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Publication 101 : Quelles sont mes options ?

août 17, 2023 | 4 lire la lecture

Options de publication 101

En tant qu'écrivains, nous rêvons tous de partager nos histoires avec le monde. Mais l'édition est un métier complexe. Et ce n'est un secret pour personne : le secteur de l'édition a profondément évolué au cours de la dernière décennie, et continue d'évoluer. De nouvelles façons de partager son travail apparaissent constamment.

Nous avons élaboré un guide rapide pour les nouveaux venus dans le monde de l'édition afin de voir quelles options s'offrent à vous lorsque vient le temps de publier votre travail.

Édition traditionnelle

C'est ce à quoi la plupart des gens pensent lorsqu'ils pensent à l'édition. Vous savez, rencontrer un éditeur de renom dans un gratte-ciel new-yorkais, partir en tournée et assister à des soirées de lancement spectaculaires. Traditionnellement, c'est ce que la plupart des écrivains aspirent à obtenir : voir leur livre accepté par une maison d'édition réputée.

Comment ça marche ? L'édition traditionnelle consiste à envoyer votre manuscrit à un agent ou à une maison d'édition pour évaluation. Si votre manuscrit est accepté, la maison d'édition le développe avec une équipe éditoriale, conçoit et publie le livre, puis le distribue aux librairies, bibliothèques et sites de vente en ligne.

Les avantages : L’avantage principal de l’édition traditionnelle est que vous devriez recevoir un certain niveau de soutien marketing afin d’atteindre un public plus large que si vous éditiez vous-même. Si vous êtes chanceux, vous pourriez même bénéficier d'un placement média important ou d'une tournée de promotion pour votre livre. (Remarque : de nos jours, les auteurs publiés traditionnellement ne disposent pas tous d'un budget marketing conséquent. Vous devrez néanmoins vous efforcer de promouvoir vos livres.) Un autre avantage de l'édition traditionnelle est que l'entreprise prend en charge les principaux coûts de production, comme l'édition, la conception de la couverture, la mise en page et la décoration intérieure, entre autres.

Inconvénients : Le principal inconvénient est que vos droits d'auteur seront faibles et que vous les partagerez avec votre agent. Le taux de droits moyen pour les auteurs publiés traditionnellement est de 10 %, selon Publish Drive . (Oui, c'est vraiment faible !) De plus, de nos jours, la plupart des grands éditeurs refusent les travaux d'auteurs non représentés. Cela signifie que vous devez d'abord soumettre votre manuscrit à un agent. Trouver un agent est une toute autre histoire !

Si la plupart des auteurs rêvent de signer avec les « Big 5 » (c'est-à-dire les plus grands et les plus prestigieux éditeurs : Hachette, HarperCollins, Macmillan, Penguin Random House et Simon & Schuster), de nombreux petits éditeurs publient également d'excellents livres. Certains acceptent même les soumissions de manuscrits d'auteurs sans agent.

Auto-édition

L'autoédition a gagné en popularité ces dernières années. Bien qu'il s'agisse d'un secteur relativement jeune, il a connu un essor fulgurant au cours de la dernière décennie, et certains auteurs gagnent désormais autant d'argent ou vendent autant de livres que leurs homologues de l'édition traditionnelle.

Comment ça marche ? L'autoédition consiste à publier votre livre de manière indépendante, sans le soutien d'une maison d'édition. Vous êtes le chef de projet de toutes les étapes, de la rédaction et de la révision à la conception de la couverture et au marketing.

Avantages : Vous avez un contrôle créatif total ! Vous choisissez la couverture du livre et prenez toutes les décisions finales. Un avantage encore plus important est que l'autoédition offre un pourcentage de royalties bien plus élevé que l'édition traditionnelle. De nombreux auteurs autoédités gagnent leur vie simplement en vendant des ebooks sur des plateformes en ligne comme Amazon et Barnes & Noble, qui proposent toutes deux un taux de royalties de 70 %. Campfire, l'un de nos partenaires, lance même une nouvelle initiative de monétisation sur sa plateforme, permettant aux auteurs de toucher 80 % de royalties !

Inconvénients : Vous avez un contrôle créatif total, de la conception de la couverture à la révision, et vous devez payer pour tout cela. Globalement, l'autoédition demande beaucoup d'efforts (et un investissement financier considérable) au-delà du simple acte d'écriture. Vous devrez embaucher un designer pour la couverture du livre et un éditeur pour peaufiner votre histoire, ce qui peut être coûteux. De la révision et de la mise en forme à l'ensemble du marketing, vous vous en occuperez vous-même ou ferez appel à un professionnel. De plus, de nombreuses librairies et bibliothèques ne proposent pas de livres auto-édités.

En fin de compte, même si les auteurs auto-édités vendent souvent moins d’exemplaires de leurs livres, le taux de redevance beaucoup plus élevé incite néanmoins de nombreux écrivains à choisir l’auto-édition.

Note sur les livres électroniques et l'impression à la demande

Avec l'essor d'Amazon et des tablettes, les livres numériques sont devenus de plus en plus populaires. Leur coût d'entrée est plus faible et leurs délais de livraison sont plus courts. De plus, ils ne sont pas limités par des contraintes de stockage ou de distribution.

Les plateformes d'auto-édition de livres numériques se sont désormais adaptées au format papier. Les auteurs peuvent désormais facilement auto-éditer des exemplaires papier de leurs livres grâce aux services d'impression à la demande. Il suffit de télécharger un manuscrit formaté selon les spécifications de la plateforme (vous devrez peut-être faire appel à un formateur) et de le télécharger sur la plateforme. Bien que la qualité globale de ces livres ne soit pas aussi élevée que celle d'un livre publié traditionnellement, il est aujourd'hui extrêmement facile de publier une version imprimée. (N'oubliez pas de commander un exemplaire d'auteur à vous faire livrer avant de publier afin de pouvoir le voir en personne.)

Publication hybride

La bonne nouvelle pour les auteurs modernes est qu'ils n'ont pas à choisir entre l'édition traditionnelle et l'autoédition tout au long de leur carrière. L'« édition hybride » est une combinaison des deux méthodes. De nombreux auteurs débutent chez un éditeur traditionnel et décident ensuite de se lancer dans l'autoédition. D'autres se lancent dans l'autoédition et sont ensuite recrutés par un éditeur.

Il est important de noter qu'une fois votre livre auto-édité, il est très peu probable qu'un éditeur envisage de publier ce manuscrit. Il est donc essentiel d'examiner toutes les options avant de prendre une décision pour chaque livre.


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L'édition traditionnelle peut s'avérer complexe, et de plus en plus d'auteurs optent donc pour l'autoédition. Cependant, avec l'essor des technologies, de plus en plus de personnes s'autoéditent, ce qui crée un marché saturé et complique la commercialisation. Pour certains, l'édition traditionnelle représente l'expérience qu'ils recherchent.

Il est essentiel de peser le pour et le contre avant de choisir une voie d'édition. Une chose est sûre : être écrivain n'a jamais été aussi passionnant !

novembre 29, 2025 4 lire la lecture

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

novembre 25, 2025 1 lire la lecture

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

novembre 21, 2025 4 lire la lecture

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

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Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.