGE

Quand on voit les magnifiques paysages de Norvège, on comprend facilement pourquoi le pays produit autant d’écrivains et de poètes.

En Norvège, les écrivains bénéficient d'une multitude de possibilités de financement grâce à des organismes comme le Conseil norvégien des arts. Cet organisme offre des bourses de travail d'une durée maximale de cinq ans aux écrivains et artistes de différentes disciplines. De nombreux artistes norvégiens sont entièrement financés par des fonds publics .

Le Centre d'artistes nordiques propose également un large éventail de résidences dans son centre de Dale. Les résidents bénéficient d'allocations mensuelles, d'ateliers individuels et d'espaces de vie séparés, tous situés sur place au NKD.

2. IRLANDE

L'Irlande est réputée pour sa culture narrative. Le gouvernement irlandais accorde une grande importance à la promotion des talents. Le Conseil des Arts d'Irlande propose diverses bourses aux écrivains, dont le Prix des Artistes de la Nouvelle Génération, qui offre une allocation pouvant atteindre 25 000 €.

Sarah Bannan, directrice du département Littérature du Conseil des Arts d'Irlande, a déclaré au Guardian : « Nous accordons une importance capitale à nos bourses. Le budget alloué à ces bourses avoisine les 2 millions d'euros, et cet argent est directement versé aux auteurs afin qu'ils puissent consacrer du temps à leurs projets. »

L'Irlande dispose également d'une exonération fiscale sur les revenus des artistes jusqu'à 50 000 € et a lancé un programme pilote de revenu de base pour les arts (BIA) en 2022, accordant 325 € par semaine à 2 000 artistes.

3. ALLEMAGNE

L'Allemagne offre également aux écrivains diverses bourses et programmes de financement littéraire. Le Fonds allemand pour la littérature propose plus de 400 programmes de financement, dont la Bourse de travail pour auteurs, qui comprend une allocation de 3 000 € par mois . La Kulturstiftung des Bundes (Fondation culturelle fédérale) propose également diverses bourses, et plusieurs Länder disposent de leurs propres programmes de financement littéraire.

Les écrivains internationaux peuvent également postuler à des bourses et à un hébergement pour des résidences prestigieuses auprès d'organisations telles que le programme DAAD Artists-in-Berlin et la Villa Aurora.

4. SUÈDE

En Suède, le Comité suédois des bourses artistiques propose des bourses spécifiques à des projets et des bourses de travail à long terme, d'une durée pouvant aller jusqu'à plusieurs années. Ces dernières offrent aux artistes de toutes disciplines, y compris aux écrivains, un revenu stable.

Le Conseil suédois des arts souhaite vivement faire connaître la littérature suédoise à un public plus large à travers le monde. C'est pourquoi il offre de généreuses subventions pour la traduction d'ouvrages suédois dans d'autres langues.

Un séjour au Centre balte pour les écrivains et les traducteurs , basé dans la pittoresque ville médiévale de Visby, est couvert par une bourse de résidence.

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Même dans les pays où les financements pour les écrivains sont plus abondants, il reste encore beaucoup à faire pour offrir des opportunités équitables aux écrivains de tous horizons et de tous niveaux de revenus.

Et où que vous soyez, continuez d'écrire. Continuez à écrire pour poursuivre le combat pour la sauvegarde des arts.

novembre 29, 2025 4 lire la lecture

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

novembre 25, 2025 1 lire la lecture

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

novembre 21, 2025 4 lire la lecture

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.